What You Forgot is an electronics / percussion piece that uses Absynth and Dimension Pro in two different harmonic series tuning (5 limit and 7 limit). The percussion is provided by Kontakt. The piece was preformed on an AXiS 49 in one pass…
What You Forgot is an electronics / percussion piece that uses Absynth and Dimension Pro in two different harmonic series tuning (5 limit and 7 limit). The percussion is provided by Kontakt. The piece was preformed on an AXiS 49 in one pass…
What You Forgot is an electronics / percussion piece that uses Absynth and Dimension Pro in two different harmonic series tuning (5 limit and 7 limit). The percussion is provided by Kontakt. The piece was preformed on an AXiS 49 in one pass…
Hello, I write this from my hospital bed. I went to the Xenharmonic Praxis Summer Camp and came down with a wicked case of the strep throat that started to move into my lungs. at that point I went into the hospital since I nearly died from pneumonia…
hope your feeling better .......nothing like a brush with the other side to make you feel alive.............hope that's the end of it.....although this does sound like a requiem might be the medieval sound of the voices though not a premonition .....good health and happiness to you
Hello, I write this from my hospital bed. I went to the Xenharmonic Praxis Summer Camp and came down with a wicked case of the strep throat that started to move into my lungs. at that point I went into the hospital since I nearly died from pneumonia…
This is a composition that uses indeterminacy with respect to pitch (and instruments but since this is one recording that doesn't apply). However, all of the other musical elements are controlled. This performance occurred at the Praxis Xenharmonic…
This is a composition that uses indeterminacy with respect to pitch (and instruments but since this is one recording that doesn't apply). However, all of the other musical elements are controlled. This performance occurred at the Praxis Xenharmonic…
This is a composition that uses indeterminacy with respect to pitch (and instruments but since this is one recording that doesn't apply). However, all of the other musical elements are controlled. This performance occurred at the Praxis Xenharmonic…
This is a composition that uses indeterminacy with respect to pitch (and instruments but since this is one recording that doesn't apply). However, all of the other musical elements are controlled. This performance occurred at the Praxis Xenharmonic…
12 string improvisation - title came from a person who said I didn't understand "deep blues". That is probably true which is why I got the blues ;-(
Feel free to use this in something if you'd like - just post a link in the comments here so I…
12 string improvisation - just a chord progression.
Feel free to use this in something if you'd like - just post a link in the comments here so I can find it.
I am a member of ImprovFriday which has been occasionally mentioned on this mailing list http://improvfriday.ning.com/
- which is a site devoted to improvisations, instant composing and mash ups / re-compositions.
People submit individual…
12 string improvisation - vaguely in an eastern Indian mode.
Feel free to use this in something if you'd like - just post a link in the comments here so I can find it.
12 string improvisation - title came from a person who said I didn't understand "deep blues". That is probably true which is why I got the blues ;-(
Feel free to use this in something if you'd like - just post a link in the comments here so I…
Hiding April is a programmatic electronic piece that uses the hardware Korg MS2000 and Absynth 5 software synthesizers and orchestra percussion from Garritan Personal Orchestra. At about 4:10 I found an aircraft-ish sound on my Korg which then…
This is a solo classical guitar piece in 12 equal. The recording was produced by playing an Epiphone C70CE through a Marshall amplifier's clean channel with reverberation and recording with a Zoom H2. Minimal post - processing was done to the…
Genre:
Rock/Pop: Hard Rock
Year: 1987
Album:
Modern Clones
Artist's description:
A Fool's Paradise
They say, Hey Look!
The armies are receeding!
Times are changing
Can't you feel it in the air?
Its Just Fool's Paradise…
12 string improvisation - just a chord progression.
Feel free to use this in something if you'd like - just post a link in the comments here so I can find it.
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant.
this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
Took sandbag's [Andromeda 1](http://alonetone.com/sandbags/tracks/andromeda-1) and applied some BigSeq2 and LiveCut.
Added a little FM8 underneath.
And this happy little accident came out.
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
Love like a salt river washing away
Love's like sunshine evaporate
Love like floating candles blowing away
Watch out for the way you'll compensate
When I've seen all you have to give
When I'm still hungry
I need more than this
Tell me how…
yelyah - “solo piano 20100411” semi live improv
Semi live in that I had an idea of where I wanted to go, but never locked the melody in (as is probably obvious).
Hi Richard - I don't like being bored :-) I also am experimenting with some success with microtonal music as well. Drop by www.notonlymusic.com and www.chrisvaisvil.com some time.
Now.... this is a lovely sensitive piece!
Starting out as a simple and awe inspiring invention, progressing to a more chaotic and demanding machine driven future. - people becoming enslaved to these devices. Feeding the machine.
Phone samples were recorded from the output jack of my…
warning!!! this is a long 10+ min instrumental
It's a piece about 4 years old that was my first attempt at using synth voices,, I am still looking for a good one,, if anyone knows.
The music itself is a tone poem, loosely dedicated to a children…
Enjoying a few tracks on this site with Indian flavor lately. My brothers legs were so red from slapping them to get the perc sounds in this track, I had to laugh, That alone was worth doing the song ;)
Enjoy # 92
Spicy percussion provided by Norm
Comments on vaisvil's stuff
Wild.
I understood hospital the rest is dutch, but this is very cool.
It's great to hear that you are doing better! Cool piece.
hope your feeling better .......nothing like a brush with the other side to make you feel alive.............hope that's the end of it.....although this does sound like a requiem might be the medieval sound of the voices though not a premonition .....good health and happiness to you
Hope your doing better Chris.Very nice piece you have here.
Different goodie
That was real cool. Excellent vocals
Very different mate cool.
Crazy-ness....
Intriguing piece. Bits of it remind me of everything from Gershwin to Kansas!
Wonderfully done!
It's deep, it's blue, it's deep blues. Whatever that is? This is Jammin'
Nicely done mate.
Pretty cool stuff man.
Yeah, I love the Sitar and Indian music too. I have a feeling Geir plays one!
Oh, what did he know!! This is Blues!
Wow! Soundtrack to approaching Jupiter!
Eerie and delicate!
Love your vox here - great rocking track!
like it:)
Comments made by vaisvil
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant. this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Excellent!!
very different - twitch dance :-)
one of my favorites by you!
one word... Chills.
Nice - I love the rolling piano.
I like this a lot!!
Nice piano solo!
Hi Richard - I don't like being bored :-) I also am experimenting with some success with microtonal music as well. Drop by www.notonlymusic.com and www.chrisvaisvil.com some time. Now.... this is a lovely sensitive piece!
so nice... :-)
Nice!!! You make the piece come alive!
wow every piece I hear is really good! My hat is off to you Lalo Oceja!
another very interesting piece! Thanks for sharing!
very interesting work here. What do you use for your sound source?
I love the sample work !
Thanks for the listen and comment on the improv Richard!
I see in the tag that Norm was involved - very nice guys!!