This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
@MMI: Boite Diabolique seems to be quite good at creating those kind of movements. It just seems to naturally fall out of working with it. In fact it might be difficult to avoid them :)
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
I really like choirs and wanted to add something to this track but originally what I had in mind was a low, held, choral "rumble" to add something organic but ominous.
But I couldn't make that work and ended up with these chopped swells drifting in and out instead. Not the same effect at all.
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
Other then the choir, it reminds me of a windy night up in a canyon. Well...a little more ominious....so maybe spending a windy night in a canyon with no fire or flashlight, surrounded by wolves, and your sitting on a box of meat...alone in the dark......something like that....
In short i really like it.
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
Very cool. Really like the way the sound changes almost as though we moving through a space. Sometimes oppressive and closed, sometimes open, always dark. And that choir following us around like a full moon on those long night drives...
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This is a first test of a sequencer I built, using Max for Live, based on Audio Damage's latest plugin [Axon](http://www.audiodamage.com/instruments/product.php?pid=AD026).
Axon looks great but I'm saving for a Mac Pro so, to save money, I…
This isn't a track per se. I made a video of progress with an instrument and this is the soundtrack. It's something of a mishmash of strange noises. That will come as little to surprise regular listeners.
The instrument is an evolution of my…
This isn't a track per se. I made a video of progress with an instrument and this is the soundtrack. It's something of a mishmash of strange noises. That will come as little to surprise regular listeners.
The instrument is an evolution of my…
This isn't a track per se. I made a video of progress with an instrument and this is the soundtrack. It's something of a mishmash of strange noises. That will come as little to surprise regular listeners.
The instrument is an evolution of my…
This isn't a track per se. I made a video of progress with an instrument and this is the soundtrack. It's something of a mishmash of strange noises. That will come as little to surprise regular listeners.
The instrument is an evolution of my…
This isn't a track per se. I made a video of progress with an instrument and this is the soundtrack. It's something of a mishmash of strange noises. That will come as little to surprise regular listeners.
The instrument is an evolution of my…
Featuring Irina Panfilova, Piano Solo
Harvesting Memories by Pasha is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported License.
Featuring Lena Panfilova, Vocals
Night Cafe by Pasha is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported License.
I had to listen to this again straight away because I love the ambience of the piece. My favourite part is the 60s from 2m40 which is deliciously eerie and more than a little ominous. You've given me lots of ideas.
Instrumentation: fretless bass, tabla, acoustic and distorted acoustic guitar, hang drum samples (courtesy of Sudara), soft synth (AAS Ultra Analog), ambient sample of the jungle (pitched down two octaves) a sprinkle of ebow (from my Sudara files).
Another in my ongoing series of experiments with the Reaktor instrument 'Metaphysical Function'.
This was produced and recorded entirely in Reaktor with the resulting AIFF file converted to MP3 using Fission.
In this piece I start with one…
Heh... i've been listening on monitors (I have a pair of KRK-RP5's) so maybe haven't experienced the full dose of HF myself :)
And Wildgeas, I hope that's a good kind of hurt :)
I told the [good Sister](http://alonetone.com/sistersavage) that I wanted to try using vocals in a track and she offered to do me some abstract, stylized, vocals that I could play with and this little number is the result.
Working with wet (pre…
Well now, this is actually a very old track, made back in March '09 and not that long after I started learning piano.
I was learning a very simple 12-bar blues piece and getting bored with the piano sound I started messing about with the Logic…
A skipping CD of children's music, an old accordion with sticky keys, some subterranean drums and synth bass, a departing train. Hoping to achieve some kind of glitchy transcendence through the broken fragments.
From the archives. Traditional Irish slow air. Myself on the Uilleann pipes with synth backing. This was recorded at a concert here in Weston back in I think '92. Originally recorded on an ancient 4 track machine and then transferred to cassette…
A long meditation/wank.
This weeks guitar lesson we started looking at melodic minor modes. I went home and started practicing scales. Wasn't long before I got stuck on Dorian flat 2. So I fired up the looper and recorded a session.
