Stunningly beautiful...
I wish I listened to these in order now....
You write a real journey bro!
A storey I want to hear!
The way you condense each section into easily digestible parts is a fine skill!
Every change comes at just the right point to my ears....
Love it!
Широко, задумчиво, и конечно, в одном стиле. Я работаю в двух направлениях: этническом и эстрадном. Есть группа музыкантов, с которыми мы пишем аранжировки. Записи с концертов есть на youtube. Спасибо за ваши комментарии!!!)))
The long sustain on the piano and the Moorish progressions do give this a "warm desert" feel, very contemplative and soothing. The flute accompaniment was a nice touch... I'd love to meet the flute player, she has quite a set of lungs (smirk)... those are some long un-interrupted passages of notes... that, plus the quiet beauty of this kept me holding my breath. Nice!
ttfn,
Drakonis
Great cover! Manzarek had the ability to hold down the bass line (the Doors didn't have a bassist) and do those wonderful Bach-ish runs simultaneously. You've got that going on here too.
This is a great version, and I really enjoyed it! It's quit uncanny, but I just recently listened to Robby Krieger's "Versions", in which he covered his band's song as well. JM is great, but for some reason I always loved this one as an instrumental.
Very good piano playing, my friend!
My 100th upload to Alonetone!
I played a pretty random arpeggio which I arranged into 3 versions of medium notes, long notes, and short notes followed by a gap. I cloned these version and transposed them up and down one octave respectively…
Solo acoustic finger picking thing I've been working on for a while. Sometime around 1968 I started studying with Mr. George Bennett who taught me the rudiments of finger picking. Later when we played some gigs together he also taught me the rudiments…
This an improvisation in 17 notes per octave with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the…
interesting,, very full sounding, great production,, as usual,,not sure why but does not really sound "alien" to me,, modern forsure, alien, perhaps im just not sure what that means,, i have almost an eastern feeling with this,,, anyhow well done
Been a while Alonetone. Hope you didn't miss me too much. I'm starting to get the hang of using the Channel preset thingies on FL Studios. I'm getting tired of working with the version I have though (now on memory save or something)
Well…
They left me home alone with my Fender Mustang and Marshall Amp. My cat ran away - and one of my ferrets stared at me for a full 30 seconds in disbelief and then decide telepathy was not going to make me turn down the volume. It isn't good…
This song is not for everyone but I like it because its a live recording with a single instrument using infinity delay FX. (I turned on the loop delay at :09 after the guitar was flat on the floor.)
All the sounds are made with an acoustic bass…
For everyone who lives in a bright sunny place. Got lots of snow in the mountains today.
On days like these, there are only 4 things to do:
1)start fire
2)shovel snow
3)Make music (inside, not on deck)
4)access EWABS (emergency wine and beer…
This is part of a microtonal tuning survey. for those of a stout constitution all of the options follow:
These are playable online here:
http://notonlymusic.com/board/viewtopic.php?f=23&t=749&start=0
Here is the original harpsichord…
A test track of sorts.
I typically mix a track, bounce it out to my ipod and then go for a drive. The stereo in my truck is kind of boomy and if I get the bass wrong, I'll hear about it. This has been a matter of a certain amount of guesswork…
i once dropped off a boat in maui,, what i thought was reef about 5 feet under me was actually 45+,,, your sound is like a clean clear drop of water.. very clear.....very fine,,, great work
Co-written and performed with William Liggett. Tried to make it a 'duet', but not being in the same state--much less studio--made it too hard to match phrasing.
A layered improvisation on a M-Audio 88es
Korg MS2000 * 2 (duplicated the midi track and recorded the MS2k with two different voices serially)
Pianoteq
Absynth
Reading of his poem "We're on the Brink of Utter Befuddlement, Yellow Hanky Style…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
the sound quality is great,,, i can almost see/feel the bending/vibrating of the skin,, do you make,, tan etc your own skins?,,, this has a wonderful warm quality,, great piece
Kinda rough. I'm uploading this mainly to share a guitar technique I've been working on. I'm wearing a slide on my picking hand and using it to alter pitches in single line phrases. There's a lot more can be done with this technique that I've…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
This piece is an illustration of one of the episodes of a Russian fairy tale about a little brave Humpbacked Horse.
