We're deep in the glitch mines again.
This time with a beat developed in Stylus RMX, a "melody" using Soniccouture Skiddaw stones and Tonehammer Frendo, and a bass from Soniccouture Abstrakt Bass.
The beat was fed through The Finger with…
Well the votes are in and nobody, who has commented, seems to think I have offended against Satie with this. That's kind of cool because this really is one of my favourite pieces of music and one that I hope, one day, to be able to play myself…
One of the things about my [Glitching Satie](http://alonetone.com/sandbags/tracks/glitching-satie-1) track that I wasn't comfortable with was that it wasn't my recording that I was using. But I'm nowhere near good enough to play a piece like Gnossiennes…
One of the things about my [Glitching Satie](http://alonetone.com/sandbags/tracks/glitching-satie-1) track that I wasn't comfortable with was that it wasn't my recording that I was using. But I'm nowhere near good enough to play a piece like Gnossiennes…
One of the things about my [Glitching Satie](http://alonetone.com/sandbags/tracks/glitching-satie-1) track that I wasn't comfortable with was that it wasn't my recording that I was using. But I'm nowhere near good enough to play a piece like Gnossiennes…
One of the things about my [Glitching Satie](http://alonetone.com/sandbags/tracks/glitching-satie-1) track that I wasn't comfortable with was that it wasn't my recording that I was using. But I'm nowhere near good enough to play a piece like Gnossiennes…
One of the things about my [Glitching Satie](http://alonetone.com/sandbags/tracks/glitching-satie-1) track that I wasn't comfortable with was that it wasn't my recording that I was using. But I'm nowhere near good enough to play a piece like Gnossiennes…
One of the things about my [Glitching Satie](http://alonetone.com/sandbags/tracks/glitching-satie-1) track that I wasn't comfortable with was that it wasn't my recording that I was using. But I'm nowhere near good enough to play a piece like Gnossiennes…
One of the things about my [Glitching Satie](http://alonetone.com/sandbags/tracks/glitching-satie-1) track that I wasn't comfortable with was that it wasn't my recording that I was using. But I'm nowhere near good enough to play a piece like Gnossiennes…
And the award for unique interpretation goes to...
Sandbags! (crowd goes wild, cut to surprised and happy recipient high fiving his guests)
Awesome stuff man.
One of the things about my [Glitching Satie](http://alonetone.com/sandbags/tracks/glitching-satie-1) track that I wasn't comfortable with was that it wasn't my recording that I was using. But I'm nowhere near good enough to play a piece like Gnossiennes…
One of the things about my [Glitching Satie](http://alonetone.com/sandbags/tracks/glitching-satie-1) track that I wasn't comfortable with was that it wasn't my recording that I was using. But I'm nowhere near good enough to play a piece like Gnossiennes…
Satie didn't came to my mind, maybe because i haven't listened to his music so much, but in my opinion this piece carries quite resemblance to compositions of Philip Glass
One of the things about my [Glitching Satie](http://alonetone.com/sandbags/tracks/glitching-satie-1) track that I wasn't comfortable with was that it wasn't my recording that I was using. But I'm nowhere near good enough to play a piece like Gnossiennes…
We're deep in the glitch mines again.
This time with a beat developed in Stylus RMX, a "melody" using Soniccouture Skiddaw stones and Tonehammer Frendo, and a bass from Soniccouture Abstrakt Bass.
The beat was fed through The Finger with…
Uploaded a new version which fixes the drums although there's still a feedback problem (related to MIDI timing I think) that needs to be fixed in a final mix.
We're deep in the glitch mines again.
This time with a beat developed in Stylus RMX, a "melody" using Soniccouture Skiddaw stones and Tonehammer Frendo, and a bass from Soniccouture Abstrakt Bass.
The beat was fed through The Finger with…
Okay this is the problem with mixing being "throw a mastering channel strip on it, bounce, upload". At some point about the 2 minute mark the drums track have cut out - probably overloaded Reaktor again. So then you get 2:30 that is largely just the bass.
