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I made this simple song to try out playing an acoustic guitar with an ebow. It works, but it's quite quiet. The movement of the fingers on the fretboard is louder than the sounds. I didn't use any effects on the guitar tracks.
I recorded my voice…
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This was played as an instrumental during the procession of the bride and sung as a recessional. It is a cover of an arrangement by Sufjan Stevens of an old hymn.
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Instrumental Electric Guitar piece. Not shred. Melodic with harmonized guitars. Similiar to a slow Joe Satriani ballad. All instruments, Randal Pflum except drums. Dedicated to The Creator and Giver of Life.
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For this I wanted to create some longing sounding atmosphere. To create the (somewhat annoying) guitar part in the second half I used an ebow.
"
you stand a long time at the door
observe the lighting on the floor
you are not welcome anymore
no…
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This song is in memory of my son,
Micah Eberhard
(Jan 27, 1987 - Aug 8, 2007)
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Neath the clay, iMago dEi
glory keeps while beauty sleeps
from the womb a flower blooms
brights the day, blesses the clay…
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Album: How the Aviator Sees the Rainbow
Year: 2008 (RPM Challenge album)
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A song that ended up in an entirely different place than from where it began. It was meant to have a dark 'David Gray' kind of feel, but ended up being the love child of 'Love and Rockets' and 'Stars on 45.'
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The ninth of 9 demos I recorded in Jan. 2009 for the upcoming Spooky Garcia album that Rob and I are recording for RPM '09. I would have posted the eighth demo I recorded for the album but it sucks.
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The fourth of 9 demos I recorded in Jan. 2009 for the upcoming Spooky Garcia album that Rob and I are recording for RPM '09.
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Written for those I know from the 2008 graduating class from BFA Kandern, Germany.
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