The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
Ha! Well, you have a point. In Reg's world, there is a woman named "Ilesa". But I have not been in the pantry with her. Most of the women in Reg's world scare me to death!
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
but I have to admit that my hot-chili tomato oatmeal-with-pickles pasta I made after this was pretty good. (The bottle of cabernet probably helped too).
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
very excellent,, both the music, and the story,one of the things i find so compelling about music is that, it is an art that exists only in the moment, of the beat, the hearing, the heart, i enjoyed this alot thanks for both
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
really nice,, listening to this in headphones i can almost feel/see the bending/vibrating of the drum skin,, your recordings are very rich it's kind of neat because on one hand,, one might think it's just a simple drum,, but as i listen i always hear so many sound textures/timbre from the way different parts of you hands touch/hit to the different parts of the drum being hit , it's a very rich experience, and that's not even mentioning the wonderful rhythms you show us,,,drums are a very sensual sound,,, very nicely done,,i always look forward to hearing from you Richard
Here's proof. Proof that things are a bit mysterious in my studio.
Late last night my Bass Cajon all of a sudden decided to start accompanying me on its own - without me touching it. At first I thought that some apparitional bass player had…
This is a solo piano performance using an M-Audio 88es midi controller, Pianoteq, and a tuning I devised that is based on a harmonic series segment reduced to one octave.
Online play and download plus scala formatted tuning are here:
http…
Great to hear some other Virginia musucians on this great website. You rock strong. I'm proud that you are from the Commonwealth. Look me up when you are in Roanoke if you would like to jam with a percussionist. Strong work!
Mining the archives a bit. This is an alternate take of my "Jimi Jam" from a couple of years ago. Live to 2 tracks with the Jamman. Really only sounds OK when cranked up loud enough that your eardrums threaten to meet in the middle. LOL!!
Percussion by Norm
Lyrics by Rat-Hybrids
It's been tough to keep up lately, hope everyone is well.
Something I was working on as part of a larger project. When it's done I'll link it.
This is a lovely song with great lyrics. It stands on it's own without any percussion - to my ear it was too delicate to put any percussion to except just a touch of shaker. Nice work! As usual from you, great vox.
All of this is performed - Norm's many percussion devices, Fender Mustang, and GR-20 driven by the guitar for the rest of the voices excepting a bit of a choir at the end.
Ha! This was great fun for me generating a large number of interesting spooky noises -all acoustically- in my laboorratory. The chilling errie wind sound was created with a long spring, attached to the head of a small hand drum (known as a “spring drumâ€, of course) and the “opening crypt†sound was generated by running my thumb nail down the spring under tension. And any time I get to hit the 30†Paiste gong, you know I’m smiling –evilly in this case.
This is a rough mix of a track I did with the one & only Norm Harris. I've got some vocals in mind, but it may take some time to put it together, so meanwhile here's the instrumental version. Big thanks & major props to Norm…
Yes, RW's sitar works very well here. Nice! I confess that I don't know what a tenpura is, but then I thought a hurdy-gurdy had something to do with a busking monkey... now I realize its a wheel fiddle, which I've never come close to seeing or hearing.
I still want one of those things with the monkey hitting folks up for change in his little cup, whatever it's called.
I extended my very short Halloween piece - doubled it in length - not too hard considering it still is only a minute long.
This is using the Garritan Personal Orchestra sample set.
2 organs, piano, flute, bassoon.
This is my first musical expedition into the midi keyboard. Having never played the piano its a fun learning experience. Thanks to Norm for lending me Stinkbug!
In Argentina they say "in Argentina everything may change - except the tango", but I couldn't resist adding some percussion to this beautiful nuevo tango by Vincent Voois, composed in the style of Astor Pantaleon Piazzolla.
Check out Vincent…
@Jarvis:
A bandoneon is a type of concertina, sort of like an accordion, popular in Argentina... Piazolla is considered to be one of the masters of this instrument, (good question... I had to look it up myself).
http://en.wikipedia.org/wiki/Bandoneon
Ha! That's rich. All he wants is a regular cello, "like all the other cello people". But you gave a nice pitch for the electric bitchin' cello... I feel your pain, brother! A million drums and my kids want to play sax, flute and piano!
Very nice work here, Dylan!
When I put these last 3 songs on itunes, my computer did something weird. It told me that these songs were already out there on the internet somewhere. So, in order not to infringe on any copyright laws, I would like to assure everyone that NONE…
A Song About an old Saying......
Sh*t Happens......
Lyrics
T.Mokbul 2010
-In A Day-
Half a Glass of Gasoline
Mixed with Some Kerosene
Stirred in with Coffee
Laced with amphetamine
All That it Takes in A Day
To get by…
Thanks to Sister Savage for helping us debut our new project. As busy as she is, Sister managed a bit of time and some great Jovian vox for us.
This piece or art is unique, sublime, and psychedelic.