We're deep in the glitch mines again.
This time with a beat developed in Stylus RMX, a "melody" using Soniccouture Skiddaw stones and Tonehammer Frendo, and a bass from Soniccouture Abstrakt Bass.
The beat was fed through The Finger with…
We're deep in the glitch mines again.
This time with a beat developed in Stylus RMX, a "melody" using Soniccouture Skiddaw stones and Tonehammer Frendo, and a bass from Soniccouture Abstrakt Bass.
The beat was fed through The Finger with…
We're deep in the glitch mines again.
This time with a beat developed in Stylus RMX, a "melody" using Soniccouture Skiddaw stones and Tonehammer Frendo, and a bass from Soniccouture Abstrakt Bass.
The beat was fed through The Finger with…
Glitchatom-1 is the first in a series of experimental pieces where I'm trying to learn about glitching and get more familiar with Reaktor.
In this piece I'm using Peter Dines [Frankenloop ensemble](http://kore.noisepages.com/2008/06/20/introducing…
i still havent checked your reponse when I asked what glitching is...I can't look back at old responses with internet explorer 8..there is a glitch in the software..lol
Glitchatom-1 is the first in a series of experimental pieces where I'm trying to learn about glitching and get more familiar with Reaktor.
In this piece I'm using Peter Dines [Frankenloop ensemble](http://kore.noisepages.com/2008/06/20/introducing…
Glitchatom-1 is the first in a series of experimental pieces where I'm trying to learn about glitching and get more familiar with Reaktor.
In this piece I'm using Peter Dines [Frankenloop ensemble](http://kore.noisepages.com/2008/06/20/introducing…
A lonely, slow, tune... with a forlorn and sometimes tense distorted guitar (actually my bass). Good music to listen to as you zone out and stare into space.
Rhythmic groove with bass and "guitars". In addition to the obvious bass track, the two distorted "guitar" tracks are actually also basses, EQ'ed and altered with various effects to sound less bassy and more guitary.
Melodic, peaceful, and trance-inducing instrumental. Used a synth clav as the underlying thematic instrument, then layered a few other things on top. The "guitar" counter-melody at the end is me playing a bass in the upper registers.
A track that I put on hold for the RPM Challenge.
Of course, now I can't really remember where I was going with it... but to have used it in the challenge would have been cheating.
What I do remember was that I had just discovered and fallen…
An old time fiddle tune without the fiddle, or the tune, really, so the vocal has to carry it, and it has that lovely raw propulsion. Written and recorded in an hour.
I'm not sure if this is rockabilly or late 40s jump R'n'B. Dance music though. I had fun with the lyrics and the backing vocals.
This is now a tidied up version 18/3/09
A happy song about being left by your no-good spouse. There's a word for the attitude in this song but I can't think of it right now ...
this is now a tidied up version 18/3/09
This has been something that has been struggling to get out for a while. I finally feel comfortable enough playing it to have pressed record...
Boring technical details:
DADGAD tuning
two improvised tracks, GT-10 Studio Acoustic Guitar preset…
A one hour track start to finish - words music and all the faffing around at the end to get the levels right.
It's a ghost story. So go get your cocoa now!
And a Murder ballad and a love story (but aren't they all).
Old Conor Higgins…
That didn't stop her.
Main vocals/bleeps by Shreya, keys and backing vocals by me. Actually, my baby daughter was in my arms while I was doing those vocals and she started crying. Even though I cropped that part, I didn't use any noise reduction…
Another experiment.
Today Eos was released. In trying it out, I found 7 random synth clips in my library (not entirely random but they might as well have been). These are fed for somewhat random durations and order through 4 Eos reverbs in…
MODERN MEDICINE DJ-Set
_____________________________________________
INSIDE:
(Emilie Simon, Kronos Quartet, Modern Medicine, NIN, The Columbus Academy Children's Choir, Beth Gibbons, Sneaker Pimps, Blue States, Vetiver etc.)
