A rather quiet, melancholy piece of electronic music. Don't let it be said that you can't do emotion on synthesizers . . . .

This track is played entirely on the DSI Mopho analogue monophonic synthesizer.

Another song held over from my band days. Again, an attempted homage to the Velvets, but perhaps a little too shiny. I still plan to replace the cheesy 'solo' synth with glockenspiel somewhere down the line.

A song that really crept out of nowhere and one that I don't entirely understand its meaning. Some things in the song I can pinpoint the origin, but some I haven't a clue. I'm really happy with the way it turned out - semi-ok vocal and all.

An exercise in configuring sonic spaces - it was only later that I realized the scathing lyrics were self-directed.

The Creation meets The Three O' Clock meets (unwittingly) Oasis. I plunder shamelessly in a pair of striped trousers and mod 'target' t-shirt.

Sentiments I think most of us feel at one time or another.

Love’s Standing- A good change up for the flow of the album, this one is vaguely, very vaguely, country-esque. That’s mainly because of the heavily reverbed slide underneath the acoustic in the verses. I love pounding the strings on the acoustic…

Matter Of Fate- This song started as a riff I was doing while tuning my guitar. It sounded cool, so I happened to record it on a small dictation recorder I have so I wouldn’t forget it. When I listened to the riff it just screamed Sticky Fingers…

But, its not the same as the other one its a New Groundhog Day