A second experiment with my new Rytme sequencer. This time Rytme is being fed into Logic to a track containing Kore 2 which is, in turn, hosting Kontakt 3 and the lovely Guzheng from Soniccouture (I bought the instrument before the new year but…
your tracks are cool. good sounds and production. i'm wondering if you could add dynamic control to your programming giving more volume shape/build to your tracks.
Being as I am in something of a musical trough of despair (it's not as much fun as it sounds) right now I thought I'd try messing with my TMA-2 Reaktor instrument and try and coax some better results from it.
From a promising beginning TMA…
In a very good way this conjures up mid fifties Japanese short films. A bulldozer dragging a reluctant refrigerator through the dump. Seagulls argue over someone's sandwich and a young boy rides his bicycle as if he were on a magical horse. (all shot in grainy black and white on somebody's Mom's super-eight.
Thanks Mr. Bagszins
Being as I am in something of a musical trough of despair (it's not as much fun as it sounds) right now I thought I'd try messing with my TMA-2 Reaktor instrument and try and coax some better results from it.
From a promising beginning TMA…
Being as I am in something of a musical trough of despair (it's not as much fun as it sounds) right now I thought I'd try messing with my TMA-2 Reaktor instrument and try and coax some better results from it.
From a promising beginning TMA…
Being as I am in something of a musical trough of despair (it's not as much fun as it sounds) right now I thought I'd try messing with my TMA-2 Reaktor instrument and try and coax some better results from it.
From a promising beginning TMA…
Being as I am in something of a musical trough of despair (it's not as much fun as it sounds) right now I thought I'd try messing with my TMA-2 Reaktor instrument and try and coax some better results from it.
From a promising beginning TMA…
well, highly experimental, no doubt about that; and it does carry some underlaying structure. not quite steady though, but it is there, yes. - and overall, it has a very interesting contemporary flavor..
I think I may have gone too far!
I've been working on the Reichenbach signal chain to include filtering, distortion, EQ, and a resonator. I've also switched out the delay and gone hog wild with modulation.
This piece shows how way out the…
This is made with a very experimental Reaktor instrument I am building.
It uses a very simple particle collision model with 64 particles in a 100x100 box. When two particles collide they trigger a sampler to play a slice of either of two samples…
nicely disturbing; maybe a tad too linear here and there, but that's certainly due to the formula. - i wonder if this could work with superformula and if so, what would be the output..
I'm not quite sure where I was going with this. I love the Abaska Bong sound and was trying to pair it with something complementary. After going through some truly weird combinations I came up with this.
Another in my series of evolving sonic noise experiments.
The source for this piece was a recording from my latest Reaktor instrument [TMA-2](http://www.youtube.com/watch?v=lyEEW-tCNL4) with a sample map constructed from [Richard Devines](http…
Another in my series of evolving sonic noise experiments.
The source for this piece was a recording from my latest Reaktor instrument [TMA-2](http://www.youtube.com/watch?v=lyEEW-tCNL4) with a sample map constructed from [Richard Devines](http…
@MannequinRaces: Reaktor is still a great tool for experimenting with sound design and, as a bonus, you get a fantastic range of great instruments and effects. It does require some effort to learn and the program has some issues but it's totally worth it.
Thanks for your suggestions about creating space. You're right in that I just went for the first fast panning preset I liked and it is kind of monotonous after a while.
When I was working mostly in Logic I used to automate volume a lot which can also create space. But this is something I don't find as natural in Ableton. I think it's a consequence of the Session/Arrangement dichotomy that I'm not as happy with yet.
I'm working on something new & again using TMA-2 as one of my sources. I'll see if I can do a better job with it.
I thought it might be interesting to post the source material I used in the track [IX](http://alonetone.com/sandbags/tracks/ix-2). This is the file generated by my TMA-2 instrument that I processed to make IX.
If you're into this sort of noisy…
Another slice of Reaktor based weirdness from the particle collider ensemble I am tentatively naming TMA-2.
You can't tell from how it sounds I guess but the latest development is that particle energy now governs velocity, i.e. more energetic…
Another in my series of evolving sonic noise experiments.
