dedicated to our "cold hearted orb that rules the night",, bassoon and french horn exchange glances with one another, cross a web of strings with a little timpani,in for the flavor,,, i have been trying to figure a bassoon into my work, so here…
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
rpm #7,, i think this will be the overture, to a small midi orchestral suite, which i hope will finish up as my remaining 3 pieces for this years rpm, but well see how that goes,, thanks for all the helpful comments i have received on this project…
dedicated to our "cold hearted orb that rules the night",, bassoon and french horn exchange glances with one another, cross a web of strings with a little timpani,in for the flavor,,, i have been trying to figure a bassoon into my work, so here…
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
dedicated to our "cold hearted orb that rules the night",, bassoon and french horn exchange glances with one another, cross a web of strings with a little timpani,in for the flavor,,, i have been trying to figure a bassoon into my work, so here…
dedicated to our "cold hearted orb that rules the night",, bassoon and french horn exchange glances with one another, cross a web of strings with a little timpani,in for the flavor,,, i have been trying to figure a bassoon into my work, so here…
dedicated to our "cold hearted orb that rules the night",, bassoon and french horn exchange glances with one another, cross a web of strings with a little timpani,in for the flavor,,, i have been trying to figure a bassoon into my work, so here…
dedicated to our "cold hearted orb that rules the night",, bassoon and french horn exchange glances with one another, cross a web of strings with a little timpani,in for the flavor,,, i have been trying to figure a bassoon into my work, so here…
rpm #7,, i think this will be the overture, to a small midi orchestral suite, which i hope will finish up as my remaining 3 pieces for this years rpm, but well see how that goes,, thanks for all the helpful comments i have received on this project…
rpm #7,, i think this will be the overture, to a small midi orchestral suite, which i hope will finish up as my remaining 3 pieces for this years rpm, but well see how that goes,, thanks for all the helpful comments i have received on this project…
rpm #7,, i think this will be the overture, to a small midi orchestral suite, which i hope will finish up as my remaining 3 pieces for this years rpm, but well see how that goes,, thanks for all the helpful comments i have received on this project…
at the end of an evening, after the house lights have gone down, in the quietness of the hall,, two cellos, share a quiet moment.. dedicated to the old couple who have lived so long together, to parent who watches as their child sleeps, to the…
Yes, I like less reverb, but who am I to know. I thought you got a more natural sound on the other setting.
They're both good, and if there wasn't the request for comparison, the differences would have gone unnoticed.
well this is a bit awkward, but i have been chatting with Nosda Cariad about the various plus and minus of sound settings ie reverb,,, sometimes i feel like i have used too much, as sort of a crutch. in this version the reverb has been toned down…
rpm #7,, i think this will be the overture, to a small midi orchestral suite, which i hope will finish up as my remaining 3 pieces for this years rpm, but well see how that goes,, thanks for all the helpful comments i have received on this project…
rpm #7,, i think this will be the overture, to a small midi orchestral suite, which i hope will finish up as my remaining 3 pieces for this years rpm, but well see how that goes,, thanks for all the helpful comments i have received on this project…
rpm #7,, i think this will be the overture, to a small midi orchestral suite, which i hope will finish up as my remaining 3 pieces for this years rpm, but well see how that goes,, thanks for all the helpful comments i have received on this project…
rpm #7,, i think this will be the overture, to a small midi orchestral suite, which i hope will finish up as my remaining 3 pieces for this years rpm, but well see how that goes,, thanks for all the helpful comments i have received on this project…
So I was locked in the broom-cupboard, checking out some old songs that need recording.
I'd just picked one and then suddenly this thing came out of nowehere. It started with one of those guitarist doodles that other musicians love so much…
Here's my second submission to the Stones Fest.i'd have liked a bit more time to play....but with four children under6 you take your time when you can or it don't get done...hope you enjoy as much as i did doing....another stripped Reg Version…
Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
I'm on ice, I'm afraid to go on.
It seems fragile, but I have to go,
I have to go through it.
I had to.
Tardius evolvere on my theme "From Outside A Wall" (presented here at alonetone, too).
For the idle people (or, better: Pour la…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
nice fingers!!! what more can one keyboard player say to another? i sit i listen,, i imagine, ( i must say i, have always assumed you to be one)i move my fingers/hand in anticipation, a digital ghost following along with you work,,,, very nice
if i were wearing a hat i would take it off, if i were standing i would bow,,, to you to the music, to the feeling you entice/bring forth in this piece the disadence is interesting, it does seem to end a bit abruptly? yes/no would like to hear you thoughts..... must ask are you a keith jeret fan? very well done r
This is a beautiful song from Joni Mitchell. My friend had his 50th birthday and this was my gift, I played it live at his party and recorded it later (4-2-2011)in my livingroom.
