As I had nothing better to do last night, I had this great idea that I would construct a rhythm for the 24 hour challenge. This would be different: a 24 minute drum solo (I mean, who wouldn't love that?). I even had a perfect bass riff: the "Mother…
Out on the lawn there arose such a clatter!
Sometimes, as they say, Christmas do come early. I found Johnny Stone's "Christmas Rock In Oz" under the tree and couldn't wait until Yuletide to unwrap it. What a rockin' gift! I know a bit about…
Improvisation on Gon-Bops congas, while thinking of future days gone by.
4/4 180bpm.
LYRICS
A cool wind brings the fall
And the season starts to change.
Outside the sky's steel grey.
Inside my heart is too.
And I don't know how to…
Improvisation on Gon-Bops congas, while thinking of future days gone by.
4/4 180bpm.
LYRICS
A cool wind brings the fall
And the season starts to change.
Outside the sky's steel grey.
Inside my heart is too.
And I don't know how to…
Psychedelic, Rockin' and as groovy as spirit on soul. Your kind of acoustic percussion is what a yearn for, to have backing my Psych Folk songs. Tribal, Hypnotic, & Creeps insides you like a good 4:20 moment.
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
I was thumbing a ride along a hot, deserted Caribbean road. When Steve pulled up in this vintage pre-war Chevy, I was very grateful. It just so happened he was heading to the same cantina I was, so we kicked back with a pitcher of mojitos…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
Nice. It's also interesting when you play the same rhythm but on different times, say one in 4/4, and a same pattern but stretched (or compressed) to a triplet, gives a really full surround, though I'm talking in terms of guitar or synths, not sure how it would play out in percussion.
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
Chris sent this track to me earlier today with the request that I add some percussion to it.
I had something different in mind.
After the first take I was afraid to return it to him, fearing that he would convert it to 23 edo or something…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
@Jarvis:
I think if you could see the details of the painting more closely you would be able to see that in fact they are rolling die at the dinner table: Red Riding Hood has just rolled her 5th natural 7 on the come-out. Moments after the instant of this painting, the gent on the right flips the table over and Mr. Skull-cap slips Red a shiv.
Different recording here as the electric guitar, bass guitar were not plugged in, just recorded raw with a power mic and then EQ'ed to make it sound amped - pardon mistakes!
Duh! Now I get it. Electric guitar and bass recorded without benefit of amplifier or direct plug into a mixer. Way cool! And the added bonus of the percussion effect of your fingers against the strings - advancing the status of your chordophones to that of a percussion instrument!
I don't think I have heard a recording like this before.
Different recording here as the electric guitar, bass guitar were not plugged in, just recorded raw with a power mic and then EQ'ed to make it sound amped - pardon mistakes!
Excellent! I think the recording sounds great... but then that's how I record everything. Dig the whistleing reverb.
I was surprised that your phone didn't ring while you had the open mics on...
So after hearing some of Stephen Krell's outstanding picking, I asked him if he'd like to play along with any of my songs... I can't be happier with the one he picked to add his banjo to (seeing as how the song is written about my favorite Pete…
I can't remember her name. I saw her at Kerrville back in 2005. A little blond that always wore a leather cowboy had, played keys and wrote music for movies. (Someone remind me.)
COULD SHE KNOW
Could she know I think about her
Thinking…
a bit techno-like jew's harping. i like this stile of playing because it shows the instruments strength in rythmical patterns and ancient synthesized music.
Comments on Norm's stuff
Another early prezzie to myself........
it won't be long I'm getting in early to the good stuff.........
grooovin :)
Psychedelic, Rockin' and as groovy as spirit on soul. Your kind of acoustic percussion is what a yearn for, to have backing my Psych Folk songs. Tribal, Hypnotic, & Creeps insides you like a good 4:20 moment.
Sebs a bit out of sorts today but this seemed to calm him down nicely.....thanks
Ah, my comment got wiped out! It was along the lines of "Cool" and "Awesome!" Like the photo too!
Still puttin' out the mighty beats I see!! Love it, bro!
excellent
ah, the Ambrosian chant. I see why you named it for him now, I think.
Re: The glass dust .... That is because you Are naughty Norm! Bee :)
Oh Norm, Ha ha! I do love you!
nice beat i loved it
Nice. It's also interesting when you play the same rhythm but on different times, say one in 4/4, and a same pattern but stretched (or compressed) to a triplet, gives a really full surround, though I'm talking in terms of guitar or synths, not sure how it would play out in percussion.
Norm, that was Fantastic!!
I like the goove here bro! The lyrics help bring out the count I'm Percussion illiterate
Good jammin harp and guitar. Now let's hear that 23 edo version :)
I let my heart to trouble me 'cause of this groove My heart is in worry 'cause I'm from this world So~ ^_^
@Shirt: Ha! Well, probably not all of them.
I bet all those 'Mishna', 'Gmarah' Rabbi's are enjoying your grooves. Very subtle and moving...like it!
@Jarvis: I think if you could see the details of the painting more closely you would be able to see that in fact they are rolling die at the dinner table: Red Riding Hood has just rolled her 5th natural 7 on the come-out. Moments after the instant of this painting, the gent on the right flips the table over and Mr. Skull-cap slips Red a shiv.
Comments made by Norm
Oh yeah!
Excellent!
This is lovely.
Very nice!
I couldn't spot one, let alone 3.
Duh! Now I get it. Electric guitar and bass recorded without benefit of amplifier or direct plug into a mixer. Way cool! And the added bonus of the percussion effect of your fingers against the strings - advancing the status of your chordophones to that of a percussion instrument! I don't think I have heard a recording like this before.
Excellent! I think the recording sounds great... but then that's how I record everything. Dig the whistleing reverb. I was surprised that your phone didn't ring while you had the open mics on...
Stong work guys!
Great fun!
Looping has really taken off here at AT lately. Excellent video!
Very clever.
I bet this was a great show.
These duets are amazing!
Brilliant!
Outstanding!!
Excellent Jaw-harping!! How do you avoid hitting your teeth, because, man, that really hurts!
Strong track.
This is lovely.
Excellent!
Beautiful!