alonetone radio: Popular
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punk song written on the russian beauties in london.
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Publicado Bajo Autorizacion y sin animo de Lucro. www.carranga.org
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this one i wrote for my baby. yea her. i wasn't listening to the headphones when i did the vocals because i had a headache hence.....
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i wrote this cuz ummm i'm really annoyed with everyone thinking a president can be a good person and i think that obama is as much if not more of a liar than john mccain and just as much a murderer as bush
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This is the definitive guide to the current hot issues at the University of York.
Presented by Tom Sheldrick and Rob Watts, this edition takes a first look at the new Courtyard SU bar, gives you the facts about the effects of the economic downturn…
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This one varies between having a rock-ambient feel and more playful as well. It's long, but you have to stick around for a fun part at the end!
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I have to give credit to my baby daughter Amelia for inspiring the basic groove of this song. No vocals yet.
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see description on www.dusthill.net
about the songs
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see description on www.dusthill.net for more info
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Still adding, but not getting any better. Just flirting with disaster
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Performed by Dirty Yeti, featuring Ian Scott on percussion and vocals.
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another song for kindergarten delinquents. wrote this maybe 15 years ago to make my friends laugh. recorded it, of all times in my life, this week.
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This is a melancholic, slow waltz, with the main instrument being a melodica. Oh, and vocals by Pia, as (so far) always.
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I love this Nico song, so i threw it over the beat from Only by NIN and the rest just fell into place.
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ITS Just So Funny. wait till the middle, thats when it really takes off heh heh
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Warming up with a quickie recording to try and get reaccustomed to this equipment
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Another "warm up" spur-of-the-moment recording as I got prepared for RPM 2009
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From the Nada album:
"Instead of the last judgement, what worries me is the final dream." [The End Of The World / Joao Cabral de Melo Neto]
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La darrera intervenció a Ràdio Sabadell d'en Quim. Aquesta vegada la crònica parla sobre la reialesa danesa.
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So I wana start out by saying I shocked myself with this new record..all live instruments on this one...i layed down some drums,bass and guitar on it...and the quality sounds pretty tight..also this is one of the first 2 songs done in the new…
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have you ever felt like you were trying to find something you weren't even sure you believed in?
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i wrote this song while waiting for my friends to get back from a banquet i was too young to attend.
it's about Jesus, myself, and sin.
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i didn't intentionally sound like i was dying. i just lost my voice around the time we had to record vocals...and it was a pretty high range for me...so i decided to belt it out.
Peter Hochstedler did some background yelling towards the end…
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i went to a small christian boarding school for highschool. we had mandatory worship times. among other things.
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i actually like this song. it's our pop/rock ballad. Tamer provided the backing vocals on it aswell as afew other tracks.
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i believe this was the first 21 Grams song i wrote. the riff really stuck to myself and several other people so we kept working with it.
Dan Spencer helped with the lyrics
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one of the songs i'm most content with on this album. written along with several in the bowling alley (aka basment) of my highschool dorm.
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an instrumental track.
the voices/screaming/giggling in the back are Melissa Akkurt being tickled by Buddy Fick.
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just mixed a new samples out of my tracks including all hot shots with one of the best featuring Yung_Champ's(looperman) Real Talk' so be sure you have a listen and don't miss this hot piece. free for download
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A very minimalist song from our “In My Mind” album.
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The 200th glu track on alonetone! It's about time I put together a proper welcome track.
intro demo for RPM
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RPM demo filler track. you see where this is all going.
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A track based on an accidental rhythm track I created while playing with a free VTS Host program, overlaid with an ambient tone and a Text to Speech-ified reading from Francis E. Dec's "GANGSTER COMPUTER GOD WORLD- WIDE SECRET CONTAINMENT POLICY…
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The first track of a suite based on the SubGenius Pamphlet #1; the track has a Drone-y bassline with an avalanche of drums, no real melody to speak of, and the words are spoken by an old, wonky MicroSoft Text to Speech engine.
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Overlapping noise-based drones playing time & tone shifted noise tracks ,often dozens of copies of a single source, off and against each other to create beat frequency throbs, overlapping rhythms and near chords.
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Overlapping noise-based drones playing time & tone shifted noise tracks ,often dozens of copies of a single source, off and against each other to create beat frequency throbs, overlapping rhythms and near chords.
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AKA "Better than Donating Organs". First project for MICA's Sound 1 class. This sounded a heck of a lot cooler when I first edited it! Oh well. Learning Protools.
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Project 1 - live field recordings manipulated into some kind of cohesive state.
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An album length Ambient piece that sounds almost like wind chimes (from little tiny tinkly ones up to ones the size of Oil Trucks) in a slight breeze while various insects sing in the distance... Almost... but the insects sound like they're made…
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I think it's new age or electronica or something.
This is song #2 for the February FAWM/RPM challenges.
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Recorded: Feb 6, 2009
Details: Epiphone Les Paul (EADGBE - capo II), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, EBow, Audacity, Sound Forge.
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This was recorded in Nova Scotia in August 2007. It is a shortwave brodcast and is 30 minutes long. The brodcasts were recorded useing a 1950's tube reciever. This is part of a ongoing recording project to document analogue shortwave signals.
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Overlapping noise-based drones playing time & tone shifted noise tracks ,often dozens of copies of a single source, off and against each other to create beat frequency throbs, overlapping rhythms and near chords.
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Overlapping noise-based drones playing time & tone shifted noise tracks ,often dozens of copies of a single source, off and against each other to create beat frequency throbs, overlapping rhythms and near chords.
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I wrote this for my band, but for now this is the acoustic demo with just me. I recorded the guitar part twice, and then sang one take on the vox on top. It is raw, but certainly functional as a demo.
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The fifth of 9 demos I recorded in Jan. 2009 for the upcoming Spooky Garcia album that Rob and I are recording for RPM '09.
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