A serial improvisation in 12 equal setting Vachel Lindsay's 1931 reading of his poem "The Mysterious Cat" to musical accompaniment. Vachel Lindsay is considered the father of modern singing poetry, as he referred to it, in which verses are…
A serial improvisation in 12 equal setting Vachel Lindsay's 1931 reading of his poem "The Mysterious Cat" to musical accompaniment. Vachel Lindsay is considered the father of modern singing poetry, as he referred to it, in which verses are…
A serial improvisation in 12 equal setting Vachel Lindsay's 1931 reading of his poem "The Mysterious Cat" to musical accompaniment. Vachel Lindsay is considered the father of modern singing poetry, as he referred to it, in which verses are…
A serial improvisation in 12 equal setting Vachel Lindsay's 1931 reading of his poem "The Mysterious Cat" to musical accompaniment. Vachel Lindsay is considered the father of modern singing poetry, as he referred to it, in which verses are…
A serial improvisation in 12 equal setting Vachel Lindsay's 1931 reading of his poem "The Mysterious Cat" to musical accompaniment. Vachel Lindsay is considered the father of modern singing poetry, as he referred to it, in which verses are…
A serial improvisation in 12 equal setting Vachel Lindsay's 1931 reading of his poem "The Mysterious Cat" to musical accompaniment. Vachel Lindsay is considered the father of modern singing poetry, as he referred to it, in which verses are…
A serial improvisation in 12 equal setting Vachel Lindsay's 1931 reading of his poem "The Mysterious Cat" to musical accompaniment. Vachel Lindsay is considered the father of modern singing poetry, as he referred to it, in which verses are…
Artist's description:
Music composed by Chris Vaisvil, Mike Barry, lyrics Chris Vaisvil. This was performed live and recorded on a reel to reel in a basement. Its over 20 minutes at 64kbps. Two electric guitars, keyboards, and drums. Our contribution…
A serial improvisation in 12 equal setting Vachel Lindsay's 1931 reading of his poem "The Mysterious Cat" to musical accompaniment. Vachel Lindsay is considered the father of modern singing poetry, as he referred to it, in which verses are…
Artist's description:
Music composed by Chris Vaisvil, Mike Barry, lyrics Chris Vaisvil. This was performed live and recorded on a reel to reel in a basement. Its over 20 minutes at 64kbps. Two electric guitars, keyboards, and drums. Our contribution…
This an improvisation in 17 notes per octave with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the…
Artist's description:
Music composed by Chris Vaisvil, Mike Barry, lyrics Chris Vaisvil. This was performed live and recorded on a reel to reel in a basement. Its over 20 minutes at 64kbps. Two electric guitars, keyboards, and drums. Our contribution…
This an improvisation in 17 notes per octave with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the…
Artist's description:
Music composed by Chris Vaisvil, Mike Barry, lyrics Chris Vaisvil. This was performed live and recorded on a reel to reel in a basement. Its over 20 minutes at 64kbps. Two electric guitars, keyboards, and drums. Our contribution…
Artist's description:
Music composed by Chris Vaisvil, Mike Barry, lyrics Chris Vaisvil. This was performed live and recorded on a reel to reel in a basement. Its over 20 minutes at 64kbps. Two electric guitars, keyboards, and drums. Our contribution…
Don't mind the sound quality, i have listened to a lot of reel to reel, and all of my begining recordings were done on a 4 track cassette recorder. Glad you posted this one. I'm digging it. Agree with Sis, about the 7 min mark it really starts to come together...;)
Artist's description:
Music composed by Chris Vaisvil, Mike Barry, lyrics Chris Vaisvil. This was performed live and recorded on a reel to reel in a basement. Its over 20 minutes at 64kbps. Two electric guitars, keyboards, and drums. Our contribution…
Artist's description:
Music composed by Chris Vaisvil, Mike Barry, lyrics Chris Vaisvil. This was performed live and recorded on a reel to reel in a basement. Its over 20 minutes at 64kbps. Two electric guitars, keyboards, and drums. Our contribution…
Progtastic!
Love the whirling intro of the first track, and was gonna request breaking these gems down, but by 7 minutes I threw out that notion - the flow is awesome! The dreamy track at around 9 mins is just gorgeous! Lovely harmonies.
Great musicianship, awesome writing!
Artist's description:
Music composed by Chris Vaisvil, Mike Barry, lyrics Chris Vaisvil. This was performed live and recorded on a reel to reel in a basement. Its over 20 minutes at 64kbps. Two electric guitars, keyboards, and drums. Our contribution…
This an improvisation in 17 notes per octave with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the…
has the idea of a triad or circle of 9's possible here at 17 note octaves? (sorry about the difficult question but I don't have the direct control of 17 notes in equal temper right now.)
