Yesterday I bought a very lovely sample set from Soniccouture called [The Skiddaw Stones](http://www.soniccouture.com/en/products/p4-the-skiddaw-stones/).
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![skiddaw stones ](http://www.soniccouture.com/images/library/img-20090817145403.jpg…
This is my second experiment with "song form".
In this case I tried out probably the simplest form: "IABABCABE" where I - intro, A - verse, B - chorus, C - break, E - end.
Although I'm not sure if the verse is supposed to build into the…
After yesterdays experiment with noise gates and vocal transformers I thought I'd have another go using Rytme as the source material.
A single Rytme track with multiple playheads is playing into a Logic channel containing Kore playing the Absynth…
This is my second experiment with "song form".
In this case I tried out probably the simplest form: "IABABCABE" where I - intro, A - verse, B - chorus, C - break, E - end.
Although I'm not sure if the verse is supposed to build into the…
This is my second experiment with "song form".
In this case I tried out probably the simplest form: "IABABCABE" where I - intro, A - verse, B - chorus, C - break, E - end.
Although I'm not sure if the verse is supposed to build into the…
This is my second experiment with "song form".
In this case I tried out probably the simplest form: "IABABCABE" where I - intro, A - verse, B - chorus, C - break, E - end.
Although I'm not sure if the verse is supposed to build into the…
First let me say that this is wonderful, especially for someone who keeps claiming that things "are a mystery to me". :)
When it comes to song form, I'd say it's a big fat "it depends". Probably most of the time, you would want one section to lead into another via some... thread? So this could mean anything from like a chord progression, a melody, lyrical content, even instrumentation I'd think.
But then again, you may also find that you can get the emotional impact you want by having an abrupt change from one section to another. It all depends, eh. :)
That said, I think you did a fine job on the transitions between verse and chorus on this piece. They're different enough that they sound like independent sections, yet lead well from one to another.
As for harmony, I want to say that it was Aaron Copland who said something pithy along the lines of "There's no such thing as dissonance - it just means you haven't heard enough of it."
Personally, I feel like the chord/melody at about :45 and 1:28 are a little too clashy for my tastes. Though it's such a blip in the grand scheme of the song and not all that noticeable, even for someone who's looking for it.
I'd say you have a good ear for picking the right patches and effects to make a piece really gel as a whole.
And I'm impressed because it sounds like you're really progressing with each new piece you release. Keep 'em coming!
This is my second experiment with "song form".
In this case I tried out probably the simplest form: "IABABCABE" where I - intro, A - verse, B - chorus, C - break, E - end.
Although I'm not sure if the verse is supposed to build into the…
I'm really digging all the layers and melodies. The rhythm section moves very nicely too. Loving where your music has been going over the past several months.
This is my second experiment with "song form".
In this case I tried out probably the simplest form: "IABABCABE" where I - intro, A - verse, B - chorus, C - break, E - end.
Although I'm not sure if the verse is supposed to build into the…
This is my second experiment with "song form".
In this case I tried out probably the simplest form: "IABABCABE" where I - intro, A - verse, B - chorus, C - break, E - end.
Although I'm not sure if the verse is supposed to build into the…
This is my second experiment with "song form".
In this case I tried out probably the simplest form: "IABABCABE" where I - intro, A - verse, B - chorus, C - break, E - end.
Although I'm not sure if the verse is supposed to build into the…
This is one track where I can say, without reservation, that I am really happy with how it came out.
I worked up a beat I liked with 3 Stylus RMX parts making good use of chaos and time designer for the breaks.
For the first time I really…
This is one track where I can say, without reservation, that I am really happy with how it came out.
I worked up a beat I liked with 3 Stylus RMX parts making good use of chaos and time designer for the breaks.
For the first time I really…
This is one track where I can say, without reservation, that I am really happy with how it came out.
I worked up a beat I liked with 3 Stylus RMX parts making good use of chaos and time designer for the breaks.
For the first time I really…
This is one track where I can say, without reservation, that I am really happy with how it came out.
I worked up a beat I liked with 3 Stylus RMX parts making good use of chaos and time designer for the breaks.
For the first time I really…
So I got Stylus RMX and this was my first attempt to use it multi-timbrally in Logic. It was accompanied by Elysium playing Omnisphere and me playing Reaktor on the keyboard. I still have no idea how to come up with bass lines so this was me playing…
I've had a bit of a love/hate relationship with this one.
I enjoyed making the beats and think that part came out pretty good but everything after that felt rather haphazard and didn't feel right to me.
I was close to abandoning the track…
A weeks gap has given me a little more perspective on this track and I've found more to like about it. Also in the light of my next track I can see this as an experiment with a new form. I doubt I'll do anything more with this but I can rest easier about it now ;-)
This is one track where I can say, without reservation, that I am really happy with how it came out.
I worked up a beat I liked with 3 Stylus RMX parts making good use of chaos and time designer for the breaks.
For the first time I really…
really like this song. reminds me of a similar message I was working on too. check it out if you get a sec, I'd be curious what you think. Nice beats.
http://alonetone.com/grandelement/tracks/stay-in-union
A rather more fundamentally experimental piece with Reichenbach's new *drift* mode. In this mode a probability matrix controls periodic changes in the loop length and/or position.