Disclaimer…
Another experiment.
Today Eos was released. In trying it out, I found 7 random synth clips in my library (not entirely random but they might as well have been). These are fed for somewhat random durations and order through 4 Eos reverbs in…
My power to you
is a part of Chill Productions "Resolutions" Album : http://www.chillproductions.com/modules/albums/resolutions/resolutions.html
It is a promise to people to get energized from me to do what they need to do. We can all share to…
Honestly I have no idea where this came from or how.
I was messing with Omnisphere patches and came across a lovely, flutey, breathy sound that put me in mind of the scenes inside the monolith at the end of 2001. I setup a Rytme pattern to…
![a photo](http://i52.photobucket.com/albums/g9/iloveglu/glumakesyoucoffee.jpg)
and you didn't even have to spend the night to get it.
another one from the morning sessions...
First attempt at making something with the demo version of live 8 suite and some of the sample tutorials. Just the first third or so of a whole track really. It's the first thing I haven't wanted to delete straight away so I want to put it somewhere…
Comments on Mr Sandbags's stuff
Cool sounds mate
Wow this is very haunting for sure sounds great through head phones love it
This is great mate dig it. And thanks for your recent comments What is a Glitch O Matic 500
A fine display Mr. Sandbags. I'll have to Google the Glitch-O-Matic 5000. I'm clueless and much to analog :D
Wow, sounds like a live acoustic performance! Very effective! Am loving your (and you probably won't agree) new direction!
An new take on a favorite of mine. Nicely done.
Such a sweet composition. Bouncy, but pretty serene at the same time; love it.
Wow- Nice! Love the texture
And the award for unique interpretation goes to... Sandbags! (crowd goes wild, cut to surprised and happy recipient high fiving his guests) Awesome stuff man.
Interesting. I listened to the samples of those homemade instruments from the link you sent me...awesome stuff.
Satie didn't came to my mind, maybe because i haven't listened to his music so much, but in my opinion this piece carries quite resemblance to compositions of Philip Glass
interesting piece
Uploaded a new version which fixes the drums although there's still a feedback problem (related to MIDI timing I think) that needs to be fixed in a final mix.
Okay this is the problem with mixing being "throw a mastering channel strip on it, bounce, upload". At some point about the 2 minute mark the drums track have cut out - probably overloaded Reaktor again. So then you get 2:30 that is largely just the bass.
This is some crazy glichin' ride! Love that pulse beat!
DAMN. This one is bitchin/glitchin' -- Nailed it.
I think I'm starting to get the idea of glitching is... heheh nice.
i still havent checked your reponse when I asked what glitching is...I can't look back at old responses with internet explorer 8..there is a glitch in the software..lol
Gotta agree with mmi...genius indeed. I can't wait to hear the stuff you put out once you "learn it." :)
lovin' that glitch!
Comments made by Mr Sandbags
Man I love your stuff. It's atmospheric, nice timbres, great beat. Hope you've got more to upload!
Good music to make you want to zone out and stare into space :)
Love this one.
Lovely.
I'm glad you decided to release this anyway because it's lovely. I'm getting used to being eased into my day by a new track from you. Keep it up! :)
Weird and wonderful. I'm enjoying your RPM album which has been a trip so far :)
An hour well spent :)
I really love these ditty's.
Kind of the anti-blues ;-) Love it!
A nice way to slide into Monday morning.
Love it.
Strange and dark. I love it :)
Great, laid back, sound.
Have to give you much kudos for working out how to make 4 reverbs sound good :)
That was great!
Love the dreamy quality and the use of BigSeq2. How did you come up with the notion of using 4 Eos in series?
Really enjoyed this one :)
Thanks for the kind words folks :)
There is something truly awesome about a track about and from making coffee :)
I enjoyed it :)