This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
I read what you wrote....I listened to what you played......I liked what you played and got perplexed at what you wrote...so I'll stick with my ears....80)
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
Very sweet :) I wonder if you were thinking...."if all these damn guitarists are just going to make crossover patterns from my beats, i'll just make a crossover pattern mayself. ;) haha FAV'D
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
Out on the lawn there arose such a clatter!
Sometimes, as they say, Christmas do come early. I found Johnny Stone's "Christmas Rock In Oz" under the tree and couldn't wait until Yuletide to unwrap it. What a rockin' gift! I know a bit about…
It was a curious and wondrous thing.
One night I was in my studio adding some percussion to the "Quiet Rituals" track by Barry van Oudtshoorn, when my 4 young children (with whom I was long over-due to be tucking into bed and reading a bed…
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
It was a curious and wondrous thing.
One night I was in my studio adding some percussion to the "Quiet Rituals" track by Barry van Oudtshoorn, when my 4 young children (with whom I was long over-due to be tucking into bed and reading a bed…
last eve there was a beautiful moon
dancing in a blue black sky
outside my piano room, it called to me
this tune is a one take playful moment, loosely based on the main theme from the 2nd mov of my piano sonata,,, i only toned down about…
Archival stuff from my distant past with former bandmates in Scartaglen. A set of traditional Irish tunes. Rescued from a cassette tape done at a concert back in the early 90's. Myself on Uilleann pipes and whistle. Mike dugger on guitar and fiddle…
More stuff from the ancient archives rescued from the same cassette tape as Last Nights Fun. This time a set of 3 Irish reels Live at a concert back around 1992
I'm still getting around to re-upping everything I took down last October.... this is one of them, and if I recall correctly, this is the track that was the impetus for Paul & I to start collaborating. (Something I've been missing a lot…
I had some lyrics describing a late nite cake baking experience kicking around. If I have a lot on my mind, dirtying every dish in the house seems like the right thing to do.
I stole some cool percussion from Norm and went to work. I also…
@Reefwalker: Well well well, a muffin man, eh? A pretty bold statement from a guy that I have seen wolf down a great deal of cake. But, in any case, finally I can answer in the affirmative: Yes, I know the muffin man. Muffin man. Muffin man. (I won't finish the rest as I know you are kind of protective about publishing your address).
I had some lyrics describing a late nite cake baking experience kicking around. If I have a lot on my mind, dirtying every dish in the house seems like the right thing to do.
I stole some cool percussion from Norm and went to work. I also…
"And I feel the pull of the tide... I bet the moon feels it too"; "I didn't have any eggs or any other crap you are supposed to mix with it"; "Mix it in a bowl with love & hate"... where do you get this stuff?? I'm a sucker for it. I hate chocolate cake. I mean, I love it.
This is a microtonal Jazz-ish piece produced with some newly developed techniques.
Norm Harris provides the excellent percussion. I probably could have made it easier on myself by not being so chromatic… but there it is.
The piano, bass…
They recon if you go down any mine in the world you'll find a Cornishman there working.
Colin did the vocals and twelve string
Matthew did Balron, whistle, backing vocals ect.
I did the acoustic and backing vocals.
Just another time traveling love song from your ole Uncle Paul.
Mostly MIDI synths and some analog bass and screaming Ibanez.
Drum loops too. I was going to drum it, but these two loops really kinda drive it along.
Enjoy.....
filled…
After writing this song about our newly adopted dog, I asked Kavin if he like to play some slide guitar, knowing that he would come up with something terrific... I just had no idea how terrific.
Bandit rides in the back of my truck
A big…
I couldn't get anything right today so I just mashed through a guitar track and overlayed vocals. But now I kind of like the song so it will have to be redone.
So sit back and relax, don't shower or shave and have a beer!
Swill A Beer
I sit…
"The sun comes down again
With overbearing certainty"
Now man, **sound of beer can being opened** that's poetry. Pure poetry.
(You know, if you would just take that filthy sheet down off of your window your friends would be much more likely to drop over for a cool one! But on the other hand, they would have to promise not to ponder over any those questions...)
When my daughter and I use to play computer games on the Sinclar Spectrum. ( One Kilobyte). Many years ago we combined our names Samantha And Dad, Hence Samadad.
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
This is a new song that started as a guitar pick, then got some words. I finally recorded this. It has 3 parts. Nylon guitar, Electric and voice. This is part of the "human racing" series I am working on.
Matter is surprising
Not what…
I had a bit of a dry spell with writing new music but today I have decided to break it.
This is loosely based on another song of mine, titled Swell.
I hope you enjoy this.
Comments on Norm's stuff
very nice,, if i could not play the piano (when i grow up) i would like to be a percussionist,, you make it sound soooo good
You make this sound easy. You ole pro you.
@Jarvis: Stick to your ears - musically speaking, nothing else matters. Thanks!
I read what you wrote....I listened to what you played......I liked what you played and got perplexed at what you wrote...so I'll stick with my ears....80)
I found myself rocking back and forth a little while listening. This is very addictive!
Love It!!!
I like the percussion instrument choices and the way additional instruments are progressively added in waves, clean track
:)
@MTC: Ha! Cross-overs are fun no matter who makes them. But it's cool you get the concept. Thanks.
way to get those rolls in there as well. killer.
Very sweet :) I wonder if you were thinking...."if all these damn guitarists are just going to make crossover patterns from my beats, i'll just make a crossover pattern mayself. ;) haha FAV'D
Another great piece Norm....just love your sense of rhythm
So what happened to Johnny? This is the only thing that remains. Did I miss something?
Still beautiful........
Damn- How did I miss this? Brilliant!
I'm trying to find the words to say why I liked this. The best I can come up with: "it's real".
4/4 bpm...awesome!
Sweet groove
You got the beat man.
the individual samples for propane are stretched (and filtered) but not the composition.
Comments made by Norm
Breath-taking!
Really, really fun.
That must have been one hella lathe. Awesome performance.
Ooh, the contrast between a lullaby & a wake-up call is brilliant.
Cuban garage band! Hey Pops - the guys are coming over to jam this afternoon, so I need to pull the '52 DeSoto out of the garage for a bit...
Sweet bassey goodness!
@Reefwalker: Well well well, a muffin man, eh? A pretty bold statement from a guy that I have seen wolf down a great deal of cake. But, in any case, finally I can answer in the affirmative: Yes, I know the muffin man. Muffin man. Muffin man. (I won't finish the rest as I know you are kind of protective about publishing your address).
"And I feel the pull of the tide... I bet the moon feels it too"; "I didn't have any eggs or any other crap you are supposed to mix with it"; "Mix it in a bowl with love & hate"... where do you get this stuff?? I'm a sucker for it. I hate chocolate cake. I mean, I love it.
Way to push the envelope, Chris! Very nice work.
Don't do another thing to this. It's perfect. What a song!
Yes, most excellent!
One of your best vocals yet! And a real high-lonesome sound to your guitar work. Well done!
How can I not fave a song about pick-up trucks, kids climbing on the dog, and leaving Memphis. And with slide guitar to boot.
"The sun comes down again With overbearing certainty" Now man, **sound of beer can being opened** that's poetry. Pure poetry. (You know, if you would just take that filthy sheet down off of your window your friends would be much more likely to drop over for a cool one! But on the other hand, they would have to promise not to ponder over any those questions...)
Brian, I think this is perhaps your loveliest post so far. Nice work, Samadad!
Solid!
Great voice!
@MTC: Please! Feel free to add something to my coffee. That's why I post this stuff.
The opening riff is most awesome!
Good to see that you are back in the saddle! This is very nice. Very nice.