"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
the recording on this one is exceptionally good. I think you may have perfected the perc mic up over this last year. is there a hint of reverb?
Nice one, really warm malaria-like sound
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
@ Kirk& Kamachi: excellent observation, and you are correct. As most of my patterns are built around clave, and as clave is structured upon so many off-beats, to get my metronome to "click" on some key clave beats, I set my metronome at double time- so my bpm notation reflects what my metronome setting was dialed to. Here is a clave link that graphically shows how many times clave percussion scores are transcribed in 2/2 (cut time) to make it easier to read... but if one is counting 8th notes instead of quarter notes, the bpm will be doubled.
http://en.m.wikipedia.org/wiki/Clave_(rhythm)?wasRedirected=true
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
@ Richard: many thanks- recording accoustical percussion is sometimes tricky and I'm still learning the skill sets required for that. I mount my own skins from bulk rawhide (so not actually tanned) but I don't actually make the rawhide from animal skins... that's a lot of work on a non-industrial level and there are some health concerns when it comes to working with (especially imported) fresh animal skins. Many of the (nonterrorist) cases of anthrax reported involve folks making their own drum heads, so I just use commercially cured cow skin from the USA for the latin drums and buy pre-made drum heads for the African drums, which are usually water buffalo, goat or some sort of deer.
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
the sound quality is great,,, i can almost see/feel the bending/vibrating of the skin,, do you make,, tan etc your own skins?,,, this has a wonderful warm quality,, great piece
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
@ Dave: thanks for listening! This recording is 8 tracks, consisting of 2 (stereo) bass drum, cowbell, clave, chinese blocks, and 3 tracks of various sized conga drums playing their parts. Traditionally it is performed by a group of percussionists, which I would *love* to assemble- but that rarely is possible for me to do where I live.
Perhaps I should move to Africa.
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
Thanks Norm, I posted the lyrics. Now then on to this great groove, Yeah baby thats really moving isn't it. Is this one track or a few tracks overdubbed together? I am moving every part of my body to this groove.
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"Afoxe" is a rhythm played by carnival groups from Bahia in Northeastern Brazil. It is named after an instrument that is traditionally used to play this pattern: an afoxe is a beaded gourd; aka "shekere". In this rendition, I replaced the shaker…
A 3 track improvisation on 7 congas roughly tuned by ear to a chromatic scale.
LYRICS:
I walked a mile with Pleasure;
She chatted all the way;
But left me none the wiser
For all she had to say.
I walked a mile with Sorrow,
And ne…
A 3 track improvisation on 7 congas roughly tuned by ear to a chromatic scale.
LYRICS:
I walked a mile with Pleasure;
She chatted all the way;
But left me none the wiser
For all she had to say.
I walked a mile with Sorrow,
And ne…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"Afoxe" is a rhythm played by carnival groups from Bahia in Northeastern Brazil. It is named after an instrument that is traditionally used to play this pattern: an afoxe is a beaded gourd; aka "shekere". In this rendition, I replaced the shaker…
"Afoxe" is a rhythm played by carnival groups from Bahia in Northeastern Brazil. It is named after an instrument that is traditionally used to play this pattern: an afoxe is a beaded gourd; aka "shekere". In this rendition, I replaced the shaker…
A Song About an old Saying......
Sh*t Happens......
Lyrics
T.Mokbul 2010
-In A Day-
Half a Glass of Gasoline
Mixed with Some Kerosene
Stirred in with Coffee
Laced with amphetamine
All That it Takes in A Day
To get by…
I sent the tracks for this tune to a friend of mine who owns a professional studio. I gave him no instructions on how to mix it, as I wanted someone else's take on the music. He created a very dry, intimate mix, focusing more on the acoustic guitars…
Coolest song I ever heard. And to think that you nailed it on the first take! I was laughing through-out the song (well, except the part about your dog getting the blue tongue - I almost cried at that part).
When I wrote this it was a cold cloudy and dark winter night here in vancouver but I was sitting in my room and was just in a sunny state of mind. I then picked up my Uke and started fiddlin around searching for a breezy chord progression, then…
well I thiiink it was one of the maaaany times in which we would go down to the pMundo beach by the river build a fire, burn one (a couple) down and jam out loud, where I came up with this beautiful chord progression. It was then about a week…
Dead to the World
Just a shade
A specter, a ghost
No place amongst the society of perfect being!
Dead to the World
Alien, unwanted
Not here, unseen
Untagged, uncounted
Lost, unwanted, despised, no home, no place, no Soul!
Dead…
Well, you already know I adore this one: 5/4 meter, an unforgettable & unique hook, wicked guitar licks and a killer percussion/bass groove. It’s just perfect.
I'm singing lead on this. It was recorded to 24 track, 2 inch tape, I'm thinking. I have those somewhere, but they've turned gooey. Sadly, it seems to go into the red during the chorus, but I can't fix that now. I have more stories about the…
The psyche is a weird place, I'll just talk about it musically.
The piece begins with the sounds of Sudara's autoharp, the weeping woodwind sounds of the clarinetist from Megafauna Lacrymosa , and a low kick-like percussive sound, which is…
I thought this was a Hapi drum (or perhaps a Hang Drum), which I just love. Very nice work on it, Mark, as well as the djembe & dumbek. And Chris' guitar work makes even nicer. Strong work guys!
