alonetone radio: Latest
Latest
philip hinge - drums
ryan wolper - lead guitar
daniel - lead & rhythm guitar
arda erdogan - rhythm guitar, samples, producer
jack mcrory - recording supervisor, producer assistant
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First draft.
Dedicated to my mother on her birthday.
In the outro: Trombone, Horns, Clarinets, Mouthpiece buzz by Andy Hentz (arrsuarez) and organic drum related sounds by Glu.
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this vocal arrangement only made the cutting room floor. full instrumentalized version forthcoming. i just wanted this arrangement its own chance at life!
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slightly reworked version of the longest limousine.
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number 5! last one I guess.... If I make another one, it will be for piano and other instrument
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'Time' is an ambient piece; which is said to reflect human nature from one point of view. This is a slow melodic new age/world genre short song. Someone who listened said it would best serve in pre-meditative scenarious.
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Lyrics for 'Wild and Free' came while looking at a painting of the head of a horse. Composed by Julie Day and Grant Duncan in 2007, this rock song has a swing element to it. Enjoy.
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From a poem Julie wrote at age nine, "The Whispering Wind", comes a song composed in collaboration with Grant Duncan. This is rock, pop with a blustery story.
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This is a cover of Sister Savage's (well, her daughter's) recent effort by the same name... ;-)
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Took sandbags' [Rytme Shifter 1](http://alonetone.com/sandbags/tracks/rytme-shifter-1) and added my special brand of guitar incompetence.
I bought myself an E-Bow this week and this track was just perfect for playing around. After a day of wankery…
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This is a short teaser of my Electro-like remix that I entered into a contest organized by the Dutch radio station SlamFM.
I haven't uploaded the full thing because I don't want to get into copyright issues, so if you like the sound of the beat…
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Glu and Sister Savage bring you these remixes!
Original track by Sister Savage:
http://alonetone.com/sistersavage/tracks/little-england
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Glu and Sister Savage bring you these remixes!
Original track by Sister Savage:
http://alonetone.com/sistersavage/tracks/little-england
This one is pure pop. Voice pitched 1/2 step up.
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Glu and Sister Savage bring you these remixes!
Original track by Sister Savage:
http://alonetone.com/sistersavage/tracks/little-england
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Glu and Sister Savage bring you these remixes!
Original track by Sister Savage:
http://alonetone.com/sistersavage/tracks/little-england
I added melodies to the initial track and then Sister Savage
rerecorded the vocals to match the new melody.
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Ok, I just semi-mastered this track.. and this should be the final edition of it... Thank you all for listening...
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Logic's noise gate and vocal transformer are my new best friends. I really enjoyed messing with them and thought I'd have another go.
I've always quite liked pulsing ambient and it seemed to come naturally. This time we have Rytme playing Kore…
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This is another abstract movement I made for piano
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Sister Savage has a little star in this track!
Melody based on 'ah! vous dirai-je, Maman,' by Mozart.. the original composer. I think it's the first and second variation of 12, but that was like 15 years ago that I learned the piece so I have…
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My friend Josh sat down with me and played some Djimbe, adds a bit to this track.
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After yesterdays experiment with noise gates and vocal transformers I thought I'd have another go using Rytme as the source material.
A single Rytme track with multiple playheads is playing into a Logic channel containing Kore playing the Absynth…
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Written today.
recorded on an iMac with the internal mic and no headphones (!) so it's probably going to be muddy as hell, but that feels about right for now.
LYRIC:
Fill up the glass, Bartender
Ply your art
Quench the fire in here, now…
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Song: Lost And Found
Lyrics By: Anywhere But Here
Music By: Niklas Ahman
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the lead synth line is 1/8 beat longer than other measures. It repeats 3 times at 8/8 and then the last one 9/8, which causes the lead to sound slightly more varied throughout the track. it starts a little later each time..
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Warning: silliness ahead!
alloy (along with this months issue of MusicTech) got me into the creative possibility of gate and pitch shifting effects so I spent a happy morning playing with Logic's noise gate, vocal shifter, and ring shifter…
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Came up with this after a long spell of work and tight schedules.
Enjoy,
Doug
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Artist: Jeff Hill
Album: My Quarantine
Label: 434 Noise
Release: May 1, 2009
Oh Raven who was solid black
Your color has faded and now you lack
Oh Raven you were once a pretty bird
You'd caw and cackle to be heard
Oh Raven you were so absurd…
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Artist: Jeff Hill
Album: My Quarantine
Label: 434 Noise
Release: May 1, 2009
Lyrics:
I feel much better now
With you walking by my side
I feel much better now
Your hand on my shoulder
I feel much better now
Guide me through the darkness
I feel…
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Artist: Jeff Hill
Album: My Quarantine
Label: 434 Noise
Release: May 1, 2009
Lyrics:
I love to look at you
On my television screen
You're so colorful
I watch you every week
I would hold you tight
Your sweetness I adore
Then you…
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a moody ethereal track. recorded straight from the laptop mic, so not the best, but had to capture it before it faded away.
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Another instrumental. Several years ago I got a Behringer V-amp, and the first day I had it I wanted to play around with some of the odd guitar tones.
This was the result of that playing around.
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Just a simple instrumental. My wife was working on a new piano style one night, and when she was done practicing, I decided to try my hand at it. I flubbed up the very first chord, but I loved the way my flub sounded, so I wrote a whole song…
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The first time I tried to rap. :-) I was trying to write an album different than anything I've ever done, so I decided to do a rap album. Rap isn't my top choice for musical genres these days, but as a kid I loved it, so I wanted to "go back…
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This one is the second of my 3 states of water Op. 6
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I started with some bells created with Tweakbench Carillion, then slowed them down, and made about 40,000 (!) copies, which I stretched, compressed, & time shifted, then and mixed down, over laying them until they started to sound like organ…
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Another build of Rytme, another experiment. This time the major change is that Rytme now provides a deep level of control over rhythm density which I use here to layer the more ghostly piano over the Liquid piano (both are Logic presets). I use…
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