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thetworegs's avatar
A collab on lyrics from the other-side...... Before i stumble and fall Falling back through memories I don't expect a soft landing I'm staring at the tumbleweeds remembering it all i'm remembering it all before I stumble and fall remembering…
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Under Wildlife's avatar
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Movement To Contact's avatar
Falling
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naijaloudspeaker's avatar
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Ghost of John Murphy's avatar
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naijapeeks's avatar
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The Proods's avatar
Summertime in Boston, and this little tune is about how it goes by way too fast. Some hilarious chatter between the guys before and after they kick of a pseudo-psychedelic groove that I hope you will enjoy.
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alipop's avatar
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thetworegs's avatar
i've used the same chord progression as i have eyes but speeded it up quite a bit....Hope you enjoy!! LET IT LOOSE you don’t know me and i don’t know you so lets get together and stop feeling blue lets shake it out and lets get this thing…
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Greg Albrecht's avatar
This song was performed live at the Waikerie Club. Waikerie is a town in the Riverland, a rural region of South Australia. Guitarists included Jakam Kourasanis and David Christie, and Russell Burgess played drums.
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Fyrce Muons's avatar
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Under Wildlife's avatar
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thestrips's avatar
Harmonica, Cymbal crashes, what more could you want? Listen to The Strips.
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The Rose Serum Sextet's avatar
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Quetzalcoatlus's avatar
Originally a homework assignment for an audio recording class, where we were asked to make a commercial using backing music, sound effects, and a voice over. The backing track was an in-progress version of "Neon Orange Dinosaur" from Beats + Noise.
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Paul Lisney's avatar
This was written using a Seagull Merlin. It is about following God by listening to our hearts - not our own hearts which are often polluted by the world, but our deeper heart that is the heart of Christ.
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www.Gurusfiles.Net's avatar
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Keith Landry's avatar
The kids at their best. Jessica on flute, Rebecca on saxophone, Amelia on clarinet.
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Jason Earls's avatar
In this track the guitar melodies and solos are based on an unusual scale John McLaughlin (of Mahavishnu Orchestra fame) liked to use. It's basically a Phrygian Dominant scale with the flat-6 removed.
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