If you have the fever and the only cure is more tambourine, here it is.
MORE TAMBOURINE SOLOS!! (But you should probably wait until you have the house to yourself...)
This is a 3/16 Bembe on tuned congas, played with mallets. I've arranged it (at the very kind suggestion of Vaisvil & ReefWalker) in a verse/chorus/bridge/capo fashion to get away from a straight pattern - I think this sort of arrangement…
This is a 3/16 Bembe on tuned congas, played with mallets. I've arranged it (at the very kind suggestion of Vaisvil & ReefWalker) in a verse/chorus/bridge/capo fashion to get away from a straight pattern - I think this sort of arrangement…
This is a 3/16 Bembe on tuned congas, played with mallets. I've arranged it (at the very kind suggestion of Vaisvil & ReefWalker) in a verse/chorus/bridge/capo fashion to get away from a straight pattern - I think this sort of arrangement…
This is a 3/16 Bembe on tuned congas, played with mallets. I've arranged it (at the very kind suggestion of Vaisvil & ReefWalker) in a verse/chorus/bridge/capo fashion to get away from a straight pattern - I think this sort of arrangement…
This is a 3/16 Bembe on tuned congas, played with mallets. I've arranged it (at the very kind suggestion of Vaisvil & ReefWalker) in a verse/chorus/bridge/capo fashion to get away from a straight pattern - I think this sort of arrangement…
This is a 3/16 Bembe on tuned congas, played with mallets. I've arranged it (at the very kind suggestion of Vaisvil & ReefWalker) in a verse/chorus/bridge/capo fashion to get away from a straight pattern - I think this sort of arrangement…
If you have the fever and the only cure is more tambourine, here it is.
MORE TAMBOURINE SOLOS!! (But you should probably wait until you have the house to yourself...)
While I'm certain there are those who may be growing weary of scratching, I couldn't resist posting this great mix by Alister Flint, who is truly a master mixologist extraordinaire - he didn't even have individual tracks to work with! Al was too…
If you have the fever and the only cure is more tambourine, here it is.
MORE TAMBOURINE SOLOS!! (But you should probably wait until you have the house to yourself...)
If you have the fever and the only cure is more tambourine, here it is.
MORE TAMBOURINE SOLOS!! (But you should probably wait until you have the house to yourself...)
Yes - I love it. Pure, frustration relieving raw energy!! I'm being cleansed just from listening. Solid Dynomite!
(Oh, and the dirty sheet, ha! It was a dirty window that I hadn't cleaned in a while. I was going to use "filthy sheet of dirt" but it didn't fit in the song :) Either way I gotta wash that freakin' window!)
If you have the fever and the only cure is more tambourine, here it is.
MORE TAMBOURINE SOLOS!! (But you should probably wait until you have the house to yourself...)
If you have the fever and the only cure is more tambourine, here it is.
MORE TAMBOURINE SOLOS!! (But you should probably wait until you have the house to yourself...)
While I'm certain there are those who may be growing weary of scratching, I couldn't resist posting this great mix by Alister Flint, who is truly a master mixologist extraordinaire - he didn't even have individual tracks to work with! Al was too…
While I'm certain there are those who may be growing weary of scratching, I couldn't resist posting this great mix by Alister Flint, who is truly a master mixologist extraordinaire - he didn't even have individual tracks to work with! Al was too…
While I'm certain there are those who may be growing weary of scratching, I couldn't resist posting this great mix by Alister Flint, who is truly a master mixologist extraordinaire - he didn't even have individual tracks to work with! Al was too…
This is one stereo track of 6 conga drums tuned, by ear, to roughly a chromatic scale (I don't know which one - perhaps I've gone micro-tonal!) coupled with a single track of ad-lib quinto (the high drum) and a "shuffle" groove on trap-set…
While I'm certain there are those who may be growing weary of scratching, I couldn't resist posting this great mix by Alister Flint, who is truly a master mixologist extraordinaire - he didn't even have individual tracks to work with! Al was too…
While I'm certain there are those who may be growing weary of scratching, I couldn't resist posting this great mix by Alister Flint, who is truly a master mixologist extraordinaire - he didn't even have individual tracks to work with! Al was too…
While I'm certain there are those who may be growing weary of scratching, I couldn't resist posting this great mix by Alister Flint, who is truly a master mixologist extraordinaire - he didn't even have individual tracks to work with! Al was too…
Reg's little homage to Elizabeth Taylor who passed away today, the piano is a little dodgy and the lyrics and the singing in parts as i'm following my dodgy playing, it will have to be revisited but i thought i'd share anyway as i would forget…
I have tried to make a literal representation of this from Mat Cooper:
"I consider rhythm to be ultra-low pitch. Polyrhythms are then Just Intonation. For example if rhythm1 cycles through 4 beats in the same time as rhythm2 cycles through 3…
Well, is it microtonal? What do you make of this?
