alonetone radio: Popular
Popular
Moody, ambient track with a bit of clicky rhythm to it. This is what happens when I compose music when I've got a headache.
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Love is a slippery beast.
Just when you think you've got a firm hold of it, it squirts out of your hands like a piece of wet soap and ends up somewhere in India on a spiritual quest for an obscure guru.
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This is a good place for me to be....it does me good to remember this.
God around me
God within me
there's nothing i need to fear
always remember you're here
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“Donar”, a title that’s an obscure shoutout to the German Reason users.
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This one could use re-mixing, but I'm going to leave it as is for now. This should be track 6 on "They Are Killers."
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The "chorus" riff started off with me trying to rip off "Shallow" by Porcupine Tree. Don't think I'm really in PT territory anymore though.
Track 7 from "They Are Killers"
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Not originally intended as an acoustic song...but I couldn't get the big riff at the end to sound right with big distorted guitars, and then I realized on acoustics it might sound like it had a little Days Of The New influence.
Track 9 from…
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A track for a relaxation CD that evolved into something just a little different.
Thanks to Sue Yencken for her lovely voice.
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Lyrics @ http://wave.transmit-music.com/removemysoulsdecay.html
Wave 2010 (RPM)
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I mostly wanted to make music with a funky clav line I'd come up with, so this is it. For the voiceover, I unabashedly used an awesome monologue by Ken Nordine.
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This is track 8 of 8 from my RPM project, 222: Improvisations for 6 Instruments. I recorded an 8:38 improvisation on six instruments, and then deconstructed it into 8 separate tracks featuring subsets of those instruments. This is the track that…
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Unaccompanied Bebot. What is Bebot, you ask? It's an iPhone app, and a great one at that!
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That's as in Metheny and Mays, of course. And they I am not. But I still give it a go. These are the first two instrument tracks I recorded in this improv extravaganza: electric piano and electric guitar.
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This is what the music majors do in their spare time. Electric piano, bass clarinet and djembe.
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Not an upright bass or, if you prefer, bass viol. This is two instruments: electric bass and bass clarinet. Not electric bass clarinet.
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This is where the adventure began: the unaccompanied electric piano part I recorded first.
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Post RPM jammin'. I don't feel much like cleaning up after RPM. Not yet anyway. I think my little Casio took a beaten and went out of tune. I did this arrangement with just the Casio, guitars and
harmonica, hence the annoying piano and strings…
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One of a series of 4 pieces exploring the possibilities of creating texture and colour in music.
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One of a series of 4 pieces exploring the possibilities of creating texture and colour in music.
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One of a series of 4 pieces exploring the possibilities of creating texture and colour in music.
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A heartbroken man wonders where his lover has gone in this epic synth explosion.
Lyrics:
I got a letter
In the mail
From my lover
Well I don't know where she went
And I must find her, find her
I have found her
She was fine
But my…
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Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired.
If you don't like the current melody, wait five seconds.
Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…
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It is all about love, isn't it?
Lyrics @ http://wave.transmit-music.com/loveengine3.html
Wave 2010 (RPM)
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get the album here
http://emorej.bandcamp.com/album/stars
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This is sort of a skeleton version of this song...I have an intro in mind, but don't have time to write it right now. So named because it's primarily in 7/4.
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I might have put a few harmonies on this one...
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I came up with the main bass riff on my electric bass, but after recording it I was unhappy with the tone, so I used a sampled upright bass. On top of that is a layer of doodling "lead guitar" (played on my bass), a dreamy semi-harsh organ sound…
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Trying the distorted/clean guitar pairing... track 10 from "They Are Killers"
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Written and Recorded: Feb 24-25, 2010
Details: Lap Steel (FCFFCF), Epiphone Les Paul (FBbEbAbCF), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, Audacity...all fingers, no picks.
Just never got this one sounding like I envisioned it…
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A Halloween collab we did last fall that I thought was pretty cool. Designed to scare old ladies and make babies cry :) I love the way the song peters off in the end.
All tracks recorded with the Boss Micro BR, mixed with Audacity and mastered…
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Dang, everyone except Rob (and Laura) (and me) liked the previous version! (Cupid's Own Knife)
Only i did this with the lyrics so maybe one can be a bonus track ...
aargghh ... why didn't i write a *different* song?
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One of my favorite and most interesting songs I've ever written. The last have of the song is exclusively synths, and one of the first times that I did not write it on guitar.
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“my jetpack” a floaty, atmospheric type piece.
Notes:
I’m not thrilled with the strings (the part that only shows up once in the piece). I need to blend them more. They’re too abrupt.
I think the “percussion” may get too loud towards the end…
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"bouncing pianos" - energetic piano/bass/drums tune
Notes:
This tune was totally brought to you by technology.
The variant in the piano chords came from quantizing some sloppy timing that led to some happy accidents.
The main piano line came…
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From the Love Light Shine Project.
Ross Reitzammer:flute
Kavin:guitar
Dennis Coble:bass
Mick Fleetwood drum loops
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