This is the first outing of a new granular re-synthesis based Reaktor ensemble I am working on codenamed "BD".
The track is generated by 4 instances of the ensemble (playing different samples), panned by CamelSpace, with lashings of Valhalla…
This is the first outing of a new granular re-synthesis based Reaktor ensemble I am working on codenamed "BD".
The track is generated by 4 instances of the ensemble (playing different samples), panned by CamelSpace, with lashings of Valhalla…
This is the first outing of a new granular re-synthesis based Reaktor ensemble I am working on codenamed "BD".
The track is generated by 4 instances of the ensemble (playing different samples), panned by CamelSpace, with lashings of Valhalla…
This is the first outing of a new granular re-synthesis based Reaktor ensemble I am working on codenamed "BD".
The track is generated by 4 instances of the ensemble (playing different samples), panned by CamelSpace, with lashings of Valhalla…
This is the first outing of a new granular re-synthesis based Reaktor ensemble I am working on codenamed "BD".
The track is generated by 4 instances of the ensemble (playing different samples), panned by CamelSpace, with lashings of Valhalla…
This is the first outing of a new granular re-synthesis based Reaktor ensemble I am working on codenamed "BD".
The track is generated by 4 instances of the ensemble (playing different samples), panned by CamelSpace, with lashings of Valhalla…
This is the first outing of a new granular re-synthesis based Reaktor ensemble I am working on codenamed "BD".
The track is generated by 4 instances of the ensemble (playing different samples), panned by CamelSpace, with lashings of Valhalla…
This is the first outing of a new granular re-synthesis based Reaktor ensemble I am working on codenamed "BD".
The track is generated by 4 instances of the ensemble (playing different samples), panned by CamelSpace, with lashings of Valhalla…
Hey Igor. Yeah there's something a little disturbing about those shrill shrieks towards the end, kind of like some flying be-tentacled monsters happily chasing their prey ;-)
This is the first outing of a new granular re-synthesis based Reaktor ensemble I am working on codenamed "BD".
The track is generated by 4 instances of the ensemble (playing different samples), panned by CamelSpace, with lashings of Valhalla…
This is the first outing of a new granular re-synthesis based Reaktor ensemble I am working on codenamed "BD".
The track is generated by 4 instances of the ensemble (playing different samples), panned by CamelSpace, with lashings of Valhalla…
This is the first outing of a new granular re-synthesis based Reaktor ensemble I am working on codenamed "BD".
The track is generated by 4 instances of the ensemble (playing different samples), panned by CamelSpace, with lashings of Valhalla…
This is made with a very experimental Reaktor instrument I am building.
It uses a very simple particle collision model with 64 particles in a 100x100 box. When two particles collide they trigger a sampler to play a slice of either of two samples…
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
I elected to pursue my theme for RPM 2010 even though, ultimately, I decided not to take part.
So I'm going at my own pace, not trying to produce "finished" works, or to be governed by anything except my experimental muse.
The theme I chose…
Still playing with my _Neurotik_ sequencer made using Max for Live. This one turned out a bit strange. I was actually using it to drive Kontakt with cello & violin patches.
It was sort of interesting but not quite working when I dropped CamelSpace…
This track was my attempted submission for Ramen Music #001. I finally got around to uploading it here.
It was made using several instances of the Max for Live instrument "Loop Shifter" that I played in real-time using my Novation Launchpad…
I seem to have problems streaming tracks on here these days unfortunately, but fortunately that means I download them to listen. This track was incredibly relaxing to listen to. I felt as if I'd returned to the safety of the womb.
Wonderful...thanks!!!
Felt the need to go back to something more sound driven.
I've been learning a lot of new Jazz chords and wondered what they might sound like as pads. I ended up creating a device chain in Ableton Live featuring Alchemy, Omnisphere, and Absynth…
Felt the need to go back to something more sound driven.
I've been learning a lot of new Jazz chords and wondered what they might sound like as pads. I ended up creating a device chain in Ableton Live featuring Alchemy, Omnisphere, and Absynth…
This track was my attempted submission for Ramen Music #001. I finally got around to uploading it here.
It was made using several instances of the Max for Live instrument "Loop Shifter" that I played in real-time using my Novation Launchpad…
The exquisite bass was performed by my friend Edo Castro, but everything else was done on a Waldorf XTk.
In fact, originally the bass line was from an entirely other recording. What I did was to mute the other tracks and record all new ones…
For the upcoming Mobtown Modern show "Low Art" next Wednesday, Brian Sacawa will perform (among other pieces in the jumbo saxophone repertoire) "Maknongan" by Giacinto Scelsi (performed on bari sax). For the event, Brian asked me to create a remix…
Today I gave a quickie demo of Live to my guitar instructor. I started with an empty set and threw some crap at the wall just to show him one of the work flows.