Funny…
If it makes you laugh, you're supposed to laugh. If it makes you feel sick, you're meant to feel sick. If you like it, thanks. I saw you in the locker bay. I heard you like Toulouse-Lautrec. and by the way I didn't write the last twenty seconds…
Thank you so much for your comment on my Metamorphosis-1 track. I hope PG would agree since I do love his music and would hate to think I'd cause him offence.
This is one of several beat tracks for my new piece "Z-Land" for string orchestra, amplified string quartet, and DJ. The full piece will be performed by the Zeeland High School Orchestra (from Zeeland, MI) November 20 at the Baltimore City school…
Still under construction. Or maybe not. Bassline might be replaced by a real bass, maybe, and I'm not sure if I'll keep the Ableton Live softsynths as I may replace them with hardware. Maybe. I could just end up leaving it the way it is.
The exquisite bass was performed by my friend Edo Castro, but everything else was done on a Waldorf XTk.
In fact, originally the bass line was from an entirely other recording. What I did was to mute the other tracks and record all new ones…
Comments on Mr Sandbags's stuff
I'm vibrating.....
Pardon?!
@Sis: Have to be careful of things swooping on you strangely :)
Very atmospheric, strangely swooping and ethereal for the thickness.
@MMI: Boite Diabolique seems to be quite good at creating those kind of movements. It just seems to naturally fall out of working with it. In fact it might be difficult to avoid them :)
I really like choirs and wanted to add something to this track but originally what I had in mind was a low, held, choral "rumble" to add something organic but ominous. But I couldn't make that work and ended up with these chopped swells drifting in and out instead. Not the same effect at all.
@MTC: lol... thank you
That choir chant coming in and out definitely makes this more psychedelic and somewhat disorienting... Nice textures & space.
Other then the choir, it reminds me of a windy night up in a canyon. Well...a little more ominious....so maybe spending a windy night in a canyon with no fire or flashlight, surrounded by wolves, and your sitting on a box of meat...alone in the dark......something like that.... In short i really like it.
Very cool. Really like the way the sound changes almost as though we moving through a space. Sometimes oppressive and closed, sometimes open, always dark. And that choir following us around like a full moon on those long night drives...
Reminds me of my days working in the Denebian trilithium mines.
@bethan: probably i need about 50' clearance all around!
So, it's going to be a detached one, I take it!! Stirring stuff Bags!
That was really cool mate.
Very cool hypnotic sounds!
The video is essential to even approach comprehension of this. Wild stuff!
The fun police are looking for you. Very cool.
That looks like far too much fun.
Oh, Bags, that's creepy stuff!
Wild system.
Comments made by Mr Sandbags
Great track and I love the piano on here, fantastic.
I've listened through and love the cool, laid back chic, of your pieces. Great sound and style.
Woah... loved this, very immersive.
This is really fabulous, love the sound, love the playing. Sad when it ended, but you'll upload more won't you? :)
I had to listen to this again straight away because I love the ambience of the piece. My favourite part is the 60s from 2m40 which is deliciously eerie and more than a little ominous. You've given me lots of ideas.
Ahh.. the creepy music box at the end top's it off horribly :)
What Kirk said.
Oh, this is a bit different. Love the way the track builds up and then decays at the end.
Heh... i've been listening on monitors (I have a pair of KRK-RP5's) so maybe haven't experienced the full dose of HF myself :) And Wildgeas, I hope that's a good kind of hurt :)
Rock isn't a genre I'll listen to often but I liked this.
Thanks folks. I had a lot of fun with this.
@lokakuunmaa: what an awesome comment mate, thank you :) It happens that Apollo is my favourite Eno album evar!
What a wonderful concoction.
Encore!
*joins applause*
Totally hypnotic.
Thank you so much for your comment on my Metamorphosis-1 track. I hope PG would agree since I do love his music and would hate to think I'd cause him offence.
This is great Erik, love it!
Liked this one a lot. I'm not sure if it would sound better with hardware and a different bassline. Sounded pretty cool to me as it is :)
Lovely sound.