The source for this piece was a recording from my latest Reaktor instrument [TMA-2](http://www.youtube.com/watch?v=lyEEW-tCNL4) with a sample map constructed from [Richard Devines](http…
(Drool) Okay, I've always known that I've wanted to give Reaktor a shot but now I really want to try it out! Great stuff. I have no idea how to ad more space in something like this but I like it the way it is. My only suggestion to try out sometime is to vary the panning. Seems like the panning (ping pong effect) is pretty consistent. I would try varying it more (like faster panning for a bit, then slower, etc..). Anyways cool stuff!
Another slice of Reaktor based weirdness from the particle collider ensemble I am tentatively naming TMA-2.
You can't tell from how it sounds I guess but the latest development is that particle energy now governs velocity, i.e. more energetic…
RE
The samples were not carefully chosen just a few random snippets I had lying around and some vocal samples I've been collecting for another project. I just needed something to feed into it.
so long as it isn't our brainwaves! hehe. I'm lookig forward to hearing, and seeing what else you do with this
Another in my series of evolving sonic noise experiments.
The source for this piece was a recording from my latest Reaktor instrument [TMA-2](http://www.youtube.com/watch?v=lyEEW-tCNL4) with a sample map constructed from [Richard Devines](http…
I thought it might be interesting to post the source material I used in the track [IX](http://alonetone.com/sandbags/tracks/ix-2). This is the file generated by my TMA-2 instrument that I processed to make IX.
If you're into this sort of noisy…
I thought it might be interesting to post the source material I used in the track [IX](http://alonetone.com/sandbags/tracks/ix-2). This is the file generated by my TMA-2 instrument that I processed to make IX.
If you're into this sort of noisy…
I thought it might be interesting to post the source material I used in the track [IX](http://alonetone.com/sandbags/tracks/ix-2). This is the file generated by my TMA-2 instrument that I processed to make IX.
If you're into this sort of noisy…
I thought it might be interesting to post the source material I used in the track [IX](http://alonetone.com/sandbags/tracks/ix-2). This is the file generated by my TMA-2 instrument that I processed to make IX.
If you're into this sort of noisy…
This is the first of several songs in a collaboration with Laura Kepner-Adney. Laura has a beautiful voice and a gift for arranging music. It is an exciting project with more to come.
Featuring Ryan Anderson on harmonica.
Lyrics:
As a boy…
After several listens I am better able to describe my reactions. I love the way you let the track build up in it's own time, unhurried. I love the sound, the rhythm, and the desolate, but stoic, feelings you evoke. Kudos to both of you!
This is the first of several songs in a collaboration with Laura Kepner-Adney. Laura has a beautiful voice and a gift for arranging music. It is an exciting project with more to come.
Featuring Ryan Anderson on harmonica.
Lyrics:
As a boy…
Starting out as a simple and awe inspiring invention, progressing to a more chaotic and demanding machine driven future. - people becoming enslaved to these devices. Feeding the machine.
Phone samples were recorded from the output jack of my…
Another in my series of evolving sonic noise experiments.
The source for this piece was a recording from my latest Reaktor instrument [TMA-2](http://www.youtube.com/watch?v=lyEEW-tCNL4) with a sample map constructed from [Richard Devines](http…
@NebulonicAlchemy: I've no recollection of the conversation you're talking about. I use a lot of effects in Live and Logic so it doesn't sound like me.
My point is about creating an arrangement where there is more control over sonic density. Particularly intense points should not be clustered together or they become overwhelming.
I think the issue is with taking a single, long, piece of audio and trying to treat give it a different structure.
I'm not quite sure where I was going with this. I love the Abaska Bong sound and was trying to pair it with something complementary. After going through some truly weird combinations I came up with this.
If you read my post in that thread I talked about one of my tracks being downloaded over & over again by Chinese spammers/spambots. This is that track.
Jason Sloan and I recorded this track in March 2010 as an improvisation in preparation for our performances on The Vigil all-night music festival at MICA. Jason describes the session:
"Erik and I come from very different backgrounds in our approach…
Another slice of Reaktor based weirdness from the particle collider ensemble I am tentatively naming TMA-2.