Later, when I brought the thing home I couldn't leave well enough alone and started…
Interactive audio walking tour, a collaboration with artist Kianga Ford.
The Story of This Place is a series of site-specific narratives that offer a portable audio soundtrack that guides the listener through a site with a fictional narrative…
Logic 9 - using samples from "8.5" and "8.8" by Supersilent, as well as some drum sounds from "No One Gives A Hoot About Faux-Ass Nonsense" by Don Caballero
Memories of walking a coonhound in the small hours around the empty structures of Baltimore's Artscape festival before dawn- silent ferris wheel standing behind the rows of booths, vacant carnival installations on the Charles St Bridge. In this…
We're deep in the glitch mines again.
This time with a beat developed in Stylus RMX, a "melody" using Soniccouture Skiddaw stones and Tonehammer Frendo, and a bass from Soniccouture Abstrakt Bass.
The beat was fed through The Finger with…
Uploaded a new version which fixes the drums although there's still a feedback problem (related to MIDI timing I think) that needs to be fixed in a final mix.
We're deep in the glitch mines again.
This time with a beat developed in Stylus RMX, a "melody" using Soniccouture Skiddaw stones and Tonehammer Frendo, and a bass from Soniccouture Abstrakt Bass.
The beat was fed through The Finger with…
Okay this is the problem with mixing being "throw a mastering channel strip on it, bounce, upload". At some point about the 2 minute mark the drums track have cut out - probably overloaded Reaktor again. So then you get 2:30 that is largely just the bass.
A little study using Dmin6 and Dmin7 with a little D dorian dressing.
The cover art in the mp3 is by thomwisdom:
http://www.flickr.com/photos/thomwisdom/2605283686/
When you do this kind of track it evokes a feeling of travelling without moving.
It reminds me of being a passenger in a car on a motorway at night, slightly tired and letting the world glide, carelessly, past me.
I've always liked that feeling.
Comments on Mr Sandbags's stuff
Great panning mate very cool mix like it.
infectious!
Sweeping and collective!
I don't know, but I'm glad I'm not in there with it. Weirdly wonderful sounds there! Seriously, Happy Christmas Sandbags!
Yeah, but, what's in the box?
Acid on the assembly line.....
Nice panning effects! So- What's the answer? Lemme guess- Pain is in the box(sorry- read Dune too many times!)
Hey Igor. Yeah there's something a little disturbing about those shrill shrieks towards the end, kind of like some flying be-tentacled monsters happily chasing their prey ;-)
You're very wise Joe. I can recommend someone! :)
i like it. *calls therapist for crisis counselling*
Not bad for or to fill in the chase scene, for example. To be continued...? Think I will ask you for a samples.
Holy sci fi!
It certainly is.
a dark digital confusing march around crop circles
this is some good stuff
All your work that I've listened to so far resonates with me at a molecular level. I enjoyed this a lot. :)
I seem to have problems streaming tracks on here these days unfortunately, but fortunately that means I download them to listen. This track was incredibly relaxing to listen to. I felt as if I'd returned to the safety of the womb. Wonderful...thanks!!!
You always inspire my ambient side. Massive wall of sound.
I've got sharks swimming through a sunken wreck. Clever and weirdly atmospheric!
Yes, I agree with Johnny, a most amazing mix of sounds. Well Mr. S, it sounds like a dream!
Comments made by Mr Sandbags
Welcome Seth :)
Perfect Sunday morning track.
Oh man that was great.
ack...foo... no edits... channelling...
I believe Sister is channel the shorts... or something :)
That was rather fun :)
Love your sound.
Love this.
I enjoyed this one very much.
Cool sound.
What an awesome track, I love this.
Awesome track man, this puts me in mind of my beloved Apollo: Atmospheres & Soundtracks. Kudos to you!
Very chilled. Bring on the full track.
I'm really liking your stuff and happy to see a fellow Logic user!
Uploaded a new version which fixes the drums although there's still a feedback problem (related to MIDI timing I think) that needs to be fixed in a final mix.
Okay this is the problem with mixing being "throw a mastering channel strip on it, bounce, upload". At some point about the 2 minute mark the drums track have cut out - probably overloaded Reaktor again. So then you get 2:30 that is largely just the bass.
When you do this kind of track it evokes a feeling of travelling without moving. It reminds me of being a passenger in a car on a motorway at night, slightly tired and letting the world glide, carelessly, past me. I've always liked that feeling.
Fabulous sound. Liked this one very much.
I love the hauntingly distant piano's you've created here. Very much.
I was so totally there. Awesome.