Once more I am using one of the awesome [Rekkerd mixed bag](http…
I'm a complete idiot when it comes to all things midi related. Recently got myself a midi keyboard though and came up with this short piece just messing with sounds in Proteus. Really looking forward to the possibilities of combining this sort…
Fun, I love messing around like this myself. MIDI is a different kind of musical power and, combined with your talents for playing with real instruments... well I look forward to the mayhem to come :)
Mining the archives a bit. This is an alternate take of my "Jimi Jam" from a couple of years ago. Live to 2 tracks with the Jamman. Really only sounds OK when cranked up loud enough that your eardrums threaten to meet in the middle. LOL!!
Our sun is in a long, cool, quiet period right now. But average ocean temps are the highest ever, and polar ice and glaciers are melting at an alarming rate. Something is going on here.
"pastlife laptops and attic instruments" is a composition from 2004 that I wrote to perform with saxophonist Brian Sacawa. This is the pre-recorded electronic part that accompanies a (mostly) written-out saxophone part and an ad libitum improvisation…
A little something that came out of playing with the Max4Live content.
The guitar sound, which I'm particularly happy with is a combination of my GT-10, CamelSpace and the M4L buffer shuffler.
Something I'm working on. I'm a sucker for 5/4 time these days.
The biggest issue is the vocals which are sort of a placeholder right now until I re-write and re-record them, or maybe even find someone who can actually sing to lay something down!
This song is based around a sample that I took of my dish washer. The sample starts out simple enough and then gets more chopped up at the end. The song evolved from there. Also in this song is a new pedal I got that is a photo theremin. You…
Featuring Lena Panfilova, Piano Solo
Waiting for you on a Friday Night by Pasha is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported License.
Comments on Mr Sandbags's stuff
I wonder how these would sound with my style of old rock and roll? No pun intended.
nice...
great stuff
ZOMBIE MILKMAN!
:)
diggin the vibes very chill
Go away for a little while and look what happens. Well done indeed.
Thank you so much folks for your comments, they're very encouraging!
First let me say that this is wonderful, especially for someone who keeps claiming that things "are a mystery to me". :) When it comes to song form, I'd say it's a big fat "it depends". Probably most of the time, you would want one section to lead into another via some... thread? So this could mean anything from like a chord progression, a melody, lyrical content, even instrumentation I'd think. But then again, you may also find that you can get the emotional impact you want by having an abrupt change from one section to another. It all depends, eh. :) That said, I think you did a fine job on the transitions between verse and chorus on this piece. They're different enough that they sound like independent sections, yet lead well from one to another. As for harmony, I want to say that it was Aaron Copland who said something pithy along the lines of "There's no such thing as dissonance - it just means you haven't heard enough of it." Personally, I feel like the chord/melody at about :45 and 1:28 are a little too clashy for my tastes. Though it's such a blip in the grand scheme of the song and not all that noticeable, even for someone who's looking for it. I'd say you have a good ear for picking the right patches and effects to make a piece really gel as a whole. And I'm impressed because it sounds like you're really progressing with each new piece you release. Keep 'em coming!
I'm really digging all the layers and melodies. The rhythm section moves very nicely too. Loving where your music has been going over the past several months.
How very inventive of you. Nice track!
yes, where is Michael, my talking car?
Knightrider and Abba!
Nice one mate this is cool and thanks for your recent comments
ca 3:00, nice break, breath!
Damn fine or my name isn't Kintekobo - The wolf with a dressing up box!
Nice, I'm ready to rally.
I'd love to hear you do more with this- cool beat
A weeks gap has given me a little more perspective on this track and I've found more to like about it. Also in the light of my next track I can see this as an experiment with a new form. I doubt I'll do anything more with this but I can rest easier about it now ;-)
really like this song. reminds me of a similar message I was working on too. check it out if you get a sec, I'd be curious what you think. Nice beats. http://alonetone.com/grandelement/tracks/stay-in-union
Comments made by Mr Sandbags
Thanks folks, your comments made me smile :)
Fun, I love messing around like this myself. MIDI is a different kind of musical power and, combined with your talents for playing with real instruments... well I look forward to the mayhem to come :)
Took your advice and my ears are now bleeding but happy :)
I for one am grateful for our impending roasting if it inspires you to make such music :)
Enjoyed this very much Erik. Great beat and so many interesting sounds in there.
This is a very odd approach to music.
If they do another remake of War of the Worlds I'm putting your name down for the soundtrack.
Ah, love this.. especially the change just after the 2:00 mark. It seems that, in the right circumstances, schmalz can be a good thing :)
Another sweet track. I hope it won't be too long before you have some more stuff to upload!
I think it's awesome that I have no clue what your "tech" means. Doesn't stop me loving the sound :)
Not a rock fan here but I enjoyed this very much!
Beautiful.
Absolutely love the sound you've created here.
Man I'd love to come here you play this sort of stuff. Fabulous.
I liked it. There's something pleasing about the tension between the lackadaisical vocal style and the distortion on the beats.
Bizarre and terrific. I'd have had no clue what it was if you hadn't said. Great sample. What were you playing it through?
Boy that was great, lovely ambience.
I like it.
Melancholy and touching.
Beautiful. Again the piano is also lovely.