I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
Music for the mind. Once again a journey is bestowed upon us..one for which I have to say thanks. The collab you did with Sister Savage was great work too.
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
Initial comment made at 20 secs on hearing my Molly! Then I grabbed the headphones because I suspected I knew what was coming. But no, this is Sandbags. Take equal measures of eerie, crazy and strange, sprinkle with ingenuity and serve with WOAH.
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
Damn. How on earth do you manage to get all of these separate things to fit together so well?
And reading through the liner notes.... I am in awe of your ability to focus on one piece for so long and what must be an amazing attention to detail. Where can I get me some of that? :)
When I uploaded this last night I thought it was a failure, this morning I am not so sure. I've just listened to it again and, while it fails to live up to my expectations when I started, there's something about it that I like.
The initial…
When I uploaded this last night I thought it was a failure, this morning I am not so sure. I've just listened to it again and, while it fails to live up to my expectations when I started, there's something about it that I like.
The initial…
Actually...I think the voices sound great! And the fact that the spoken voice (yours?) is incoherent doesn't matter at all. You could be spilling all the secrets of the universe and we wouldn't know, I like that - it's intriguing.
When I uploaded this last night I thought it was a failure, this morning I am not so sure. I've just listened to it again and, while it fails to live up to my expectations when I started, there's something about it that I like.
The initial…
Dark and sinister indeed! I like the use of your voice and the fact this it's incoherent makes it better. OOOOOH! That laughter at the end just caps it off!
When I uploaded this last night I thought it was a failure, this morning I am not so sure. I've just listened to it again and, while it fails to live up to my expectations when I started, there's something about it that I like.
The initial…
When I uploaded this last night I thought it was a failure, this morning I am not so sure. I've just listened to it again and, while it fails to live up to my expectations when I started, there's something about it that I like.
The initial…
I elected to pursue my theme for RPM 2010 even though, ultimately, I decided not to take part.
So I'm going at my own pace, not trying to produce "finished" works, or to be governed by anything except my experimental muse.
The theme I chose…
I elected to pursue my theme for RPM 2010 even though, ultimately, I decided not to take part.
So I'm going at my own pace, not trying to produce "finished" works, or to be governed by anything except my experimental muse.
The theme I chose…
I'm going through something of a dark time at the moment and it's a rare evening I actually have something tangible to show for it. Mostly it's frustration, depression, and a blanket of grey despair. Tonight was different and I can only hope that…
Thank you for the kind words.
This track has been interesting for me in that, having felt paralysed for so long, I was in major haste to push it out the door. I didn't stop to think or evaluate, let alone try things different. I just slapped it together and uploaded it.
And it is a wild mess.
And I think it's very me.
I thought I'd listen once then move on. But I've found myself listening to it over and over again. Of the 37 track plays I would guess almost 30 of them are mine.
Sister's right in that it has some nice bits around 3m and, for me, especially 5m. If the whole could be as good as those parts I think I'd **really** have something.
But where I thought I might be embarrassed at throwing up some half-finished thing instead I've discovered I enjoy this in all it's misshapen beauty.
I've started applying the same techniques I used for this in a more deliberate way and I am struggling. Which is great, it feels great to have creative problems again!
I have issues at my house, sometimes they manifest themselves in my tracks. In this case, the bassoon and oboe represent the mouse. The guitar is the peanut-butter.
I am really exited about the potential of the digital revolution in audio. I have been at it for about a year and a half. I own Logic, Live8 and use Elysium and gleetchlab3. I am also a bluegrass banjo player, former opera singer and guitar player…
This piece has a wonderful otherworldliness to it. The beat anchors it to our time & place but it's easy to imagine it being enjoyed by alien ears. Kudos.
This is from years ago, living in santa fe.
I loved driving around in my little 1980s toyota corolla and listening to cassettes. I loved the way they sounded.
So I took a piano song I was working on, recorded it to cassette, dragged mic…
After several more listens my enthusiasm for this piece is undiminished. Not to take anything away from the rest of it but the section from 5:00 to 8:21 is as good, interesting, and moving a piece of piano music as I have ever heard. I'd love you to transcribe this piece so I could have a go at playing it and, who knows?, maybe we could duet one day!
This is from years ago, living in santa fe.
I loved driving around in my little 1980s toyota corolla and listening to cassettes. I loved the way they sounded.
So I took a piano song I was working on, recorded it to cassette, dragged mic…
Boy do I love this, the music is awesome - just awesome - and I love when you whistle along as you're enjoying different bits. I can imagine doing it myself! Once again AWESOME++
still one of my personal faves. - although i'd wish to redo some parts, i'm stuck with this version, since i don't own one of the synths used there anymore..
(original photo)
Archival stuff from my distant past with former bandmates in Scartaglen. A set of traditional Irish tunes. Rescued from a cassette tape done at a concert back in the early 90's. Myself on Uilleann pipes and whistle. Mike dugger on guitar and fiddle…
A fun childrens tune from 2008, it really ought to be a hot fiddle tune but i don't have a hot fiddle.
Old fox coming down the road now Bunny Bunny
Run Run Bunny Bunny Go
White tails bobbing in the air there funny bunny
Go Go Bunny Bunny Run…
Many nebulae form from the gravitational collapse of gas in the interstellar medium. As the material collapses under its own weight, massive stars may form in the center, and their ultraviolet radiation ionises the surrounding gas, making it visible…
Another in my series of evolving sonic noise experiments.