It's one take, can't mis that if you listen to it all the way…
Not sure where I was going with this, but it ended up quite dreary for what I thought were quite motivating lyrics.
Watch this space, it may well appear again with more upbeat music.
Lyrics:
I choose the light to drive away the darkness
Choose…
yes quite a curious piece,,, a very very evocative work, i like this,,, i think it is a piece that passes into the a world that is perhaps not best described in musical terms but rather in terms of colors or emotions or temperatures or ...im truly not sure how to express what i want to about this,, except well done of course, and keep it up,,, r
I heard a story in the title so here it is with the excellent guitar by Jim Movement with contact ....hope you enjoy......
The Fisherman and the Wave (Lyrics)
Hush little child go back to sleep
Daddy will be back real soon
Hush little child go…
amazingly beautiful piece,, you have a wonderful touch here, must ask,, i assume some form of synth piano (not audio) am i correct? if so what?,, i love the clear, like a mountain pool, sound of this recording,,
a really very nice colab, i think it's interesting in that on the one hand it's simple in from, and on the other it projects it self to a lot of depth,,, i suppose minimilist is a way to describe it? whatever,, i like it
Fantasy for Piano in 25 Note per Octave Tuning is a short piece I composed in Sibelius 7 using Pianoteq 4 in 25 note per octave (edo) tuning. This composition was created per a request in the Xenharmonic Alliance as a response to my piece in…
Comments on richardlaceves's stuff
You are really creating yourself an RPM Challenge masterpiece. It's another beautiful contribution.
I thought I heard a little Aaron Copland in there. It's beautiful
This is Gorgeous!
Beautiful mate.
i'm wondering what you made this with, i love medieval music. thumbs up from me!
This is wonderful!
Absolutely brilliant! It moved my soul.
majestic.Lovely stuff.
Really nice piece, once again. But too short.
That is incredible..I am imagining a scene showing a battle field and the aftermath of war...something along those lines.
Way cool , dig those horns.
Excellent! Love the tension/ release especially at about 3 minutes
Magical stuff. Very tasty.
awesome arrangement.. i couldn't stop listening
Yes, I like less reverb, but who am I to know. I thought you got a more natural sound on the other setting. They're both good, and if there wasn't the request for comparison, the differences would have gone unnoticed.
The reverb setting is a success to my ears. Nice Cello and overall piece.
Breathtaking Good tension and resolution with captivating arrangement. Nice one Richard.
If you do not do work for film....u should. Very nice piece here.
Yes! This should be an overture! Absolutely wonderful, Richard!
Very soundrack-ish, well done!
Comments made by richardlaceves
indeed,, very fine,, the vocals/harmonies are really nice, it all flows well together, kudos to the poem writer
it all sounds sooo good together,, you really know how to play with all the sounds in a wonderful way,, great piece
very full and rich,,, supremely well blended, love it!!
very wonderful work,, seems like you had a bit of fun doing this...
excellent!
wonderful,,, how could i not not fav this? sounds like your modulating the piece a bit as it moves along? very well done,
how picturesque, both the title and the playing,, i agree with B the jaunty ending is quite nice,, well done
i don't think yove missed anything at all,,,you seem to be right where you need to be,, very fine lota depth here loops and all
symphonic in feel, very magical,, you give me much to think about
excellent
nice fingers!!! what more can one keyboard player say to another? i sit i listen,, i imagine, ( i must say i, have always assumed you to be one)i move my fingers/hand in anticipation, a digital ghost following along with you work,,,, very nice
if i were wearing a hat i would take it off, if i were standing i would bow,,, to you to the music, to the feeling you entice/bring forth in this piece the disadence is interesting, it does seem to end a bit abruptly? yes/no would like to hear you thoughts..... must ask are you a keith jeret fan? very well done r
with respect and with a smile,, sooooo nicely done,, and life is like that, and quite beautiful none the less,, well done r
yes quite a curious piece,,, a very very evocative work, i like this,,, i think it is a piece that passes into the a world that is perhaps not best described in musical terms but rather in terms of colors or emotions or temperatures or ...im truly not sure how to express what i want to about this,, except well done of course, and keep it up,,, r
you pull me in,, sweeping me away,,,i drift along your vocal pictures floating in my mind, what a wonderful colab!! i am most amazed!!
amazingly beautiful piece,, you have a wonderful touch here, must ask,, i assume some form of synth piano (not audio) am i correct? if so what?,, i love the clear, like a mountain pool, sound of this recording,,
a really very nice colab, i think it's interesting in that on the one hand it's simple in from, and on the other it projects it self to a lot of depth,,, i suppose minimilist is a way to describe it? whatever,, i like it
wonderful vocal, rich harmony, very nice, id say the new mic is a go
interesting,, has an western texas feel, like 7000 miles or so to the west closer to japan or the indo pacific,,, i enjoyed hearing this
well Chris, i find this rather interesting,