This is the first cover song I've ever really recorded in my 15 years of playing and recording.
The guitar and voice are each full continuous takes, I didn't want to do comping (copy and pasting), though the vocal harmony parts were done in…
This is the first cover song I've ever really recorded in my 15 years of playing and recording.
The guitar and voice are each full continuous takes, I didn't want to do comping (copy and pasting), though the vocal harmony parts were done in…
What a coincidence! I was listening to a Iron and Wine cover from Kina Grannis (http://www.youtube.com/watch?v=Jzhp1Nd92kA) today and now I discovered you did one, too.
Good work!
Martin
After an adventure in re-recording the entire song down a third, we came back to the original, tightened and tuned.
Always the self flagellating perfectionist, it still needs a bit more love. Always the pragmatist, it is probably done for now.
yes, stuck in my head too. This track is great, and not just because the hi-hat is a nano-second of an elephant vocalization ;) Well composed, performed, recorded, produced, remixed... more please!
This is the first cover song I've ever really recorded in my 15 years of playing and recording.
The guitar and voice are each full continuous takes, I didn't want to do comping (copy and pasting), though the vocal harmony parts were done in…
This is the first cover song I've ever really recorded in my 15 years of playing and recording.
The guitar and voice are each full continuous takes, I didn't want to do comping (copy and pasting), though the vocal harmony parts were done in…
This is the first cover song I've ever really recorded in my 15 years of playing and recording.
The guitar and voice are each full continuous takes, I didn't want to do comping (copy and pasting), though the vocal harmony parts were done in…
This is the first cover song I've ever really recorded in my 15 years of playing and recording.
The guitar and voice are each full continuous takes, I didn't want to do comping (copy and pasting), though the vocal harmony parts were done in…
This is the first cover song I've ever really recorded in my 15 years of playing and recording.
The guitar and voice are each full continuous takes, I didn't want to do comping (copy and pasting), though the vocal harmony parts were done in…
This is the first cover song I've ever really recorded in my 15 years of playing and recording.
The guitar and voice are each full continuous takes, I didn't want to do comping (copy and pasting), though the vocal harmony parts were done in…
This is the first cover song I've ever really recorded in my 15 years of playing and recording.
The guitar and voice are each full continuous takes, I didn't want to do comping (copy and pasting), though the vocal harmony parts were done in…
After an adventure in re-recording the entire song down a third, we came back to the original, tightened and tuned.
Always the self flagellating perfectionist, it still needs a bit more love. Always the pragmatist, it is probably done for now.
This is the first cover song I've ever really recorded in my 15 years of playing and recording.
The guitar and voice are each full continuous takes, I didn't want to do comping (copy and pasting), though the vocal harmony parts were done in…
Jeez Su - this sounds beautiful - at the risk of sounding like a broken record I want to say how great your voice has gotten, you've tamed that beast! I just about wet my drawers when the harmonies kicked in!
This is the first cover song I've ever really recorded in my 15 years of playing and recording.
The guitar and voice are each full continuous takes, I didn't want to do comping (copy and pasting), though the vocal harmony parts were done in…
This is the first cover song I've ever really recorded in my 15 years of playing and recording.
The guitar and voice are each full continuous takes, I didn't want to do comping (copy and pasting), though the vocal harmony parts were done in…
Granmardie says 'that's not the Jezebel song I know'. But she sat with me and we both enjoyed so much the haunting melody. I especially like (love) your accompaniment to your voice. I wonder how you flesh it all out with bell-like sounds.
I really really enjoy your rendition.
Granshad
This is the first cover song I've ever really recorded in my 15 years of playing and recording.
The guitar and voice are each full continuous takes, I didn't want to do comping (copy and pasting), though the vocal harmony parts were done in…
This is the first cover song I've ever really recorded in my 15 years of playing and recording.
The guitar and voice are each full continuous takes, I didn't want to do comping (copy and pasting), though the vocal harmony parts were done in…
This is the first cover song I've ever really recorded in my 15 years of playing and recording.
The guitar and voice are each full continuous takes, I didn't want to do comping (copy and pasting), though the vocal harmony parts were done in…
This is the first cover song I've ever really recorded in my 15 years of playing and recording.
The guitar and voice are each full continuous takes, I didn't want to do comping (copy and pasting), though the vocal harmony parts were done in…
The title comes from reading "The Willows in Winter" to my son Maurice, which is the sequel to "The Wind in The Willows" and thinking of Toad and the sort of idyllic natural landscape. While messing around in Logic, I ended up creating a "Drag…
This song made a little splash in the New Music blogosphere back in July 2008. With possibly the first diss rap directed at modern chamber music groups, Hybrid Groove Project (that's DJ Dubble8 and new music saxophonist Brian Sacawa) brought some…
This is freaking hilarious! Milton Bizzabit! Perfectly fitting samples. Create that controversy, Dubble8!
My absolute favorite line: "Sound original? Nope!
We’re putting new dope twists on licks that Philip Glass wrote."
When CobSOn was 6 years old, mom and dad Cobson sent her to the local music school (in the suburbs of Toulouse) where she started to play the piano. The course lasted 11 years.