Lyrics:
?
2010 Savigear-Reyes-Lennon
So Jim of "Movement to Contact" asked me a couple of weeks ago to send him something...
I had no idea how ridiculously good the final result would come out.
KL: Vocals, lyrics, left side rhythm guitar and picking
MTC: Lead guitar, bass…
Written August 29, 2009 and Recorded March 22, 2010
Details: Epiphone Les Paul (DADGAD, Capo III), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, Audacity...all fingers, no picks.
I don't normally repeat myself, but when I sat down tonight…
Comments on Norm's stuff
It blows my mind how much expression you can make with pure drums -- awesome stuff!
I really like your style -- I normally don't go for pure percussion, but you definitely make it work!
Ha! Well, you have a point. In Reg's world, there is a woman named "Ilesa". But I have not been in the pantry with her. Most of the women in Reg's world scare me to death!
That's not the way Reg tells it...
"Ilesa" is a percussion pattern, not a woman! Otherwise I would have not taken the risk of being caught with her in the pantry!!
but I have to admit that my hot-chili tomato oatmeal-with-pickles pasta I made after this was pretty good. (The bottle of cabernet probably helped too).
I meant "Ilesa"! haha
2SS: Domestic? Yes. Barely. Goddess? Uh, no.
Domestic goddess!
this is excellent - and unique!
very excellent,, both the music, and the story,one of the things i find so compelling about music is that, it is an art that exists only in the moment, of the beat, the hearing, the heart, i enjoyed this alot thanks for both
Dooodley doo dodo do da da da......doodeley adoo dodo da da da ......yeh! I've got tune for this one I'm sure excellent beat Norm
Oh yeah!! Bustin' out my D harp and jammin' the high end. Cool stuff Norm. I'm glad you took up the harmonica.
nice. and i like the reverby harmonica :)
Reg - he did do something like that one day - and yes it was great!
Excellent I'm sure you could play a can of peas and record it and it would sound great
really nice,, listening to this in headphones i can almost feel/see the bending/vibrating of the drum skin,, your recordings are very rich it's kind of neat because on one hand,, one might think it's just a simple drum,, but as i listen i always hear so many sound textures/timbre from the way different parts of you hands touch/hit to the different parts of the drum being hit , it's a very rich experience, and that's not even mentioning the wonderful rhythms you show us,,,drums are a very sensual sound,,, very nicely done,,i always look forward to hearing from you Richard
great stuff!
How do you get these things to sing? Great melodic strands in these here (hot) beats.
I ment harmonica.....hahahah harp....I need to learn how to type...
Comments made by Norm
Keep pushing that envelope! Tell me again, as you recorded this, are you listening to the tuning as we hear it in the recording?
Lovely!
Provocative and powerful.
Great to hear some other Virginia musucians on this great website. You rock strong. I'm proud that you are from the Commonwealth. Look me up when you are in Roanoke if you would like to jam with a percussionist. Strong work!
Oh, how did I miss this rocker? Strong on many levels.
Yes! This rocks hard.
This is a lovely song with great lyrics. It stands on it's own without any percussion - to my ear it was too delicate to put any percussion to except just a touch of shaker. Nice work! As usual from you, great vox.
Ahh, Vibraphone & Piano: 2 of my favorite *percussion* instruments. I'll go on an expedition with you any time! (Way hip kite surfing photo)
Ha! This was great fun for me generating a large number of interesting spooky noises -all acoustically- in my laboorratory. The chilling errie wind sound was created with a long spring, attached to the head of a small hand drum (known as a “spring drumâ€, of course) and the “opening crypt†sound was generated by running my thumb nail down the spring under tension. And any time I get to hit the 30†Paiste gong, you know I’m smiling –evilly in this case.
Yes, RW's sitar works very well here. Nice! I confess that I don't know what a tenpura is, but then I thought a hurdy-gurdy had something to do with a busking monkey... now I realize its a wheel fiddle, which I've never come close to seeing or hearing. I still want one of those things with the monkey hitting folks up for change in his little cup, whatever it's called.
Which ferret is the witch ferret?
I agree with Beth: definite Spanish flavor to this one. Very nice!
@Jarvis: A bandoneon is a type of concertina, sort of like an accordion, popular in Argentina... Piazolla is considered to be one of the masters of this instrument, (good question... I had to look it up myself). http://en.wikipedia.org/wiki/Bandoneon
Ha! That's rich. All he wants is a regular cello, "like all the other cello people". But you gave a nice pitch for the electric bitchin' cello... I feel your pain, brother! A million drums and my kids want to play sax, flute and piano! Very nice work here, Dylan!
Still fresh and new, once again. Outstanding.
This is still fantastic. I'm sorry about your toothbrush.
Still awesome!
Exotic.
Wow great song. Your inspiration must be something else! Well done! Great collaboration.
Most excellent!