It was a curious and wondrous thing.
One night I was in my studio adding some percussion to the "Quiet Rituals" track by Barry van Oudtshoorn, when my 4 young children (with whom I was long over-due to be tucking into bed and reading a bed…
Wow...
This has got the Awesome Factor big time!
I let my kid do some Synth for one of my tracks the other day... There is nothing in the world greater than Being able to share time like this with them!
I think is is amazing that this is a poem that you heard as a Child as well, and are now recording with your own children..
Warms The Heart Bro!
A Wonderful and Well Performed track!
It's really Spooky as well! Bonus!! :)
Well Done All!!
Peace
T(OsCKilO)
It was a curious and wondrous thing.
One night I was in my studio adding some percussion to the "Quiet Rituals" track by Barry van Oudtshoorn, when my 4 young children (with whom I was long over-due to be tucking into bed and reading a bed…
Ok, so I'm just a percussionist, and if your only tool is a hammer, the entire world looks like a nail. I get it. And I also get that our songs are our children, so we should be very careful about whom we let them play with.
When I first heard…
Ok, so I'm just a percussionist, and if your only tool is a hammer, the entire world looks like a nail. I get it. And I also get that our songs are our children, so we should be very careful about whom we let them play with.
When I first heard…
Improvisation on congas and very fragile, clay Moroccan bongos (which my brother found for me from an African display at some zoo!). These bongos are basically clay pots with permanent, very thin goat skins stretched over the top - they can not…
great playing! What kind of mics did you use to get such a crisp sound? And..by the way, wouldn't it suk if aliens came and used our skin for drums? lol
Improvisation on congas and very fragile, clay Moroccan bongos (which my brother found for me from an African display at some zoo!). These bongos are basically clay pots with permanent, very thin goat skins stretched over the top - they can not…
Ok, so I'm just a percussionist, and if your only tool is a hammer, the entire world looks like a nail. I get it. And I also get that our songs are our children, so we should be very careful about whom we let them play with.
When I first heard…
Ok, so I'm just a percussionist, and if your only tool is a hammer, the entire world looks like a nail. I get it. And I also get that our songs are our children, so we should be very careful about whom we let them play with.
When I first heard…
How did I miss this? Very cool and original - No idea how you managed to perfectly sync with the piano. Love it, though.
(And yes, it was a while ago, but I still miss my dog. You never get over it do you? But I really see the humor in a sad dude pining away over his lost dog, too!)
It was a curious and wondrous thing.
One night I was in my studio adding some percussion to the "Quiet Rituals" track by Barry van Oudtshoorn, when my 4 young children (with whom I was long over-due to be tucking into bed and reading a bed…
I really enjoyed this. I always read alot to my kids, so I understand the special relationship between the favorite books and the kids and parent. And I love that you included them, still kept the artistry serious, and produced a good product.
Improvisation on congas and very fragile, clay Moroccan bongos (which my brother found for me from an African display at some zoo!). These bongos are basically clay pots with permanent, very thin goat skins stretched over the top - they can not…
When I was young, I remember dreaming about what I called "jungle drums"; I'm not sure why. I dreamed your song...long ago in the depths of some astral flight apparently. Thanks for recording it.
It was a curious and wondrous thing.
One night I was in my studio adding some percussion to the "Quiet Rituals" track by Barry van Oudtshoorn, when my 4 young children (with whom I was long over-due to be tucking into bed and reading a bed…
Improvisation on congas and very fragile, clay Moroccan bongos (which my brother found for me from an African display at some zoo!). These bongos are basically clay pots with permanent, very thin goat skins stretched over the top - they can not…
Jarvis, yes it does have a "Wipeout" sound to it - I was trying to get that sort of vintage surf music feel into a drum pattern. Now if I can only find a guitarist to do that quick decending "doodle-loodoo-loodle-loodle-loodle-loodle-loodle" surf guitar lick at the very beginning... what in the world do you call that cool sound anyway?
Improvisation on Gon-Bops congas, while thinking of future days gone by.
4/4 180bpm.
LYRICS
A cool wind brings the fall
And the season starts to change.
Outside the sky's steel grey.
Inside my heart is too.
And I don't know how to…
Improvisation on congas and very fragile, clay Moroccan bongos (which my brother found for me from an African display at some zoo!). These bongos are basically clay pots with permanent, very thin goat skins stretched over the top - they can not…
Improvisation on congas and very fragile, clay Moroccan bongos (which my brother found for me from an African display at some zoo!). These bongos are basically clay pots with permanent, very thin goat skins stretched over the top - they can not…
Improvisation on congas and very fragile, clay Moroccan bongos (which my brother found for me from an African display at some zoo!). These bongos are basically clay pots with permanent, very thin goat skins stretched over the top - they can not…
Hi - thought I'd throw up an older piece today while I have time (doing work at the new house later). This is an improvisation with my Fender Mustang / Roland GR-20 combination retuned on the fly to 9 notes per octave "Sorog" tuning. I think…
So when you are playing this song on the Fender Mustang, you are hearing it in Sorog tuning, right? But the note that you are playing on the guitar is changed to another pitch by the Roland, so you must have the headset plugged into the Roland output, right?
