I was trying to tune my radio into a station I picked up, just for an instant, but I found it hard to keep a lock on it, I kept getting strange interferences.
From what I could hear it sounded like someone sent [MMI](http://alonetone.com/mmi…
5:25 kinda sounds like when I'd play with a knob on an old radio shack reverb efx box I had. I was going to use the sound it made for a voice in one of my animations. lol.
I was trying to tune my radio into a station I picked up, just for an instant, but I found it hard to keep a lock on it, I kept getting strange interferences.
From what I could hear it sounded like someone sent [MMI](http://alonetone.com/mmi…
atmospherics is another interesting phenomenon..would go well with your software and the non-western take on music. Whistlers and white noise. Aurora's make REALLY interesting noises. You should download some samples and play with those too. Your kinda like an alien scooping up noises with a machine that twists and turns audio like putty. Wonder if black holes do the same thing? Light can't even escape those strange aspects of our universe.
Just don't go playing with time and space without a permit buddy...
I was trying to tune my radio into a station I picked up, just for an instant, but I found it hard to keep a lock on it, I kept getting strange interferences.
From what I could hear it sounded like someone sent [MMI](http://alonetone.com/mmi…
I was trying to tune my radio into a station I picked up, just for an instant, but I found it hard to keep a lock on it, I kept getting strange interferences.
From what I could hear it sounded like someone sent [MMI](http://alonetone.com/mmi…
I was trying to tune my radio into a station I picked up, just for an instant, but I found it hard to keep a lock on it, I kept getting strange interferences.
From what I could hear it sounded like someone sent [MMI](http://alonetone.com/mmi…
This is a track I've been working on for quite a while so I am glad to finally have it out of my head.
I have a kind of love/hate relationship with time and its humble functionary, the clock. Ticking, in particular, is something I am ambivalent…
Another test of the Reichatron on a flute sample. The signal chain for version 1 of the ensemble is now completely worked out and only some details of the beat mode controls for navigating the loop around the sample remain.
This time I employ…
I'd like to have the following mentioned link :) ...AND do you still want me to contribute something to your current project? I have tons to extract from...or something new. Let me know...
ILLEGAL ALIEN AUTOPSY SAID...
please send me that link again so that I can hack with the 30 day trial version of the Reichatron. I was on my wife's computer when you sent me the link in the chat room and I didn't save it. How are things coming along?
Another test of the Reichatron on a flute sample. The signal chain for version 1 of the ensemble is now completely worked out and only some details of the beat mode controls for navigating the loop around the sample remain.
This time I employ…
Matt,
please send me that link again so that I can hack with the 30 day trial version of the Reichatron. I was on my wife's computer when you sent me the link in the chat room and I didn't save it. How are things coming along?
One of the things about my [Glitching Satie](http://alonetone.com/sandbags/tracks/glitching-satie-1) track that I wasn't comfortable with was that it wasn't my recording that I was using. But I'm nowhere near good enough to play a piece like Gnossiennes…
After yesterdays experiment with noise gates and vocal transformers I thought I'd have another go using Rytme as the source material.
A single Rytme track with multiple playheads is playing into a Logic channel containing Kore playing the Absynth…
Another test of the Reichatron on a flute sample. The signal chain for version 1 of the ensemble is now completely worked out and only some details of the beat mode controls for navigating the loop around the sample remain.
This time I employ…
Another test of the Reichatron on a flute sample. The signal chain for version 1 of the ensemble is now completely worked out and only some details of the beat mode controls for navigating the loop around the sample remain.
This time I employ…
This is a track I've been working on for quite a while so I am glad to finally have it out of my head.
I have a kind of love/hate relationship with time and its humble functionary, the clock. Ticking, in particular, is something I am ambivalent…
Another test of the Reichatron on a flute sample. The signal chain for version 1 of the ensemble is now completely worked out and only some details of the beat mode controls for navigating the loop around the sample remain.
This time I employ…
Another test of the Reichatron on a flute sample. The signal chain for version 1 of the ensemble is now completely worked out and only some details of the beat mode controls for navigating the loop around the sample remain.
This time I employ…
Another test of the Reichatron on a flute sample. The signal chain for version 1 of the ensemble is now completely worked out and only some details of the beat mode controls for navigating the loop around the sample remain.
This time I employ…
So... Reichenbach is now called **Reichatron**.
I felt that the new sonic mangling possibilities of the ensemble were reminiscent of a Japanese monster movie than a composer of beautifully intricate harmonies.
Here I am playing with a flute…
Another test of the Reichatron on a flute sample. The signal chain for version 1 of the ensemble is now completely worked out and only some details of the beat mode controls for navigating the loop around the sample remain.
This time I employ…
Another test of the Reichatron on a flute sample. The signal chain for version 1 of the ensemble is now completely worked out and only some details of the beat mode controls for navigating the loop around the sample remain.
This time I employ…
This is a short experiment with Version 0.99.9 of my *Reichenbach* phase-shifted looping Reaktor ensemble (try saying that 3 times fast!)
