As I had nothing better to do last night, I had this great idea that I would construct a rhythm for the 24 hour challenge. This would be different: a 24 minute drum solo (I mean, who wouldn't love that?). I even had a perfect bass riff: the "Mother…
Out on the lawn there arose such a clatter!
Sometimes, as they say, Christmas do come early. I found Johnny Stone's "Christmas Rock In Oz" under the tree and couldn't wait until Yuletide to unwrap it. What a rockin' gift! I know a bit about…
Improvisation on Gon-Bops congas, while thinking of future days gone by.
4/4 180bpm.
LYRICS
A cool wind brings the fall
And the season starts to change.
Outside the sky's steel grey.
Inside my heart is too.
And I don't know how to…
Improvisation on Gon-Bops congas, while thinking of future days gone by.
4/4 180bpm.
LYRICS
A cool wind brings the fall
And the season starts to change.
Outside the sky's steel grey.
Inside my heart is too.
And I don't know how to…
Psychedelic, Rockin' and as groovy as spirit on soul. Your kind of acoustic percussion is what a yearn for, to have backing my Psych Folk songs. Tribal, Hypnotic, & Creeps insides you like a good 4:20 moment.
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
I was thumbing a ride along a hot, deserted Caribbean road. When Steve pulled up in this vintage pre-war Chevy, I was very grateful. It just so happened he was heading to the same cantina I was, so we kicked back with a pitcher of mojitos…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
Nice. It's also interesting when you play the same rhythm but on different times, say one in 4/4, and a same pattern but stretched (or compressed) to a triplet, gives a really full surround, though I'm talking in terms of guitar or synths, not sure how it would play out in percussion.
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
Chris sent this track to me earlier today with the request that I add some percussion to it.
I had something different in mind.
After the first take I was afraid to return it to him, fearing that he would convert it to 23 edo or something…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
@Jarvis:
I think if you could see the details of the painting more closely you would be able to see that in fact they are rolling die at the dinner table: Red Riding Hood has just rolled her 5th natural 7 on the come-out. Moments after the instant of this painting, the gent on the right flips the table over and Mr. Skull-cap slips Red a shiv.
Started out be an innocent little jazzy study in quartal harmony, but the DL4 was still in my signal path and things went downhill from there! Another done with my beloved '58 Stratotone
this is based on an improve from back in jan 75, then guitarist - chris layed this riff out and i never forgot it. it was the first time i was in a band as a bassist. the rest of the riffs are mine and everything else disastrous done in this song…
Hahaha! I like the opening riff too! That's a hilarious back story. It must be from a long time ago if Chris was still playing in 12 TET. Whoot! I actually used the phrase "12 TET"!
Cool ending too. Well done.
A Christmas song about what really matters.........i got the idea for the music listening to Jarvis and his accordian the other evening so thanks J........
A CHRISTMAS SONG (Lyrics)
Welcome to christmas eve the show begins again
were going…
Started out be an innocent little jazzy study in quartal harmony, but the DL4 was still in my signal path and things went downhill from there! Another done with my beloved '58 Stratotone
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a remix of an improvised track I did for our first RPM album. For this new mix, I got rid of the vocals & added a most excellent electric guitar part by our good friend, Chris Mitchell. He listened to the track just once and proceeded…
I was inspired to make this instrumental track when I heard some great drum loops made by alividlife and uploaded to Looperman.
I hope you enjoy listening as much as I did making it.
Well if you have to be in Oklahoma, you might as well be on one of the largest resevoirs in the USA so you can jump in and wash some of that hot red dust off.
As a Kansas man, that's just a bit too close to Texas for me.
After Brook drowned.
Ra Byn did everything but rhythm guitar.
He must have been about 12.
Open 9th tuning...
Well, you say that you're lonely
I see that you are
Tell me, where have you been
Life ain't no lay pen
Yeah, you call it a…
Tesla...maybe the smartest man that ever lived.
TESLA
Who invented remote control? TESLA
Who invented the fluorescent light? TESLA
Who invented the radio? TESLA
And who died alone and forgotten in 1943? TESLA
So, you say now, “Don’t…
Sometimes it might be best not to even think about what terrible things might happen. It might be part of setting those very terrible things in motion. How can one know?
Comments on Norm's stuff
Another early prezzie to myself........
it won't be long I'm getting in early to the good stuff.........
grooovin :)
Psychedelic, Rockin' and as groovy as spirit on soul. Your kind of acoustic percussion is what a yearn for, to have backing my Psych Folk songs. Tribal, Hypnotic, & Creeps insides you like a good 4:20 moment.
Sebs a bit out of sorts today but this seemed to calm him down nicely.....thanks
Ah, my comment got wiped out! It was along the lines of "Cool" and "Awesome!" Like the photo too!
Still puttin' out the mighty beats I see!! Love it, bro!
excellent
ah, the Ambrosian chant. I see why you named it for him now, I think.
Re: The glass dust .... That is because you Are naughty Norm! Bee :)
Oh Norm, Ha ha! I do love you!
nice beat i loved it
Nice. It's also interesting when you play the same rhythm but on different times, say one in 4/4, and a same pattern but stretched (or compressed) to a triplet, gives a really full surround, though I'm talking in terms of guitar or synths, not sure how it would play out in percussion.
Norm, that was Fantastic!!
I like the goove here bro! The lyrics help bring out the count I'm Percussion illiterate
Good jammin harp and guitar. Now let's hear that 23 edo version :)
I let my heart to trouble me 'cause of this groove My heart is in worry 'cause I'm from this world So~ ^_^
@Shirt: Ha! Well, probably not all of them.
I bet all those 'Mishna', 'Gmarah' Rabbi's are enjoying your grooves. Very subtle and moving...like it!
@Jarvis: I think if you could see the details of the painting more closely you would be able to see that in fact they are rolling die at the dinner table: Red Riding Hood has just rolled her 5th natural 7 on the come-out. Moments after the instant of this painting, the gent on the right flips the table over and Mr. Skull-cap slips Red a shiv.
Comments made by Norm
@Goose: I know nothing about guitars but I think Kirk's Stratotone is named "Clark". And not red.
Hahaha! I like the opening riff too! That's a hilarious back story. It must be from a long time ago if Chris was still playing in 12 TET. Whoot! I actually used the phrase "12 TET"! Cool ending too. Well done.
OK, what's the story with the oscillator and did you use it on this piece?
The accordian works well with this! Great vox, as always.
While I know nothing about harmony, I will say that I prefer an augmented fifth, but seem to always end up with a diminished fifth. Sweet piece Kirk!
@Jarvis: Stick to your ears - musically speaking, nothing else matters. Thanks!
Excellent Reg! Way to bring the rasta to Ambrose!
@MTC: Ha! Cross-overs are fun no matter who makes them. But it's cool you get the concept. Thanks.
We will see you through this Reg. At some point you need to stop giving the fairer gender the power to tear you up so badly...
I'm aboard!
Great collab! Just perfect. (Ah, Bee, can you ask those Robins to hurry up with it?)
Lovely.
Excellent!
Excellent!
Well if you have to be in Oklahoma, you might as well be on one of the largest resevoirs in the USA so you can jump in and wash some of that hot red dust off. As a Kansas man, that's just a bit too close to Texas for me.
I am very sorry to hear about Brook.
Maybe he needed a better PR firm? Perhaps he should have considered late night info-mercials? Excellent concept!
Excellent!
Another very clever one!
Excellent!