During the summer 2002, she wrote her first words, "give the slip…
A piece I produced for Classical Public Radio last fall after interviewing conductor Stefan Sanderling. What he has to say about music and why he does what he does is powerful, especially against the backdrop of music from Shostakovich's Symphony…
For the record, nothing is out of "format" for alonetone. If it is uploadable, and you made it then it is worth listening to. Bring it on. (I mean it, I really enjoy listening to your stuff)
A piece I produced for Classical Public Radio last fall after interviewing conductor Stefan Sanderling. What he has to say about music and why he does what he does is powerful, especially against the backdrop of music from Shostakovich's Symphony…
The text on this track comes off a B-side from one of [Putnam Aldrich's](http://fr.wikipedia.org/wiki/Putnam_Aldrich) (my great-grandfather) records. He was a harpsichordist, a professor at Stanford, a chain smoker, and apparently had a sense…
i made this song up real fast. and i obviously threw it into the computer real fast. i have trouble with levels. but then again, that's what the songs about. let's hear it for Temper Tantrums!
This has your trademark thick vocal sound - those hits are just so nice and milkshake thick. Screw the levels, this thing sings and demands to be turned up no matter what. ANGRY GOOD!
This is another track resulting from a project in my digital music class at Oasis Charter Middle School (Spring 2007). Using a common pool of objects, my newborn daughter's baby instruments, I asked the students to create episodic sound illustrations…
A couple of years ago i went through some pretty intense surgeries and i think this song describes the fear, pain and uncertainty that i felt during those times.
Again....thank you for listening.
here comes another deep track of mine straight from cubase fresh to hear this goes deep youll be warned. special in this track I used two different acapellas from different artist I always lke to experiment u know so this featurin great vocalz…
Hey there - To "send a message" you can comment on someone's track - and click "make private" if you just want them to see it...
As far as having a real and coherent back-and-forth (with replying and so on), best thing to do for now is to take it to the forums or get their email address. The alonetone commenting system aint yet built for threaded conversations.
This montage is about making music and what it means to people. It uses comments from a number of classical musicians interviewed for a radio series I record and produce called "The Main Street Sessions". The music is from "The Gospel of Thomas…
Oh wow! Jennifer, I'm very very happy you found alonetone. Seeing all of your wonderful and positive comments has really brought me smiles over the last few days - and this track is just simply great to listen to, a well produced tribute.
Comments on Sudara's stuff
One of my favorite Sam Beam songs - and you do it more than justice - an absolutely beautiful cover, and an immaculate recording. Outstanding.
What a coincidence! I was listening to a Iron and Wine cover from Kina Grannis (http://www.youtube.com/watch?v=Jzhp1Nd92kA) today and now I discovered you did one, too. Good work! Martin
yes, stuck in my head too. This track is great, and not just because the hi-hat is a nano-second of an elephant vocalization ;) Well composed, performed, recorded, produced, remixed... more please!
smooth listening. very peaceful. cool.
wow... this is a great song man. Really a good work.
Nice cover, man. Really good version. Would love to hear more.
dear man, you just get better and better
Big Iron and Wine fan. Nice work Su! Sweet corners in your voice.
Wow! I didn't know you were a singer as well...
Beautiful. A great great thing...
Thats nice I have never heard this one before
Stuck in my head all day.
Jeez Su - this sounds beautiful - at the risk of sounding like a broken record I want to say how great your voice has gotten, you've tamed that beast! I just about wet my drawers when the harmonies kicked in!
Oye! I love this jam! More 'noodling' please!
very cool
Granmardie says 'that's not the Jezebel song I know'. But she sat with me and we both enjoyed so much the haunting melody. I especially like (love) your accompaniment to your voice. I wonder how you flesh it all out with bell-like sounds. I really really enjoy your rendition. Granshad
This is one of my favorite songs and this is a very beautiful rendition. Loverly....
This is one of my favorite songs and this is a beautiful rendition. Loverly!!!
Oh Sudara...you just keep amazing us! This is BEAUTIFUL!
BRAVO! I knew it. x
Comments made by Sudara
This is great. Chilled out and well recorded!
Nice, Skidoo, this is some clean and relaxing playing.
Man, this one clicks for me.
This is freaking hilarious! Milton Bizzabit! Perfectly fitting samples. Create that controversy, Dubble8! My absolute favorite line: "Sound original? Nope! We’re putting new dope twists on licks that Philip Glass wrote."
Ooooh, I love the wah and distortion on this one, freaking awesome.
Sweeet, great opener for this album, man.
For the record, nothing is out of "format" for alonetone. If it is uploadable, and you made it then it is worth listening to. Bring it on. (I mean it, I really enjoy listening to your stuff)
Inspiring, Jennifer. Keep posting these productions, I really enjoy listening to them, for both the music and the words. Shosti is a favorite of mine.
TIGHT. My favorite from your recent uploads!
Thanks for the comments jennifer!
This track is solid, makes me wanna get on my feet. Amazing work.
This has your trademark thick vocal sound - those hits are just so nice and milkshake thick. Screw the levels, this thing sings and demands to be turned up no matter what. ANGRY GOOD!
Oh my god, I would have loved to have a class in middle school where we got to produce stuff like this. Amazing.
Your voice is so natural, I love it.
Nice & mellow - pretty awesome that you are using samples/clips from ccmixter, there's a lot of good source over there.
Oh my god, am I going crazy, or are you? Really pleasent to listen to, glu.
What a great build up this track has. Nice strings
Hey there - To "send a message" you can comment on someone's track - and click "make private" if you just want them to see it... As far as having a real and coherent back-and-forth (with replying and so on), best thing to do for now is to take it to the forums or get their email address. The alonetone commenting system aint yet built for threaded conversations.
Yeah, there's nothing to figure out (except you should use it as much as possible!)
Oh wow! Jennifer, I'm very very happy you found alonetone. Seeing all of your wonderful and positive comments has really brought me smiles over the last few days - and this track is just simply great to listen to, a well produced tribute.