The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
Ha! Well, you have a point. In Reg's world, there is a woman named "Ilesa". But I have not been in the pantry with her. Most of the women in Reg's world scare me to death!
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
but I have to admit that my hot-chili tomato oatmeal-with-pickles pasta I made after this was pretty good. (The bottle of cabernet probably helped too).
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
very excellent,, both the music, and the story,one of the things i find so compelling about music is that, it is an art that exists only in the moment, of the beat, the hearing, the heart, i enjoyed this alot thanks for both
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
really nice,, listening to this in headphones i can almost feel/see the bending/vibrating of the drum skin,, your recordings are very rich it's kind of neat because on one hand,, one might think it's just a simple drum,, but as i listen i always hear so many sound textures/timbre from the way different parts of you hands touch/hit to the different parts of the drum being hit , it's a very rich experience, and that's not even mentioning the wonderful rhythms you show us,,,drums are a very sensual sound,,, very nicely done,,i always look forward to hearing from you Richard
Here's proof. Proof that things are a bit mysterious in my studio.
Late last night my Bass Cajon all of a sudden decided to start accompanying me on its own - without me touching it. At first I thought that some apparitional bass player had…
This is one stereo track of 6 conga drums tuned, by ear, to roughly a chromatic scale (I don't know which one - perhaps I've gone micro-tonal!) coupled with a single track of ad-lib quinto (the high drum) and a "shuffle" groove on trap-set…
Yep. It's official. I finally broke through micro-tonally! Vaisvil plotted the conga scale sample at the end of the track on his V-vocal software, which demonstrated the 6 note scale I used ran from F to C#. So much for tuning via my tin ear - but on the other hand maybe my micro-tonal appreciation is just maturing.
I like both riffs - and that big, phat bass sound. Thanks for working with the "Itchy" pattern... it had an itch that couldn't quite get scratched, and the only cure was some funky bass!
Life is a quest for knowledge and a simple realization that not only is there so much we don't know but to declare it somehow is empowering. A great collaboration with Norm who is an amazing percussionist and a super cool guy! Thanks for the…
Well, I don't know what I don't know, but I do know that your guitar work rocks and is just what my "Skin On Skin" pattern needed! It was a banner idea of yours to combine the two of them - thanks for sinking about it.
There is a video for this below
Its all a bit cliche I know - but its what I wanted to do. All of the video footage was taken by me in an undisclosed location somewhere. This is a microtonal piano improvisation that uses Lucy tuning 0b6s meantone…
I've always found that talking to God involves much more listening then talking. And listening to this is a pleasure, as my ear matures to appreciate micro-tonal work. And, I suspect, you will miss the view from the undisclosed location.
Having fun this week at my own expense, not my genre but what the heck. I used all the kids that were playing at my house on Monday for the chorus - had a blast.
Collaborators: my kids Dylan, Zack, Ally with Jake Henning , Haley Henning
I…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
This is first rock kind of song by our group "Quartet In Space". I hope you can enjoy with this one.
Contributors:
Drums: Black Tiger
Synth: Gilgamesh
Guitars: DJ Kujata
Bass: Clones (Vaisvil)
Mixing & Mastering: GMO (Alister Flint)
Ahem. It's a "Quartet in Space" only because actually physically putting these 5 guys in the same room would simply not be safe, but you can be certain it would sound fantastic.
Not terribly odd except for how I did it with Fretless gutiar.
I recently bought a used Fender Squier for $60, pulled the frets with pliers, filled the cuts with plastic wood, sanded, and jammed. Took about 2 hours to make the guitar fretless…
You + a self-modified fretless guitar + a universe of microtonal possibilities = we’re never going to get you off of that thing! Brilliant! Bold move! I can’t wait to hear some more of this.
Having fun this week at my own expense, not my genre but what the heck. I used all the kids that were playing at my house on Monday for the chorus - had a blast.
Collaborators: my kids Dylan, Zack, Ally with Jake Henning , Haley Henning
I…
You rat. That last voice sample caught me off guard... brought tears to my eyes, of course. That's my dad! What a nice Father's Day tune! Outstanding production. I can personally vouch that all the scenarios portrayed in this song are 100% factual.
A tune composed late in 2009, i've released it as well as other two tracks and some photos from a friend of mine as a micro-ep recently for free! Enjoy!
This is using a tuning I borrowed from The Smashing Pumpkins, which goes E-A-D-G#-B-E. Not…
This is the first song I uploaded to share on the internet when I first donned the name Alpha_Alpha. Thanks to fellow 'lonetoners and SoOn friends Norm and Vaisvil for contributing to make this song really special!
