alonetone radio: Popular
Popular
This is the definitive guide to the current hot issues at the University of York.
Presented by Tom Sheldrick and Rob Watts, this edition takes a first look at the new Courtyard SU bar, gives you the facts about the effects of the economic downturn…
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Apparently Shreya was listening to a lot of blues when she wrote this. ORLY? Anyway, since she is a woman of mystery, she subverted the typical gender role of this dark, dirty blues dirge and then I trompled all over with my crazy additions…
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This one varies between having a rock-ambient feel and more playful as well. It's long, but you have to stick around for a fun part at the end!
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I have to give credit to my baby daughter Amelia for inspiring the basic groove of this song. No vocals yet.
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Another fingerpicky gospel instrumental. From the old days.
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see description on www.dusthill.net
about the songs
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see description on www.dusthill.net for more info
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Still adding, but not getting any better. Just flirting with disaster
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A John Carpenter-esque theme song. The song appears in my short movie "The Saw Mill 3" about 1/3 into the movie.
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Performed by Dirty Yeti, featuring Ian Scott on percussion and vocals.
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Performed by Cherry Bomb and co-Written by Michael Porwoll.
Lyrics:
(Verse)
You gotta rocket in your pahket
and you know i wanna knock it
Lookin at your body
But I wanna crop it
Havent you heard Im a three-pronged socket?
Take yo boat and dock…
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another song for kindergarten delinquents. wrote this maybe 15 years ago to make my friends laugh. recorded it, of all times in my life, this week.
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a short exploration of the fugal possibilities of a chinese musical mode....
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This is a melancholic, slow waltz, with the main instrument being a melodica. Oh, and vocals by Pia, as (so far) always.
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This is the title song from our debut album (also called “In My Mind”, duh). It's probably the most experimental track on the album, featuring spoken rather than sung vocals.
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Another downtempo and minimalist track from our debut album, this one even has some percussion ;)
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I love this Nico song, so i threw it over the beat from Only by NIN and the rest just fell into place.
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glu's time machine takes you to an ancient Maori War Dance
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Unidirectional mic so the vocals are muted. Just futzing around with my soprano uke.
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This song i don't even know what was going on, all i know is that it turned out exactly how it should be. I really like the lyrics i did for this song.
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ITS Just So Funny. wait till the middle, thats when it really takes off heh heh
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Among the special guests are Horkmeijer Springtail and his lovely choir of snow fleas providing backing vocals, the corpse of Jeff LaSala (as animated by six thousand yellow jackets and a colony of Africanized honey bees) providing additional…
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Among the special guests are Horkmeijer Springtail and his lovely choir of snow fleas providing backing vocals, the very doomed John LaSala on lead vocals, and the great King Bandit and his mommy, Kate providing additional vocals. The very doomed…
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as shall be uttered by the False Leafy Jar of Mordant Synthesis upon the Eve of Clambering Day
A transcript of this speech has been published without authorization in "HEY Cities!" by Sidedown.com. When the Infestation Apocalypse comes, you…
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Among the special guests are the corpse of Jeff LaSala (as animated by six thousand yellow jackets and a colony of Africanized honey bees) providing additional vocals. His very doomed brother, John LaSala, provides lyrics and lead vocals…
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The very doomed John LaSala sings lead.
Lyrics available at virb.com/fes
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Among the special guests are Horkmeijer Springtail and his lovely choir of snow fleas providing backing vocals and the very doomed John LaSala on lyrics and lead vocals.
Under shoes:
issued dire adieux.
Too few legs:
the world's new filthy…
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Warming up with a quickie recording to try and get reaccustomed to this equipment
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Another "warm up" spur-of-the-moment recording as I got prepared for RPM 2009
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From the Nada album:
"Instead of the last judgement, what worries me is the final dream." [The End Of The World / Joao Cabral de Melo Neto]
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"Pizza: The Rock Opera" is Beatnik Turtle's 10-minute opus chronicling one man's struggle to order pizza. From TheSongOfTheDay.com and their album, November available on CD Baby, "the iTunes" and other fine digital retailers.
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A cover of Styx's "Come Sail Away". As can be heard, I am having issues with singing while strumming and distance from the microphone.