I was passing by a darkened church this evening, as the wind danced through the trees, looking though the a window, i noticed a single candle lit, flickering on the alter step, casting a shadow within.. as i pressed an ear to the dusty glass…
Recorded for the 2013 [NaSoAlMo challenge.](http://www.nasoalmo.org/)
---
You're livin' hard
And I understand
You have my word
I won't make demands
There's a feelin'
I got about you
And we'll soon find out
If the feelin's true…
Recorded for the 2013 [NaSoAlMo challenge.](http://www.nasoalmo.org/)
---
You're livin' hard
And I understand
You have my word
I won't make demands
There's a feelin'
I got about you
And we'll soon find out
If the feelin's true…
dedicated to our "cold hearted orb that rules the night",, bassoon and french horn exchange glances with one another, cross a web of strings with a little timpani,in for the flavor,,, i have been trying to figure a bassoon into my work, so here…
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
Hi Richard, the tuning I used for the Magic of Belief has much more than major or minor and I used almost all of the. The opening plays with the chords CDG, CEbG CEb^G (a "neutral" third about half way between minor and major) and CEG (except the E is a purer 3rd than 12 equal)
The main motive bottoms out at what my ears are telling me is a neutral interval against a D neutral chord (but I'm not 100% sure, I didn't work it out - could be D minor)
A shorter, stripped down version of a drone piece I submitted for the ongoing Fukushima Drones project, which you will find here:
http://auralfilms.bandcamp.com/album/fukushima-drones
This is an invitation, with instructions, on how any AT musician can hop a train in the US and get to my house for a jam session. Figured the lyrics needed to mention all 3 of the collaborating musicians home towns cuz they all run along these…
This is an invitation, with instructions, on how any AT musician can hop a train in the US and get to my house for a jam session. Figured the lyrics needed to mention all 3 of the collaborating musicians home towns cuz they all run along these…
What with all the great Zep covers posted by Tworegs and Chris Vaisvil, here's mine, I enlisted the vocal of the man himself, thanks Reg! Also note my new fretless strat as second guitar here.
Thank you for the comments. I don't often comment here anymore but I do want to answer your Rhodes question. I believe Ben uses a Yamaha Motif. The clarinets are real. I'd love to hear your new age version of Stairway - that would be grand!
Comments on vaisvil's stuff
That vocal sounds like your playing it on the guitar excellent
Oh yeah, I dig it, bro! I love the intelligence you put into your tracks.
sweet guitar work vaisvil!
One of those "wow wish I'd done that" tunes. Excellent guitar work and conception!
Wow- great piece of work. Love that processed vocal!
well done,,, very pretty
What an interesting, if not somewhat sad, story about a poet I had never heard of. I love your bass work here.
reminds me of a mixture of such a variety of songs.
Very quite and nice...
/me smiles that wistful old man smile Good times.
Hi Vaisvil! this is simply awesome!!
Had a few listens on TIS....lots of green spice and awesome sense of musicianship with the fellows!! Love it!!
Great stuff
killer....loved every minute of it.
Don't mind the sound quality, i have listened to a lot of reel to reel, and all of my begining recordings were done on a 4 track cassette recorder. Glad you posted this one. I'm digging it. Agree with Sis, about the 7 min mark it really starts to come together...;)
What a gem.
Progtastic! Love the whirling intro of the first track, and was gonna request breaking these gems down, but by 7 minutes I threw out that notion - the flow is awesome! The dreamy track at around 9 mins is just gorgeous! Lovely harmonies. Great musicianship, awesome writing!
bad sound but cool music!
Beautiful!!
has the idea of a triad or circle of 9's possible here at 17 note octaves? (sorry about the difficult question but I don't have the direct control of 17 notes in equal temper right now.)
Comments made by vaisvil
Hi Richard, not a webcam - that was Stonehedge at winter solstice. Nice piece here!
Nice, though the mix gets a bit muddy for the effects flying all over. +100 for covering this.
Now to return the favor - thanks for listening and commenting.
Hi - the poem is here http://chrisvaisvil.com/i-live-by-the-cemetery-ambient-in-17-edo-harmonic-series-polytuned/
gosh this is like music from the other side of the veil of the multi-universe!
I'm up for a collaboration. Perhaps I can play my long string harp which you can manipulate and videoize.
True, but doing that is hard without practicing in the new key a bit. This was more for the fun of it.
Can I make a request - The Wizard by Sabbath?
nice job on this!
Lovely orchestral piece!
This is a beautiful piece!!
Hi Richard, the tuning I used for the Magic of Belief has much more than major or minor and I used almost all of the. The opening plays with the chords CDG, CEbG CEb^G (a "neutral" third about half way between minor and major) and CEG (except the E is a purer 3rd than 12 equal) The main motive bottoms out at what my ears are telling me is a neutral interval against a D neutral chord (but I'm not 100% sure, I didn't work it out - could be D minor)
a very intense drone - I like the solo guitar work a lot.
and I love this song!
thanks for the comment.
Awesome! I love your fretless work!
love the sound of your synth here - reminds me lot of the old CS-10 I once had a very long time ago. http://www.vintagesynth.com/yamaha/cs10.php
Thank you for the comments. I don't often comment here anymore but I do want to answer your Rhodes question. I believe Ben uses a Yamaha Motif. The clarinets are real. I'd love to hear your new age version of Stairway - that would be grand!
has ORH rubbed off on you?
Thank you for the comments Kavin - I know I'd be happy listening to B read a phone book too! And this piece is simply magical!