Ha! That cow-bell still nearly knocks me out of my chair everytime I hear it! ;) I'm always the last to find out anything... I didn't realize until today that you were posting on AT. Welcome!
For this Mother's Day week, a conga improvisation dedicated to Saint Monica and all the other mothers who surreptitiously provide for and incessantly pray for their children. Thanks Mom!
** this could really use a tasty melody to go with…
Comments on Norm's stuff
It blows my mind how much expression you can make with pure drums -- awesome stuff!
I really like your style -- I normally don't go for pure percussion, but you definitely make it work!
Ha! Well, you have a point. In Reg's world, there is a woman named "Ilesa". But I have not been in the pantry with her. Most of the women in Reg's world scare me to death!
That's not the way Reg tells it...
"Ilesa" is a percussion pattern, not a woman! Otherwise I would have not taken the risk of being caught with her in the pantry!!
but I have to admit that my hot-chili tomato oatmeal-with-pickles pasta I made after this was pretty good. (The bottle of cabernet probably helped too).
I meant "Ilesa"! haha
2SS: Domestic? Yes. Barely. Goddess? Uh, no.
Domestic goddess!
this is excellent - and unique!
very excellent,, both the music, and the story,one of the things i find so compelling about music is that, it is an art that exists only in the moment, of the beat, the hearing, the heart, i enjoyed this alot thanks for both
Dooodley doo dodo do da da da......doodeley adoo dodo da da da ......yeh! I've got tune for this one I'm sure excellent beat Norm
Oh yeah!! Bustin' out my D harp and jammin' the high end. Cool stuff Norm. I'm glad you took up the harmonica.
nice. and i like the reverby harmonica :)
Reg - he did do something like that one day - and yes it was great!
Excellent I'm sure you could play a can of peas and record it and it would sound great
really nice,, listening to this in headphones i can almost feel/see the bending/vibrating of the drum skin,, your recordings are very rich it's kind of neat because on one hand,, one might think it's just a simple drum,, but as i listen i always hear so many sound textures/timbre from the way different parts of you hands touch/hit to the different parts of the drum being hit , it's a very rich experience, and that's not even mentioning the wonderful rhythms you show us,,,drums are a very sensual sound,,, very nicely done,,i always look forward to hearing from you Richard
great stuff!
How do you get these things to sing? Great melodic strands in these here (hot) beats.
I ment harmonica.....hahahah harp....I need to learn how to type...
Comments made by Norm
You make that Roland sound like an entire symphony! Sis is right, quite menacing.
Groove me out, bass daddy!
Yep. It's official. I finally broke through micro-tonally! Vaisvil plotted the conga scale sample at the end of the track on his V-vocal software, which demonstrated the 6 note scale I used ran from F to C#. So much for tuning via my tin ear - but on the other hand maybe my micro-tonal appreciation is just maturing.
Brian sets an irresistible trap for catching some wild Vaisvil saxamaphone. Well done!
I like both riffs - and that big, phat bass sound. Thanks for working with the "Itchy" pattern... it had an itch that couldn't quite get scratched, and the only cure was some funky bass!
Well, I don't know what I don't know, but I do know that your guitar work rocks and is just what my "Skin On Skin" pattern needed! It was a banner idea of yours to combine the two of them - thanks for sinking about it.
I've always found that talking to God involves much more listening then talking. And listening to this is a pleasure, as my ear matures to appreciate micro-tonal work. And, I suspect, you will miss the view from the undisclosed location.
Yeah, I'm still diggin' it too.
Beautifully understated. I sure that your better worse half loves you all the worse better for it...
Nice playing and good job recording/mixing as well!
Nice one! Don't put it back!
I posted a remix today which adds Lexicon "Drum Hall" reverb and a bit of compression.
Ahem. It's a "Quartet in Space" only because actually physically putting these 5 guys in the same room would simply not be safe, but you can be certain it would sound fantastic.
You + a self-modified fretless guitar + a universe of microtonal possibilities = we’re never going to get you off of that thing! Brilliant! Bold move! I can’t wait to hear some more of this.
You rat. That last voice sample caught me off guard... brought tears to my eyes, of course. That's my dad! What a nice Father's Day tune! Outstanding production. I can personally vouch that all the scenarios portrayed in this song are 100% factual.
Outstanding!
Way hip!
Ha! That cow-bell still nearly knocks me out of my chair everytime I hear it! ;) I'm always the last to find out anything... I didn't realize until today that you were posting on AT. Welcome!
I have posted a new mix processed via a Lexicon MX200 to add "drum plate" reverb and a bit of compression.
Nice!