I took a 2 second long piano sample and fed it into the loopers which were running at 0.98x, 1.0x, and…
came across an interesting article while trying to understand what you are doing..
pretty fascinating.
http://media.hyperreal.org/zines/est/articles/reich.html
This is the first of several songs in a collaboration with Laura Kepner-Adney. Laura has a beautiful voice and a gift for arranging music. It is an exciting project with more to come.
Featuring Ryan Anderson on harmonica.
Lyrics:
As a boy…
After several listens I am better able to describe my reactions. I love the way you let the track build up in it's own time, unhurried. I love the sound, the rhythm, and the desolate, but stoic, feelings you evoke. Kudos to both of you!
This is the first of several songs in a collaboration with Laura Kepner-Adney. Laura has a beautiful voice and a gift for arranging music. It is an exciting project with more to come.
Featuring Ryan Anderson on harmonica.
Lyrics:
As a boy…
Starting out as a simple and awe inspiring invention, progressing to a more chaotic and demanding machine driven future. - people becoming enslaved to these devices. Feeding the machine.
Phone samples were recorded from the output jack of my…
Another in my series of evolving sonic noise experiments.
The source for this piece was a recording from my latest Reaktor instrument [TMA-2](http://www.youtube.com/watch?v=lyEEW-tCNL4) with a sample map constructed from [Richard Devines](http…
@NebulonicAlchemy: I've no recollection of the conversation you're talking about. I use a lot of effects in Live and Logic so it doesn't sound like me.
My point is about creating an arrangement where there is more control over sonic density. Particularly intense points should not be clustered together or they become overwhelming.
I think the issue is with taking a single, long, piece of audio and trying to treat give it a different structure.
I'm not quite sure where I was going with this. I love the Abaska Bong sound and was trying to pair it with something complementary. After going through some truly weird combinations I came up with this.
If you read my post in that thread I talked about one of my tracks being downloaded over & over again by Chinese spammers/spambots. This is that track.
Jason Sloan and I recorded this track in March 2010 as an improvisation in preparation for our performances on The Vigil all-night music festival at MICA. Jason describes the session:
"Erik and I come from very different backgrounds in our approach…
Another slice of Reaktor based weirdness from the particle collider ensemble I am tentatively naming TMA-2.
You can't tell from how it sounds I guess but the latest development is that particle energy now governs velocity, i.e. more energetic…
The samples were not carefully chosen just a few random snippets I had lying around and some vocal samples I've been collecting for another project. I just needed something to feed into it.
Another slice of Reaktor based weirdness from the particle collider ensemble I am tentatively naming TMA-2.
You can't tell from how it sounds I guess but the latest development is that particle energy now governs velocity, i.e. more energetic…
The idea came to me in a conversation as a kind of silly thing to do. I was thinking about how to mess with samples and the idea of slicing them and trigger them by collisions just popped into my head.
At the moment the energy levels are fixed. One of the things to complete the model is for collisions to drain energy. Then I plan to add "warming" that is a constant influx of energy which will be controllable.
Beyond that I really want to play with having the collision sequencer drive other things like a bank of oscillators. I'm also considering how it could sensibly output MIDI.
This is made with a very experimental Reaktor instrument I am building.
It uses a very simple particle collision model with 64 particles in a 100x100 box. When two particles collide they trigger a sampler to play a slice of either of two samples…
Thanks guys.
Wildgeas: Yeah I got a definite "It's full of stars" vibe and I'm thinking of renaming the Reaktor ensemble TMA-2. I suspect the sampler based version will always be a bit this way because of the granular nature of the sounds. When I use the collision sequencer to drive an additive oscillator bank it might get more interesting. Or not ;-)
Nebulonic: Glad you like it. As to the type of equations it is an incredibly simple analog of a 2D gas. 64 particles are represented by (X,Y,direction,energy) in a 100x100 vessel. Brighter particles have more energy and travel faster.
CR/SS: Thanks... I find some of the tones generated remind me of the background sounds from David Lynch's Dune movie (a favourite when I were a lad).
Johnny: Thanks man. More to come.
Took sandbag's [Andromeda 1](http://alonetone.com/sandbags/tracks/andromeda-1) and applied some BigSeq2 and LiveCut.
Added a little FM8 underneath.
And this happy little accident came out.
This is our little bundle of joy now grown up to be 10 years old. She took up the flute this year at school and this is her first effort in front of my microphone.
She decided on the flute after watching some vids of Ian Anderson and Jethro Tull…
You may hate me for this but I am getting a definite Buck Rogers in the 25th Century vibe here. Which reminds me of Erin Gray in a figure hugging spandex outfit...MMmmmm... I fear I have shared too much!
I made this track back in nineties with sort of tongue in cheek -mentality. I accidentally found it and it still sounded so fresh that i decided to upload it.
Funny how it's generally the songs that I spend the most time on, where I hardly write any story.
So I'll just briefly say this is the [songfight.org](http://songfight.org) song that I hadn't even intended to write.