Hi - thought I'd throw up an older piece today while I have time (doing work at the new house later). This is an improvisation with my Fender Mustang / Roland GR-20 combination retuned on the fly to 9 notes per octave "Sorog" tuning. I think…
Vaisvil's response to my question was enlightening: wild stuff!
"well, no actually, it is the Roland GR-20 that gets re-tuned. Performing in many tunings with acoustic instruments is problematic and while I've seen a few attempts none of them I could afford. One could de-fret and re-fret a guitar but not only is it time consuming you then have either many guitars or a commitment to one tuning for a good space of time.
So.. long story short - musical electronics are making microtonal music practical. Of course this is purely from a western perspective - other cultures have been performing microtonal music for millennial. Or, as a Turkish composer told me - the west is the real microtonal music because its the compromise compared to other cultures."
Some more good fun with Brian Bazeley and Jarvis.
I added some drums and some horns to Jarvo's noodling.
There's probably room for vocals if anyone is feeling froggy.
Thanks Brian and Jarvis
Cant sleep....
Thought I'd write a Tune....
Had to be fairly Quiet on this, so as not to wake the Baby...
Hope you Like it.
Lyrics
“It Allâ€
By Tharek Mokbul 2010
I can’t find the,
Place where I kept,
My Love…
Hi - thought I'd throw up an older piece today while I have time (doing work at the new house later). This is an improvisation with my Fender Mustang / Roland GR-20 combination retuned on the fly to 9 notes per octave "Sorog" tuning. I think…
You've done a great job of really listening to the conga pattern - you picked up the "melody" the drums are playing and duplicated it nicely with your guitars.
Man, when I hear it together, it becomes very clear how off key my drum tuning is, and how a membranophone, by its very multi-tonal nature, is really tough to accompany when it is played in a melodic fashion.
It is very brave of you Brian to even attempt to collaborate with such unconventional drumming – if I expect others to collaborate with my percussion tracks, I would probably be wise to produce patterns that are less melodic… and leave the melody up to my fellow collaborators on the chordophones, aerophones and electrophones.
Well done!
A few of you know I accidentally wiped out one of my SD cards that had all my works in progress on it. I'm just starting to piece it all together again - A slow process. This was supposed to be a reprise to "In My Head", but ended up being in…
This is a microtonal Jazz-ish piece produced with some newly developed techniques.
Norm Harris provides the excellent percussion. I probably could have made it easier on myself by not being so chromatic… but there it is.
The piano, bass…
A song about Rising to new challenges...
Even though you Might not want to really....
Geir Alfsen on Vocals Lyrics and Guitar..
Me on the rest...
Hope you Like it...
I've seen that video before, and always cherish it when I can have dreams like this at night. One of my favs! And listening to this song while watching it adds another dimension! Great voice, mix, orchestral support and over-all production. Well done!
So there I was, trying hard to complete a big production that I've been working on for ages, and I was getting nowhere. In frustration I started composing this little thing, and it quickly evolved into a nice piece of music all of its own. Funny…
Caveat emptor: I did absolutely none of the drumming in this piece.
WORLD PREMIER! FIRST RECORDING OF THIS PATTERN - EVER!
My friend Kokou "Alex" Yemey called me a few days ago with some urgency in his voice: "I must record this before…
@Sha-Pink: Thanks! I have a wide variety of different drums - you can get one view of my studio from the cover of my "collaborations" playlist. Various congas, bongos, djembes, bass drums, bells and effects instruments... but no trap-set.
The first time we played this tune, the drummer and I played it, spontaneously, almost exactly as this recording documents. But we'd never heard it before, had no chart, Kelly was just playing it on the bass and singing a bit, and our parts just…
Yes! In the groove. I love it when that happens... it remains a mystery to me how that works, but I think part of it is really listening to each other.
Comments on Norm's stuff
Wow... This has got the Awesome Factor big time! I let my kid do some Synth for one of my tracks the other day... There is nothing in the world greater than Being able to share time like this with them! I think is is amazing that this is a poem that you heard as a Child as well, and are now recording with your own children.. Warms The Heart Bro! A Wonderful and Well Performed track! It's really Spooky as well! Bonus!! :) Well Done All!! Peace T(OsCKilO)
What a great gift to share with your kids. The drums are done superbly...as is all of it. They will have and cherish this forever....