The source for this piece was a recording from my latest Reaktor instrument [TMA-2](http://www.youtube.com/watch?v=lyEEW-tCNL4) with a sample map constructed from [Richard Devines](http…
@MannequinRaces: Reaktor is still a great tool for experimenting with sound design and, as a bonus, you get a fantastic range of great instruments and effects. It does require some effort to learn and the program has some issues but it's totally worth it.
Thanks for your suggestions about creating space. You're right in that I just went for the first fast panning preset I liked and it is kind of monotonous after a while.
When I was working mostly in Logic I used to automate volume a lot which can also create space. But this is something I don't find as natural in Ableton. I think it's a consequence of the Session/Arrangement dichotomy that I'm not as happy with yet.
I'm working on something new & again using TMA-2 as one of my sources. I'll see if I can do a better job with it.
Comments on Mr Sandbags's stuff
Music for the mind. Once again a journey is bestowed upon us..one for which I have to say thanks. The collab you did with Sister Savage was great work too.
Very cohesive sound collage. I love this.
Well done. Very retro cool.
Wow mega cool mate this is out there dig it.
Clever and complex. Great job combining all the sounds, and still managing to avoid complete dissonance.
I moved my speakers right up next to my head. Really gets the full affect of the L/R. Fun stuff.......
well done sandbags.
My thanks to all those who contributed vocals to this track: GCD, Sudara, Marlena, MMI, La Savage, Robot Molly, Matt Savigear, Wildgeas, and me!
The coordinated chaos of this is impressive! Those layers are pretty wild.
Astounding! :)
Initial comment made at 20 secs on hearing my Molly! Then I grabbed the headphones because I suspected I knew what was coming. But no, this is Sandbags. Take equal measures of eerie, crazy and strange, sprinkle with ingenuity and serve with WOAH.
Hahahahahahahahahaha!!!!!!!!!!!!
Damn. How on earth do you manage to get all of these separate things to fit together so well? And reading through the liner notes.... I am in awe of your ability to focus on one piece for so long and what must be an amazing attention to detail. Where can I get me some of that? :)
number 9..number 9..number 9
Actually...I think the voices sound great! And the fact that the spoken voice (yours?) is incoherent doesn't matter at all. You could be spilling all the secrets of the universe and we wouldn't know, I like that - it's intriguing.
Dark and sinister indeed! I like the use of your voice and the fact this it's incoherent makes it better. OOOOOH! That laughter at the end just caps it off!
Very spooky! :)
Wow you have some great sounds in this one mate sounds great with headphone
Very cool mate very cool.
...too noiszzzy for me, though.
Comments made by Mr Sandbags
Thank you for the kind words. This track has been interesting for me in that, having felt paralysed for so long, I was in major haste to push it out the door. I didn't stop to think or evaluate, let alone try things different. I just slapped it together and uploaded it. And it is a wild mess. And I think it's very me. I thought I'd listen once then move on. But I've found myself listening to it over and over again. Of the 37 track plays I would guess almost 30 of them are mine. Sister's right in that it has some nice bits around 3m and, for me, especially 5m. If the whole could be as good as those parts I think I'd **really** have something. But where I thought I might be embarrassed at throwing up some half-finished thing instead I've discovered I enjoy this in all it's misshapen beauty. I've started applying the same techniques I used for this in a more deliberate way and I am struggling. Which is great, it feels great to have creative problems again!
Like this one, leaves me wanting more.
Work of art my man, work of art. I humbly salute you.
I sure enjoyed that.
Please come do some gigs in England!
This stuff is great to listen to, lovely warm ambience.
I'm with underwood :)
This piece has a wonderful otherworldliness to it. The beat anchors it to our time & place but it's easy to imagine it being enjoyed by alien ears. Kudos.
After several more listens my enthusiasm for this piece is undiminished. Not to take anything away from the rest of it but the section from 5:00 to 8:21 is as good, interesting, and moving a piece of piano music as I have ever heard. I'd love you to transcribe this piece so I could have a go at playing it and, who knows?, maybe we could duet one day!
Boy do I love this, the music is awesome - just awesome - and I love when you whistle along as you're enjoying different bits. I can imagine doing it myself! Once again AWESOME++
Enjoyed this one very much.
Fab, quite lifted my spirits! :)
Nice one Centurion.
Love this piece Lalo, beautiful.
That was lovely.
Like it.. Go Bunny!
Love this.
Awww who cares if you uploaded this before, it's great. You two play brilliantly together. I'd like to see it on video.
Bravo, superb intro. Love your voice & playing here.
@MannequinRaces: Reaktor is still a great tool for experimenting with sound design and, as a bonus, you get a fantastic range of great instruments and effects. It does require some effort to learn and the program has some issues but it's totally worth it. Thanks for your suggestions about creating space. You're right in that I just went for the first fast panning preset I liked and it is kind of monotonous after a while. When I was working mostly in Logic I used to automate volume a lot which can also create space. But this is something I don't find as natural in Ableton. I think it's a consequence of the Session/Arrangement dichotomy that I'm not as happy with yet. I'm working on something new & again using TMA-2 as one of my sources. I'll see if I can do a better job with it.