It's been so long since I've made any music I've kind of forgotten how. I was just noodling about and thought I had a sound I liked so I bounced it out quite quickly.
This one is all made with Reaktor and Boscomac's Air Piano ensemble, plus…
It's been so long since I've made any music I've kind of forgotten how. I was just noodling about and thought I had a sound I liked so I bounced it out quite quickly.
This one is all made with Reaktor and Boscomac's Air Piano ensemble, plus…
Thanks for the kind words both. Chris it is a pretty good idea but I can't take any credit for that, I got it from Pendle @ SoundDust. He uses it to build his Plastic Ghost Piano and I thought it sounded like something cool to play with.
I told the [good Sister](http://alonetone.com/sistersavage) that I wanted to try using vocals in a track and she offered to do me some abstract, stylized, vocals that I could play with and this little number is the result.
Working with wet (pre…
I'm trying to experiment with intentionally combining two different sounds. Since I seem to find this difficult I am starting with using a drone as one of the sounds taking my inspiration from the opening tracks of the Brian Eno & Jah Wobble…
I told the [good Sister](http://alonetone.com/sistersavage) that I wanted to try using vocals in a track and she offered to do me some abstract, stylized, vocals that I could play with and this little number is the result.
Working with wet (pre…
I've had a bit of a love/hate relationship with this one.
I enjoyed making the beats and think that part came out pretty good but everything after that felt rather haphazard and didn't feel right to me.
I was close to abandoning the track…
No rhyme, no reason, just a colony of mournful machines piping their clangorous, grinding sonorisms at each other across an barren electronic landscape.
This will also be some of the source material that I will process later into something…
No rhyme, no reason, just a colony of mournful machines piping their clangorous, grinding sonorisms at each other across an barren electronic landscape.
This will also be some of the source material that I will process later into something…
This is the first track made with my new Reaktor instrument 'Super Scanoid' which might just have well been named '1950s Sci-Fi Soundtrack Generator".
The sounds it makes with this sample (a bouncy pizzicato cello) reminded me of the score from…
A rather more fundamentally experimental piece with Reichenbach's new *drift* mode. In this mode a probability matrix controls periodic changes in the loop length and/or position.
Once more I am using one of the awesome [Rekkerd mixed bag](http…
A demo track for a new Reaktor instrument I'm building codename: Mimetron.
Loop Guitar 1 is a long, flowing, ambient piece. Mellow with a few moments of grit.
Mimetron is a 3 voice sampler that is driven by incoming audio. It has 3 channels…
A demo track for a new Reaktor instrument I'm building codename: Mimetron.
Loop Guitar 1 is a long, flowing, ambient piece. Mellow with a few moments of grit.
Mimetron is a 3 voice sampler that is driven by incoming audio. It has 3 channels…
Palimpsest: A Composition of Maps (an isentropic semaphore on the Name of Asmira Woodward-Page) is part of an ongoing series of soggetto cavato pieces the I have written, in this case on the name and at the commission of violinist Asmira Woodward…
I really enjoyed this piece very much and would like to hear more such.
Your other commenter said Bartók-esque and I couldn't have put it better myself. I find it reminiscent of the excellent 'Concerto for Orchestra.'
I also find your technique interesting. I am just beginning to experiment with generative music (albeit of a very different style) and the idea of mapping various sources of information into music is appealing.
Comments on Mr Sandbags's stuff
Very nice - glad you're back to making music. I'm also a big fan of Permut8, but was unaware of Boscomac's page; thanks for including that info.
Liking the underpinning energy.
this sounds positively haunted. really digging it.
Psychotic mermaids. Everywhere. Not for the aquatic paranoid.
Thanks for the kind words both. Chris it is a pretty good idea but I can't take any credit for that, I got it from Pendle @ SoundDust. He uses it to build his Plastic Ghost Piano and I thought it sounded like something cool to play with.
what a unique idea! Thank you for this great aural experience!
This is awesome. I'm transported to a quiet but alarming place. Very cool.
Dig this
A fabulous compilation of sounds, dark colors, bitter flavors, a caress of eeriness. Love it!
This is amazing in my denon's
Works for me! Love it -- Rock on!
Ah we had some fun. :)
This just came up in my itunes shuffle play and I was all "damn, like this, what is it?" a little digging and I found myself here :)
Traffic jam clowns!
Touché Igor :)
...then I, without special reason, descended into the abyss of black of bass. Will I find there what you need? Or, on the way, I lost myself?
Dig! Love it! Very groovy!
Rediscovering... very cool.
Very nice work, I love the way the ambience flows. Also the Reaktor ensemble looks like a nice piece of programming.
cool trip we have here
Comments made by Mr Sandbags
Wonderfully offbeat.
Liked this track a lot.
Liked this one a lot.
Love this sound.
Okay that is brilliant :)
I really enjoyed this piece very much and would like to hear more such. Your other commenter said Bartók-esque and I couldn't have put it better myself. I find it reminiscent of the excellent 'Concerto for Orchestra.' I also find your technique interesting. I am just beginning to experiment with generative music (albeit of a very different style) and the idea of mapping various sources of information into music is appealing.