Mat and Jodi have been separated by a vast divide in time and space. AND YET! they can still create the distucto! as if by magic.
this track was part made in Brooklyn this morning and afternoon and simultaneously in Berlin this afternoon and…
walking down the street in the 1973, you're wearing yellow tinted shades, and a hat with a feather in it. Your switchblade is in your pocket, but you're not gonna need to use it today. Cause the sun is shining and folks are eating ice cream…
Well sure, you could call me a sucker for anything with a ukulele in it, but I REALLY like this one. Great percussion work. And the simple hook used to "respond" to the uke is my very favorite part. Excellent work!
these 2 "new" songs are a test to see if I now have what I need to successfully upload material. These 2 songs were recorded 20 years ago on a Tascam 4-track. The band is the Riptiles.
Comments on Norm's stuff
the recording on this one is exceptionally good. I think you may have perfected the perc mic up over this last year. is there a hint of reverb? Nice one, really warm malaria-like sound
@ Kirk& Kamachi: excellent observation, and you are correct. As most of my patterns are built around clave, and as clave is structured upon so many off-beats, to get my metronome to "click" on some key clave beats, I set my metronome at double time- so my bpm notation reflects what my metronome setting was dialed to. Here is a clave link that graphically shows how many times clave percussion scores are transcribed in 2/2 (cut time) to make it easier to read... but if one is counting 8th notes instead of quarter notes, the bpm will be doubled. http://en.m.wikipedia.org/wiki/Clave_(rhythm)?wasRedirected=true
Excellent playing. But +1 here for the 110 BPM perception :-)
Excellent! I find it interesting that in almost every one of these that you list the BPM I feel them in half time, so I would think of this as 110 BPM
glad to be back. good stuff here.
@ Richard: many thanks- recording accoustical percussion is sometimes tricky and I'm still learning the skill sets required for that. I mount my own skins from bulk rawhide (so not actually tanned) but I don't actually make the rawhide from animal skins... that's a lot of work on a non-industrial level and there are some health concerns when it comes to working with (especially imported) fresh animal skins. Many of the (nonterrorist) cases of anthrax reported involve folks making their own drum heads, so I just use commercially cured cow skin from the USA for the latin drums and buy pre-made drum heads for the African drums, which are usually water buffalo, goat or some sort of deer.
the sound quality is great,,, i can almost see/feel the bending/vibrating of the skin,, do you make,, tan etc your own skins?,,, this has a wonderful warm quality,, great piece
I heard the style somewhere but you perfected it. Thanks for uploading.
Phenomenal - almost, pheromonal!!
i played this in college. fun.
@ Dave: thanks for listening! This recording is 8 tracks, consisting of 2 (stereo) bass drum, cowbell, clave, chinese blocks, and 3 tracks of various sized conga drums playing their parts. Traditionally it is performed by a group of percussionists, which I would *love* to assemble- but that rarely is possible for me to do where I live. Perhaps I should move to Africa.
Thanks Norm, I posted the lyrics. Now then on to this great groove, Yeah baby thats really moving isn't it. Is this one track or a few tracks overdubbed together? I am moving every part of my body to this groove.
Absolutely brilliant.
Great brilliant top job mate.
@ Jarvis: Ha! I'm vocally challenged, but to hear the lyrics, go here: http://alonetone.com/vaisvil/tracks/walk-with-sorrow-norm-rick-chris-emily
Cool job ...but hey lyrics and no vox ?
Yet another good one. I love how you always post the style and a bit of history with each track. It always helps me understand the song better.
excellent! I like the way the congas answer each other.
Great stuff Norm! I must make some time to jam with some of your tracks
Beatiful!
Comments made by Norm
Now this is one cool groove. Fantastic percussion!
Now this is an awesome song. Great vocals!
I really enjoy this one. Many thanks!
Simply beautiful. Thanks.
Coolest song I ever heard. And to think that you nailed it on the first take! I was laughing through-out the song (well, except the part about your dog getting the blue tongue - I almost cried at that part).
Good one!
Nice work - I love the accordian in this one too.
Well, you already know I adore this one: 5/4 meter, an unforgettable & unique hook, wicked guitar licks and a killer percussion/bass groove. It’s just perfect.
Fantastic voice!
This is totally awesome. Very creative. Thanks!
Now that's what I'm talking about! Great stuff. I'd love to be able to get my hands on a Hang Drum - the Hapi sounds just like one here.
I thought this was a Hapi drum (or perhaps a Hang Drum), which I just love. Very nice work on it, Mark, as well as the djembe & dumbek. And Chris' guitar work makes even nicer. Strong work guys!
"... on your eyeball". ROFL!
I must be part Korean or something... I like it!
I want to see the video.
Ooh-la-la! Très bon!
LOL at the introduction here...
Well sure, you could call me a sucker for anything with a ukulele in it, but I REALLY like this one. Great percussion work. And the simple hook used to "respond" to the uke is my very favorite part. Excellent work!
Rad. Way rad.
This is way hip! This is the sort of vintage surf guitar sound I had in mind for my "Surf Naked" percussion track. :)