Instruments used: blues harp (harmonica), classical guitar and some bells-and-whistles. Narrated by Svetlana.
Layla and Majnun is a classical Arabian love story. It is based on the real story of a young man called Qays ibn al-Mulawwah from the northern Arabian Peninsula,[6] in the Umayyad era during the 7th century. There were two Arabic versions…
Comments on richardlaceves's stuff
Oh dark and glorious! Brilliant!!
Mesmerizing arpeggios... intriguing to hear the melody rise out of it all.
Another flashing chance at bliss...I love The Doors, this is a very creative cover -
Stunningly beautiful... I wish I listened to these in order now.... You write a real journey bro! A storey I want to hear! The way you condense each section into easily digestible parts is a fine skill! Every change comes at just the right point to my ears.... Love it!
From 40 seconds onwards, This movement Soars skywards and Demands The listeners Attention!!!!! Wow!
Широко, задумчиво, и конечно, в одном стиле. Я работаю в двух направлениях: этническом и эстрадном. Есть группа музыкантов, с которыми мы пишем аранжировки. Записи с концертов есть на youtube. Спасибо за ваши комментарии!!!)))
Все композиции повествуют (рассказывают) о чём-то жизненном, важном...
Интересный инструментальный дуэт, задумчивый и филосовский...
beautiful!
Quiet,but takes me oh so deep. Beautiful
The long sustain on the piano and the Moorish progressions do give this a "warm desert" feel, very contemplative and soothing. The flute accompaniment was a nice touch... I'd love to meet the flute player, she has quite a set of lungs (smirk)... those are some long un-interrupted passages of notes... that, plus the quiet beauty of this kept me holding my breath. Nice! ttfn, Drakonis
beautiful.
yes, beautiful! Lovely contemplative feel.
Nice one mate great sound.
I enjoyed this album Richard. Very pleasant. A bit of charm, some class, and some top notch piano playing.
I'm still waiting for a left handed piano. I want the keys to go the other way :)
Gorgeous!
Great cover! Manzarek had the ability to hold down the bass line (the Doors didn't have a bassist) and do those wonderful Bach-ish runs simultaneously. You've got that going on here too.
This is a great version, and I really enjoyed it! It's quit uncanny, but I just recently listened to Robby Krieger's "Versions", in which he covered his band's song as well. JM is great, but for some reason I always loved this one as an instrumental. Very good piano playing, my friend!
Nice one mate. Thanks for your comments mate. This is great.
Comments made by richardlaceves
very interesting, has a nice full/balanced quality well done
very fine playing and wonderfully full/rich sounding,
interesting,, very full sounding, great production,, as usual,,not sure why but does not really sound "alien" to me,, modern forsure, alien, perhaps im just not sure what that means,, i have almost an eastern feeling with this,,, anyhow well done
all in all very nice,,if you think it's off a bit,, that must be a personal thing, depends on your own personal vision,, i enjoyed this
wonderful feeling in the sax,, i really liked the second reading of the poem,, what a great contrast to the first,, this works well
very fine,, very well done,,,,poetry
very nice,, classic e guitar
very interesting
very fine ,,,let it snow
very pretty, Chris
i once dropped off a boat in maui,, what i thought was reef about 5 feet under me was actually 45+,,, your sound is like a clean clear drop of water.. very clear.....very fine,,, great work
very nice,,great guitar playing,,i like/agree with the sentiments of this piece
very fun
the sound quality is great,,, i can almost see/feel the bending/vibrating of the skin,, do you make,, tan etc your own skins?,,, this has a wonderful warm quality,, great piece
very nice,,, is this acoustic? i like the effect
very nice,,your music works well together
very nice,, don't know much about guitar technique on a personal level,,, but i really like this,,, thanks
very cool guys,,,,has a primal feel,,,,,,enjoyed very much
very cool,, what's the name of the folk tale? id like to look it up,,, well done
very nice,, as always i am amazed by your art