You can't tell from how it sounds I guess but the latest development is that particle energy now governs velocity, i.e. more energetic…
The samples were not carefully chosen just a few random snippets I had lying around and some vocal samples I've been collecting for another project. I just needed something to feed into it.
Another slice of Reaktor based weirdness from the particle collider ensemble I am tentatively naming TMA-2.
You can't tell from how it sounds I guess but the latest development is that particle energy now governs velocity, i.e. more energetic…
The idea came to me in a conversation as a kind of silly thing to do. I was thinking about how to mess with samples and the idea of slicing them and trigger them by collisions just popped into my head.
At the moment the energy levels are fixed. One of the things to complete the model is for collisions to drain energy. Then I plan to add "warming" that is a constant influx of energy which will be controllable.
Beyond that I really want to play with having the collision sequencer drive other things like a bank of oscillators. I'm also considering how it could sensibly output MIDI.
This is made with a very experimental Reaktor instrument I am building.
It uses a very simple particle collision model with 64 particles in a 100x100 box. When two particles collide they trigger a sampler to play a slice of either of two samples…
Thanks guys.
Wildgeas: Yeah I got a definite "It's full of stars" vibe and I'm thinking of renaming the Reaktor ensemble TMA-2. I suspect the sampler based version will always be a bit this way because of the granular nature of the sounds. When I use the collision sequencer to drive an additive oscillator bank it might get more interesting. Or not ;-)
Nebulonic: Glad you like it. As to the type of equations it is an incredibly simple analog of a 2D gas. 64 particles are represented by (X,Y,direction,energy) in a 100x100 vessel. Brighter particles have more energy and travel faster.
CR/SS: Thanks... I find some of the tones generated remind me of the background sounds from David Lynch's Dune movie (a favourite when I were a lad).
Johnny: Thanks man. More to come.
Took sandbag's [Andromeda 1](http://alonetone.com/sandbags/tracks/andromeda-1) and applied some BigSeq2 and LiveCut.
Added a little FM8 underneath.
And this happy little accident came out.
This is our little bundle of joy now grown up to be 10 years old. She took up the flute this year at school and this is her first effort in front of my microphone.
She decided on the flute after watching some vids of Ian Anderson and Jethro Tull…
You may hate me for this but I am getting a definite Buck Rogers in the 25th Century vibe here. Which reminds me of Erin Gray in a figure hugging spandex outfit...MMmmmm... I fear I have shared too much!
I made this track back in nineties with sort of tongue in cheek -mentality. I accidentally found it and it still sounded so fresh that i decided to upload it.
Funny how it's generally the songs that I spend the most time on, where I hardly write any story.
So I'll just briefly say this is the [songfight.org](http://songfight.org) song that I hadn't even intended to write.
Hey there. Thanks for the comment on my practice session. You're right that we piano strugglers need a support & self-help group! Maybe something in the forums, a "practice" top-level topic might be good enough.
Comments on Mr Sandbags's stuff
your tracks are cool. good sounds and production. i'm wondering if you could add dynamic control to your programming giving more volume shape/build to your tracks.
In a very good way this conjures up mid fifties Japanese short films. A bulldozer dragging a reluctant refrigerator through the dump. Seagulls argue over someone's sandwich and a young boy rides his bicycle as if he were on a magical horse. (all shot in grainy black and white on somebody's Mom's super-eight. Thanks Mr. Bagszins
great work sandbags,
very extraterrestrial! nice work.
I think you got something to work with here. It put me in a trance. Day dreaming sort of thing. Cool sounds Mr. Bags.
well, highly experimental, no doubt about that; and it does carry some underlaying structure. not quite steady though, but it is there, yes. - and overall, it has a very interesting contemporary flavor..
oldie but goodie.
nicely disturbing; maybe a tad too linear here and there, but that's certainly due to the formula. - i wonder if this could work with superformula and if so, what would be the output..
well trying to write my own song
sounds awesome in the 'phones.
@MannequinRaces: Reaktor is still a great tool for experimenting with sound design and, as a bonus, you get a fantastic range of great instruments and effects. It does require some effort to learn and the program has some issues but it's totally worth it. Thanks for your suggestions about creating space. You're right in that I just went for the first fast panning preset I liked and it is kind of monotonous after a while. When I was working mostly in Logic I used to automate volume a lot which can also create space. But this is something I don't find as natural in Ableton. I think it's a consequence of the Session/Arrangement dichotomy that I'm not as happy with yet. I'm working on something new & again using TMA-2 as one of my sources. I'll see if I can do a better job with it.
