You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
Norm, you are the freakin' coolest! This tune meant a lot to me and now it's on a pedestal. T is gonna love this when he hears it!
Thanks, bro - Perfectly done.
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Improvisation on congas and very fragile, clay Moroccan bongos (which my brother found for me from an African display at some zoo!). These bongos are basically clay pots with permanent, very thin goat skins stretched over the top - they can not…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Good point, Gumbo! That is the nature of "cross-over" patterns: they involve 2 rhythms with *different meters* which are played at the same *tempo*. So, regardless of listening to this pattern through the lens of 4/4 (8 beats/bar) or 3/16 (12 beats/bar), both patterns are played at the same tempo, i.e. 180bpm in this case. These patterns have measures that start at the same point, but do not end at the same point until cycling through 24 beats each - at which point they "cross-over"; a point that is illustrated by the clave in this example.
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
lovely - my only connection to this kind of polyrhythm is thru the Grateful Dead whose two drummers used to explore and experiment thusly.
I like that you can say it has 4 beats AND 6 beats to the measure and then say that it has 180 bpm ;-)
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
In 2006 we visited a Japanese garden. In September of 2009 I wrote this piano piece in 17 ET and I hear a connection between the two. So I put together a video from pictures and video taken of our visit and married the two. Please visit the song…
Starting out as a simple and awe inspiring invention, progressing to a more chaotic and demanding machine driven future. - people becoming enslaved to these devices. Feeding the machine.
Phone samples were recorded from the output jack of my…
I was working on one of my ethno 2 demos and needed a break so I made an improvisation on a series of major 7ths using only the Ethno 2 package.
All of the pitched instruments use the included Werckmeister temperament tuning.
Ooooh, you guys got it going. I would so LOVE to hook up with musicians along this slant. Talk to me about how the percussion is recorded (ie micing, etc.). Just awesome. AWB/Feat.
This drips with butter! Your keys player should be canonized. And I want to spend the week-end with your drummer, bassist and a case of gin. Great vocals too!
This song always puts you in a weird mood...forcibly sways your emotional state. There’s some kind of weird juju laced in that song that screws with your emotions no matter how you're feeling.
This song uses a lot of layers for bass along with…
This was written while living in the studio. For some reason this song seems like music appropriate for a chase scene. This is all bass and drums...no guitars yet. Vic's working on it.
This was written while living in the studio. For some reason this song seems like music appropriate for a chase scene. This is all bass and drums...no guitars yet. Vic's working on it.
Another older song. It's intentionally short. It makes it's point and moves on. No need to drag it out.
There used to be more. The song started as a minute-thirty idea, but we had the intention of building it later. We put some cool parts…
A Poem about Fear....
-My friend Fear-
By Tharek Mokbul
My friend.... (!?) .....
You have controlled your tone....?!?!
Is this the first time I have truly known you?
The ever present protector....
Moderator of will....
I request that you know…
Bass and Backing Vox from Launched (Mark)
Lead from Geir...
Hope You Like it!
-EASY LONDON-
(By Tharek Mokbul 2010)
We Live in London Town
Moving in Cans in the Underground
You’ll never know
You’ll Never Know, Never Know…
Reworked this one last night...
Crazy where a Song Can Take you...
CROWN OF DUST
Vocals: Owen Bourne
Left rhythm gtr (and Words): Tharek Mokbul
Right rhythm gtr: Geir Alfsen
Lead gtr : Geir Alfsen
Bass: Mark McPherson
Drum programming…
Thanks to Sister Savage for helping us debut our new project. As busy as she is, Sister managed a bit of time and some great Jovian vox for us.
This piece or art is unique, sublime, and psychedelic.
Lyrics:
?
2010 Savigear-Reyes-Lennon
Comments on Norm's stuff
Okay, so this is awesome fellas - you're like some explosive cocktail of cool. Kicking major butt, three times!
Each of you kick ass. Together you three are magical! Excellent work fellas. JR
Norm, you are the freakin' coolest! This tune meant a lot to me and now it's on a pedestal. T is gonna love this when he hears it! Thanks, bro - Perfectly done.
wow, what a cool collab. the 3 musicians and instrument sounds mix well. I would crash into this late night show any day of the week
excellent!! I really like this collab! The voice perhaps could be a touch louder other than that this is excellent!
Damn that's a tough count. Super job man. Super.
This is fantastic Norm. Keep bringing me the lessons. I love it. Gotta go try this one now!!!!
I like all your tracks, so excellent sounding.
This is fantastic, seriously.
complex pattern and really good timing. Great percussion track S to F
Hey..call me at st. john Lutheran. we need to talk! I love this sound!
that's sooooo voodoo! technique's great yes, but the vibe is simply excellent! and your timing is just getting better and better O_o
Good point, Gumbo! That is the nature of "cross-over" patterns: they involve 2 rhythms with *different meters* which are played at the same *tempo*. So, regardless of listening to this pattern through the lens of 4/4 (8 beats/bar) or 3/16 (12 beats/bar), both patterns are played at the same tempo, i.e. 180bpm in this case. These patterns have measures that start at the same point, but do not end at the same point until cycling through 24 beats each - at which point they "cross-over"; a point that is illustrated by the clave in this example.
LOVE IT!
Excellent!!
Crazy great.
Oh my, sublime, El Norm! Would you be terribly offended if I had a play around with this?
thanks for explaining the count btw - that helps a lot
lovely - my only connection to this kind of polyrhythm is thru the Grateful Dead whose two drummers used to explore and experiment thusly. I like that you can say it has 4 beats AND 6 beats to the measure and then say that it has 180 bpm ;-)
I don't know how you keep time like this, but it's incredible!
Comments made by Norm
Beautiful. I didn't need the video to see the coys lazily gliding around the pond.
Are you still there?? Nice work, Reefwalker!! The thing I love the very most about it is** Oh - gotta go - phone's ringing...
Cool!
The harmonies on this one are simply breath taking! Great song and well done!
Ummmmmm now this is good, good, good.
Ooooh, you guys got it going. I would so LOVE to hook up with musicians along this slant. Talk to me about how the percussion is recorded (ie micing, etc.). Just awesome. AWB/Feat.
I'm still shaking my head...
OK, I'm just going to be quiet from now on, but this is really, really great stuff that you guys are generating.
This drips with butter! Your keys player should be canonized. And I want to spend the week-end with your drummer, bassist and a case of gin. Great vocals too!
I have no idea why noboody is listening to this great stuff!! That shit ain't right. Many thanks!! Just great!
Of your loop intended samples, I like this one best.
It's space alright. I've heard it plenty of times at the Dead concerts. Well done!
Guitars would just ruin this. MORE DRUM AND BASS DUETS!!
Oooh, sweet drumming on this one! Funkytissimo!
Rockin! Great stuff.
One of the freshest new poems I've read in a very long time. Outstanding work!
Dig it! *-Jumps into mosh pit with a big grin on his face-
Now we're talking! This kicks! *Buys a round for the band**
Swampy! Very nice.
Excellent work guys! Thanks!