Talk about original! This was fun to listen to. Thanks for sharing.
your tech. is great. I like the title too! lol. Although I wouldn't wanna surf naked in parts of florida now....that oil spill.
being so high up in those awesome blueridge mountains must be good for the musical soul. :) Thanks for sharing.
great playing! What kind of mics did you use to get such a crisp sound? And..by the way, wouldn't it suk if aliens came and used our skin for drums? lol
I'm a percussionist first and foremost so I love this. Awesome jungle jam. Those congas sound nice and full.
You're funny. I just hope now that his child has had a taste of the caribbean flavor, that he doesn't go to pot.
How did I miss this? Very cool and original - No idea how you managed to perfectly sync with the piano. Love it, though. (And yes, it was a while ago, but I still miss my dog. You never get over it do you? But I really see the humor in a sad dude pining away over his lost dog, too!)
I really enjoyed this. I always read alot to my kids, so I understand the special relationship between the favorite books and the kids and parent. And I love that you included them, still kept the artistry serious, and produced a good product.
When I was young, I remember dreaming about what I called "jungle drums"; I'm not sure why. I dreamed your song...long ago in the depths of some astral flight apparently. Thanks for recording it.
very nice!
My Dad played the drums, ha, I thought he did! This is tribal indeed, there's a little tinkle in there too, nice touch.
Thanks Norm for listening! looking forward to hearing Jarvis lay a guitar down on Surf Naked!
Jarvis, yes it does have a "Wipeout" sound to it - I was trying to get that sort of vintage surf music feel into a drum pattern. Now if I can only find a guitarist to do that quick decending "doodle-loodoo-loodle-loodle-loodle-loodle-loodle" surf guitar lick at the very beginning... what in the world do you call that cool sound anyway?
This has a Bluesy feel to it that is screaming out for a guitar to play over.
Nice sort of Spanish sound to this ,makes you want to weave and flick your hips.....owwww me backs gone !!!
This has deffo got a 'Wipeout' Sound to it which will be interesting to somehow avoid in a gtr track.Imay have a stab at it. Nice drumming.
tight, and sprinkled with some interesting perc's brotha !
You got my groove goin' :) Very cool! w;-)
Comments made by Norm
One of my all time favorite songs. Great job!
Awesome, sax man!
Beautiful, once again!
Menacing!
Great set. I really enjoyed it.
So when you are playing this song on the Fender Mustang, you are hearing it in Sorog tuning, right? But the note that you are playing on the guitar is changed to another pitch by the Roland, so you must have the headset plugged into the Roland output, right?
Vaisvil's response to my question was enlightening: wild stuff! "well, no actually, it is the Roland GR-20 that gets re-tuned. Performing in many tunings with acoustic instruments is problematic and while I've seen a few attempts none of them I could afford. One could de-fret and re-fret a guitar but not only is it time consuming you then have either many guitars or a commitment to one tuning for a good space of time. So.. long story short - musical electronics are making microtonal music practical. Of course this is purely from a western perspective - other cultures have been performing microtonal music for millennial. Or, as a Turkish composer told me - the west is the real microtonal music because its the compromise compared to other cultures."
This is brilliant. Perhaps my favorite of your work so far.
Way to collaborate, guys! Bravo!
Great tune/voice. It is interesting how a particular smell or sound can instantly summon the gift of recall.
You actually tune the Fender Mustang to the Sorog tuning, right?
You've done a great job of really listening to the conga pattern - you picked up the "melody" the drums are playing and duplicated it nicely with your guitars. Man, when I hear it together, it becomes very clear how off key my drum tuning is, and how a membranophone, by its very multi-tonal nature, is really tough to accompany when it is played in a melodic fashion. It is very brave of you Brian to even attempt to collaborate with such unconventional drumming – if I expect others to collaborate with my percussion tracks, I would probably be wise to produce patterns that are less melodic… and leave the melody up to my fellow collaborators on the chordophones, aerophones and electrophones. Well done!
The vocal harmony work on this one is right-on!
I still love it.
I've seen that video before, and always cherish it when I can have dreams like this at night. One of my favs! And listening to this song while watching it adds another dimension! Great voice, mix, orchestral support and over-all production. Well done!
Very nice!
Great voice work!
All of your stuff sounds so pro. Well done!
@Sha-Pink: Thanks! I have a wide variety of different drums - you can get one view of my studio from the cover of my "collaborations" playlist. Various congas, bongos, djembes, bass drums, bells and effects instruments... but no trap-set.
Yes! In the groove. I love it when that happens... it remains a mystery to me how that works, but I think part of it is really listening to each other.