As for me, when it is in a tempo range that I can follow (mid range) it sounds like a basic 4vs.3 polyrhythm. This makes sense to me, as all of the drum tones drop back into the their common denominator of 4 or 3 and resound in unison.
So, I get the sense of polyrhythm, but not microtonality.
It would be interesting to me to repeat this experiment with, for example, piano key tones to see if the results are the same, i.e. is one left with a sense of 4vs.3 polyrhythm or something else.
My hypothesis is that the effect will be the same. I do not believe the pitch of the notes relate to this question. And I also think that at this point I do not agree with the premise that "polyrhythms are then Just Intonation": polyrhythms represent a relationship in time, whereas Just Intonation represents a relationship in pitch.
Music & Vocals by Holger Bremer
Lyrics: Johnny Ace Williams
Arranged & mixed by Steffen Offermann
======================================
This song was written and performed by Holger Bremer. My only role in it was the mix and master…
.......if there not the one,should you keep looking, if so for how long...........well Reg threw Henwrench's music into the cellar and what bounced out was a song he wasn't suspecting....
Love me tender
I've been alone now seems to long…
Wait. Did you actually throw Henwrench into your cellar? Here's my talley of who's down there already with the Regs Deuce:
Henwrench
Vincent Price
Elvis
Frederico
Louie Armstrong
Bon Scott
Frank Sinatra
Jim Morrison
and perhaps Satan.
For Debbie, written (just) before I met her.
Reaching Out For You
I've been trying
Crying
Reaching out for you
It never is enough
I never do get through
My heart is true
My heart is meant for you
I've been crying
Trying
Reaching…
Vocals, Ibenez 5 string bass, Fender Mustang, GR-20 saxophone, SI rhodes, SI drums + drum 1 shots.
It is like you said
But different
Do we ever know?
If what we touch
Is always real
What do we feel?
I slide in time
And feel the gaps
Between…
Reg was at the weekly AA meeting at the old school and the group asked Reg if there was anything he would like to share....so Reg decided to share this ........
A spectacular vox Reg, although I confess I can no longer tell when you are copping an accent - I suspect you have many convincing voices.
Poor big-hearted monkey. You are going to miss him. But at least he's off of your back, if I'm hearing this parable correctly.
I've been all around
I've been up and down
I said I've traveled in all directions
Now
The world is new
If you've seen what I've seen
And you've been where I've been
I guess you know what I mean
Now
The world is new
RPM 2011
-
A true story about some of my odd dreams
If the world's strongest man
Could hold the world in the palm of his hand
Would he crush us all into dust?
As a way to punish us
These are the kind of things
That seem to occupy me
If a giant…
Poor old Reg he cant figure it out!! ........ since he's been listening to his self help tapes to stop drinking he has never got any money and he just doesn't understand it, he keeps working coming home relaxing to the tape........... then when…
It's a curious thing. I guess that I like this song... I've started to listen to it several times and I have apparently "faved" it, but I can't remember listening to it for the life of me...
An improv in a found tuning. E and A strings tuned WAY down so they're slapping the neck:
A(low) E(low) C# E A C#
Super full moon tonight! (View More for video)
Beautiful. And thanks for pointing out the Super Moon - I spent some time in awe of her Saturday night from the vantage point of a small tent, way out high in the Blue Ridge Mountains...at <30 degrees! Now I know why she appeared so huge!
This is an "official" contribution to the ImprovFriday Japan charity event album if the music is approved.