Hey there. Thanks for the comment on my practice session. You're right that we piano strugglers need a support & self-help group! Maybe something in the forums, a "practice" top-level topic might be good enough.
Comments on Mr Sandbags's stuff
5:25 kinda sounds like when I'd play with a knob on an old radio shack reverb efx box I had. I was going to use the sound it made for a voice in one of my animations. lol.
atmospherics is another interesting phenomenon..would go well with your software and the non-western take on music. Whistlers and white noise. Aurora's make REALLY interesting noises. You should download some samples and play with those too. Your kinda like an alien scooping up noises with a machine that twists and turns audio like putty. Wonder if black holes do the same thing? Light can't even escape those strange aspects of our universe. Just don't go playing with time and space without a permit buddy...
strange n' beautiful.
Ooh, liking 10.43+ especially. Lovely bluesy riff there!
This is like Star Trek incidental music. I wouldn't want to be one of the guys in the red shirts.
Wow this is making me insane. But I cant stop listening. This is really cool!
I'd like to have the following mentioned link :) ...AND do you still want me to contribute something to your current project? I have tons to extract from...or something new. Let me know... ILLEGAL ALIEN AUTOPSY SAID... please send me that link again so that I can hack with the 30 day trial version of the Reichatron. I was on my wife's computer when you sent me the link in the chat room and I didn't save it. How are things coming along?
Matt, please send me that link again so that I can hack with the 30 day trial version of the Reichatron. I was on my wife's computer when you sent me the link in the chat room and I didn't save it. How are things coming along?
great!
du tres bon travail,pour toute la production!!!
check your email.
check your email.
...Far away across the field The tolling of the iron bell Calls the faithful to their knees To hear the softly spoken magic spells...
Oh great, this really helps with my Coulophobia. :) I'm with N.A., modern music school.
wow this really good it is very freaky, nice one mate
You want to test your Reicher. I think it's haunted. This is eerie, rusty, deserted, haunted, mannequin dolls, fairground horror chic.
Sounds like a monster/space movie soundtrack.
this sounds bitchin'
thank you sandbags.
came across an interesting article while trying to understand what you are doing.. pretty fascinating. http://media.hyperreal.org/zines/est/articles/reich.html
Comments made by Mr Sandbags
After several listens I am better able to describe my reactions. I love the way you let the track build up in it's own time, unhurried. I love the sound, the rhythm, and the desolate, but stoic, feelings you evoke. Kudos to both of you!
OMG utterly fantastic!
That's great, love what you've done here.
@NebulonicAlchemy: I've no recollection of the conversation you're talking about. I use a lot of effects in Live and Logic so it doesn't sound like me. My point is about creating an arrangement where there is more control over sonic density. Particularly intense points should not be clustered together or they become overwhelming. I think the issue is with taking a single, long, piece of audio and trying to treat give it a different structure.
If you read my post in that thread I talked about one of my tracks being downloaded over & over again by Chinese spammers/spambots. This is that track.
This is really awesome guys, lovely range of sounds blending together perfectly in the moment. Maximum kudos.
The samples were not carefully chosen just a few random snippets I had lying around and some vocal samples I've been collecting for another project. I just needed something to feed into it.
The idea came to me in a conversation as a kind of silly thing to do. I was thinking about how to mess with samples and the idea of slicing them and trigger them by collisions just popped into my head. At the moment the energy levels are fixed. One of the things to complete the model is for collisions to drain energy. Then I plan to add "warming" that is a constant influx of energy which will be controllable. Beyond that I really want to play with having the collision sequencer drive other things like a bank of oscillators. I'm also considering how it could sensibly output MIDI.
Thanks guys. Wildgeas: Yeah I got a definite "It's full of stars" vibe and I'm thinking of renaming the Reaktor ensemble TMA-2. I suspect the sampler based version will always be a bit this way because of the granular nature of the sounds. When I use the collision sequencer to drive an additive oscillator bank it might get more interesting. Or not ;-) Nebulonic: Glad you like it. As to the type of equations it is an incredibly simple analog of a 2D gas. 64 particles are represented by (X,Y,direction,energy) in a 100x100 vessel. Brighter particles have more energy and travel faster. CR/SS: Thanks... I find some of the tones generated remind me of the background sounds from David Lynch's Dune movie (a favourite when I were a lad). Johnny: Thanks man. More to come.
Rather groovy.
From the edges of Eno to the realms of Vangelis, nice!
Dreamy. Just perfect for this lovely spring day.
Dead catchy CG!
Enjoyed listening to that, could have listened a good while longer.
That's brilliant!
Catchy little number this.
You may hate me for this but I am getting a definite Buck Rogers in the 25th Century vibe here. Which reminds me of Erin Gray in a figure hugging spandex outfit...MMmmmm... I fear I have shared too much!
Great track I love it.
Hey there. Thanks for the comment on my practice session. You're right that we piano strugglers need a support & self-help group! Maybe something in the forums, a "practice" top-level topic might be good enough.
I think Kirk just about nailed and, yeah, the guitar comes in just right.