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La darrera intervenció a Ràdio Sabadell d'en Quim. Aquesta vegada la crònica parla sobre la reialesa danesa.
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This is the first tune for my RPM Challenge.
Recorded: Feb 01, 2009
Details: Epiphone Les Paul (EBEGAD - capo II), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, EBow, Audacity, Sound Forge.
2009 RPM Challenge
This my first time…
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So I wana start out by saying I shocked myself with this new record..all live instruments on this one...i layed down some drums,bass and guitar on it...and the quality sounds pretty tight..also this is one of the first 2 songs done in the new…
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this song was later featured on T.M.T.F.'s album "For Tomorrow", it was a Kandern Billboard Top 5. first taste of fame. hehe.
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another rough recording. since recording this i haven't really done anything with it...i want to though.
people are fragile.
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have you ever felt like you were trying to find something you weren't even sure you believed in?
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simple song. i believe this was the original recording of it. originally a track off of the 21 grams album, "Identities". Peter Hochstedler played a beautiful lead guitar on it.
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i wrote this song while waiting for my friends to get back from a banquet i was too young to attend.
it's about Jesus, myself, and sin.
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i didn't intentionally sound like i was dying. i just lost my voice around the time we had to record vocals...and it was a pretty high range for me...so i decided to belt it out.
Peter Hochstedler did some background yelling towards the end…
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Dan Spencer wrote the main idea to this song. he gave it to me over a break and i added the music to it and ended up with this.
Tamer and i took turns playing around with the keyboard.
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i went to a small christian boarding school for highschool. we had mandatory worship times. among other things.
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i actually like this song. it's our pop/rock ballad. Tamer provided the backing vocals on it aswell as afew other tracks.
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i brought this song to Tamer and Peter with just the rough idea of what i was thinking. it was one of the last tracks we recorded for the album. Peter wrote and recorded the beautiful bass line and also sang the chorus with me.
we recorded the…
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i believe this was the first 21 Grams song i wrote. the riff really stuck to myself and several other people so we kept working with it.
Dan Spencer helped with the lyrics
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simple song. you can also find it on the Frail EP which was put together in the months after this album.
Peter Hochstedler provided great lead guitar.
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one of the songs i'm most content with on this album. written along with several in the bowling alley (aka basment) of my highschool dorm.
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an instrumental track.
the voices/screaming/giggling in the back are Melissa Akkurt being tickled by Buddy Fick.
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This work is dedicated to Andy Jaffe, jazz composer, pianist, arranger and teacher. I studied with Andy at Williams College from 1988 to 1992, and his approach to music-making and teaching has influenced everything all my work since. He once related…
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for the RPM challenge.
i just want to touch you. baby will you touch me? i want to get inside you. i try to hypnotize you.
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just mixed a new samples out of my tracks including all hot shots with one of the best featuring Yung_Champ's(looperman) Real Talk' so be sure you have a listen and don't miss this hot piece. free for download
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The 200th glu track on alonetone! It's about time I put together a proper welcome track.
intro demo for RPM
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Recorded: Feb 4, 2009
Details: Epiphone Les Paul (EBEF#BE - capo II), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, EBow, Audacity, Sound Forge.
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RPM demo filler track. you see where this is all going.
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A track based on an accidental rhythm track I created while playing with a free VTS Host program, overlaid with an ambient tone and a Text to Speech-ified reading from Francis E. Dec's "GANGSTER COMPUTER GOD WORLD- WIDE SECRET CONTAINMENT POLICY…
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The first track of a suite based on the SubGenius Pamphlet #1; the track has a Drone-y bassline with an avalanche of drums, no real melody to speak of, and the words are spoken by an old, wonky MicroSoft Text to Speech engine.
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A series of echoing gongs played in various keys to create patterns of echoes, and occasionally chords. One of my mellowest pieces, almost meditative.
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Overlapping noise-based drones playing time & tone shifted noise tracks ,often dozens of copies of a single source, off and against each other to create beat frequency throbs, overlapping rhythms and near chords.
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Overlapping noise-based drones playing time & tone shifted noise tracks ,often dozens of copies of a single source, off and against each other to create beat frequency throbs, overlapping rhythms and near chords.
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