More details:
http://improvfriday.ning.com/
and here
http://improvfriday.ning.com/forum/topics/japan-charity-event-thread
standing in the cornfield you watch the corn grow and
the searing hot days pass on to night to day to night to day,
taller and taller, until you are one with all there is...
for you are one of them...
your roots dig soil,
your stalk stretches…
Well, who do think came down the cellar last night... Yep! you guested it, Charlie Sheen, he was none too happy. He should have been if the girls with him were anything to go by. He'd come to talk to Elvis about handling the Yes men and how he…
Comments on Norm's stuff
inspiring.
Outstanding! Shakers, cowbell,and mallets?? Wow! I'm off to bum my brother's bongos. MORE DRUM SOLOS!!
Yeah, this is pure gravy, bro! Spicy and lively. That cowbell is awesome and mixed perfectly!
Norm the Lion King! Nice!
this is africa and it takes you right at the hear of it! - and still one my faves..
excellent groove - it will be interesting to see what AT folks can do with it. (I hope!!)
love your grooves. This is so subtle and infectious.
no need even for a derbekkeh, it's already in your sound, and with some great rolls! really good vibe!
groovy. plays well together
Oh you just totally rule. I mean, for goodness sake. I have a tambourine...hmm.
Yes - I love it. Pure, frustration relieving raw energy!! I'm being cleansed just from listening. Solid Dynomite! (Oh, and the dirty sheet, ha! It was a dirty window that I hadn't cleaned in a while. I was going to use "filthy sheet of dirt" but it didn't fit in the song :) Either way I gotta wash that freakin' window!)
cool man!
Of all the tambourine solos that I've heard over the years this has to be the best.
very cool fellas!
Damn, that's awesome. Double stamped!!!
Yea, top notch fellas. A five way collab is off the charts. I know this was fun, and difficult. Great!!!!
great sound,, well hit
Fine jammin" guys!
Never get tired of scratching! Awesome work, fellas!
Right on guys! Lots of fun, hats off to Al!
Comments made by Norm
Yet another side to your amazing voice, Reg. Impressive.
Well, is it microtonal? What do you make of this? As for me, when it is in a tempo range that I can follow (mid range) it sounds like a basic 4vs.3 polyrhythm. This makes sense to me, as all of the drum tones drop back into the their common denominator of 4 or 3 and resound in unison. So, I get the sense of polyrhythm, but not microtonality. It would be interesting to me to repeat this experiment with, for example, piano key tones to see if the results are the same, i.e. is one left with a sense of 4vs.3 polyrhythm or something else. My hypothesis is that the effect will be the same. I do not believe the pitch of the notes relate to this question. And I also think that at this point I do not agree with the premise that "polyrhythms are then Just Intonation": polyrhythms represent a relationship in time, whereas Just Intonation represents a relationship in pitch.
Great recording technique. Naturally, I can't help but think of old Saturday morning cartoons on the television when I hear music like this. Love it!
Fantastic mix.
Wait. Did you actually throw Henwrench into your cellar? Here's my talley of who's down there already with the Regs Deuce: Henwrench Vincent Price Elvis Frederico Louie Armstrong Bon Scott Frank Sinatra Jim Morrison and perhaps Satan.
Yeah, great bass. Love the guitar work. Love the vocals too! Heck, I love the whole thing!
Cool vocal effects.
Solid. Love the bass.
A spectacular vox Reg, although I confess I can no longer tell when you are copping an accent - I suspect you have many convincing voices. Poor big-hearted monkey. You are going to miss him. But at least he's off of your back, if I'm hearing this parable correctly.
Excellent.
Love it!
Excellent!
It's a curious thing. I guess that I like this song... I've started to listen to it several times and I have apparently "faved" it, but I can't remember listening to it for the life of me...
Beautiful. And thanks for pointing out the Super Moon - I spent some time in awe of her Saturday night from the vantage point of a small tent, way out high in the Blue Ridge Mountains...at <30 degrees! Now I know why she appeared so huge!
Sounds like some kind of fun!
Heartaching, yes.
Wild indeed!
Thump me bass man!
Great collaboration team! Wicked vox and waa!
Nice jammin' Rick!