Once again, killer stuff. Love what you're doing here.
This is heaven. I love shit like this!
(Drool) Okay, I've always known that I've wanted to give Reaktor a shot but now I really want to try it out! Great stuff. I have no idea how to ad more space in something like this but I like it the way it is. My only suggestion to try out sometime is to vary the panning. Seems like the panning (ping pong effect) is pretty consistent. I would try varying it more (like faster panning for a bit, then slower, etc..). Anyways cool stuff!
RE The samples were not carefully chosen just a few random snippets I had lying around and some vocal samples I've been collecting for another project. I just needed something to feed into it. so long as it isn't our brainwaves! hehe. I'm lookig forward to hearing, and seeing what else you do with this
I prefer the source....but this is interesting as well.
I knew he was sending images into our heads wildgeas. hehe. I'll have to listen to the other tracks you did with this one sandbags.
Spacey man. Your buggin' me out. There's something crawling on me. It has teeth.
Thanks for your comment on Sunday Looping mate. You have a great weekend. Cheers.
This is cool too. Hmmm. Eenie-meanie...
Comments made by Mr Sandbags
After several listens I am better able to describe my reactions. I love the way you let the track build up in it's own time, unhurried. I love the sound, the rhythm, and the desolate, but stoic, feelings you evoke. Kudos to both of you!
OMG utterly fantastic!
That's great, love what you've done here.
@NebulonicAlchemy: I've no recollection of the conversation you're talking about. I use a lot of effects in Live and Logic so it doesn't sound like me. My point is about creating an arrangement where there is more control over sonic density. Particularly intense points should not be clustered together or they become overwhelming. I think the issue is with taking a single, long, piece of audio and trying to treat give it a different structure.
If you read my post in that thread I talked about one of my tracks being downloaded over & over again by Chinese spammers/spambots. This is that track.
This is really awesome guys, lovely range of sounds blending together perfectly in the moment. Maximum kudos.
The samples were not carefully chosen just a few random snippets I had lying around and some vocal samples I've been collecting for another project. I just needed something to feed into it.
The idea came to me in a conversation as a kind of silly thing to do. I was thinking about how to mess with samples and the idea of slicing them and trigger them by collisions just popped into my head. At the moment the energy levels are fixed. One of the things to complete the model is for collisions to drain energy. Then I plan to add "warming" that is a constant influx of energy which will be controllable. Beyond that I really want to play with having the collision sequencer drive other things like a bank of oscillators. I'm also considering how it could sensibly output MIDI.
Thanks guys. Wildgeas: Yeah I got a definite "It's full of stars" vibe and I'm thinking of renaming the Reaktor ensemble TMA-2. I suspect the sampler based version will always be a bit this way because of the granular nature of the sounds. When I use the collision sequencer to drive an additive oscillator bank it might get more interesting. Or not ;-) Nebulonic: Glad you like it. As to the type of equations it is an incredibly simple analog of a 2D gas. 64 particles are represented by (X,Y,direction,energy) in a 100x100 vessel. Brighter particles have more energy and travel faster. CR/SS: Thanks... I find some of the tones generated remind me of the background sounds from David Lynch's Dune movie (a favourite when I were a lad). Johnny: Thanks man. More to come.
Rather groovy.
From the edges of Eno to the realms of Vangelis, nice!
Dreamy. Just perfect for this lovely spring day.
Dead catchy CG!
Enjoyed listening to that, could have listened a good while longer.
That's brilliant!
Catchy little number this.
You may hate me for this but I am getting a definite Buck Rogers in the 25th Century vibe here. Which reminds me of Erin Gray in a figure hugging spandex outfit...MMmmmm... I fear I have shared too much!
Great track I love it.
Hey there. Thanks for the comment on my practice session. You're right that we piano strugglers need a support & self-help group! Maybe something in the forums, a "practice" top-level topic might be good enough.
I think Kirk just about nailed and, yeah, the guitar comes in just right.