...the Bunker-Bar has been re-stocked...just in time for a visit from an old friend. Ladies and Gentlemen Mr Dean "Reg" Martin...

Live at Feed Your Head. A full-on jam with the drummers.

fading slowly i'll disappear, and you won't even notice it's just a trick the light plays on your face and erase, the frowns of worry might be less and growing more less every day hurry now, oh boy, you'd better hurry now here, is where…

This is one of the tracks that ties into the theme from my RPM 2009 album [Like A Dark Mirror Keeping Its Secrets]. A fall from grace. Every up has its down. Every down has its up. There's definitely a "ying and yang" thing at work here.

using Will Ackerman's DACFAC tuning

In reference to the "Executioner from Tehran"

Taylor acoustic live looping

Recorded 2001 "It's made of squares..."

Well, here is a new version of this one. I was not playing my own guitar, but one of a friend, which doesn't sounds so bright. Anyway, i think this is a better interpretation, but still has some mistakes. (this time is well tuned..)

Poetry, music and reading by Kate Shakespeare 22nd February 2019

Celtic Princess

A homage to Steve Hackett (who wrote this piece) http://en.wikipedia.org/wiki/Steve_Hackett This is played using John O'Sullivan's Blue JI tuning. Pianoteq and Kontakt didn't play nice together so I had add 4.81 cents to all of the flute notes.

this song is about 8yrs old , i have done a video which is on youtube , just type in the title and tonycee , if you would like to , all brass / strings played on keyboard , vocals backing vocals , rythm / lead / bass guitar / played by myself…

From "The Viewing Tree"

RPM 2024 track .. counts on fingers .. eight

A mash/add-on for the Sound-In event this week. Took Glenn Smith's bass piece ("Enter the Ice") from last week, added Shane Cadman's chimes then played some "frozen" guitar over that.

This is first rock kind of song by our group "Quartet In Space". I hope you can enjoy with this one. Contributors: Drums: Black Tiger Synth: Gilgamesh Guitars: DJ Kujata Bass: Clones (Vaisvil) Mixing & Mastering: GMO (Alister Flint)

One of our early collaborations. From Norm: Percussion note: the pattern used in this song is "Djesse Muloumbo", 240bpm.