This starts at essentially the same improvisation pattern and then travels elsewhere - I think I like the Martin version better myself. This one is in stereo.
ok this one playes for me,,,haven't heard the martin one yet,, but this is very nice,,, i know how multi talented you are,, but there's just something about hearing you playing on a solo guitar,, that just stands out so profoundly... this is great,,,,well well played
Just an improvisation for ImprovFriday - recorded on my Zoom H2 in the expensive acoustic guitar room at my local guitar center.
I had to switch to mono because I had the zoom too sensitive and created a series of pops on one channel. This…
This starts at essentially the same improvisation pattern and then travels elsewhere - I think I like the Martin version better myself. This one is in stereo.
Just an improvisation for ImprovFriday - recorded on my Zoom H2 in the expensive acoustic guitar room at my local guitar center.
I had to switch to mono because I had the zoom too sensitive and created a series of pops on one channel. This…
Just an improvisation for ImprovFriday - recorded on my Zoom H2 in the expensive acoustic guitar room at my local guitar center.
I had to switch to mono because I had the zoom too sensitive and created a series of pops on one channel. This…
song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
Humility Don't Come to You
Bet you don't know what I do,
what I'm doing, what I'm doing
Bet you don't understand
Yes I realize
that you think you think you are so big
and its hollow the night you stand
Humulity don't come to you
Not at all
Humility don't come to you
Not at all
I bet you can't figure out who you are
All the things you try just don't get you too far
And you try to make what it is
Something that that it really isn't pure
Humility don't come to you
Easy at all
Humility don't come to you
You think you stand so tall
Humility don't come to you
Not Easy at all
Humility don't come to you
I hope that you can catch your fall.
"Holy haunted aquariums Batman ..... he seems as dead as kipper" .........."Yes you could say he's been smoked"........... will yellow fish get his lady.......will the Red shark find someone to eat...will stripey find what he's looking for......... all these questions will be answered next week..... at the same time.. tune in... turn on.... drop out....
In response to a suggestion of Dr. Ozan Yarman I tried a tuning he created for a different project. I realized the composition using Garritan Personal Orchestra Baroque organs, Garritan World sample set Oud and Santoor samples performed on an…
In response to a suggestion of Dr. Ozan Yarman I tried a tuning he created for a different project. I realized the composition using Garritan Personal Orchestra Baroque organs, Garritan World sample set Oud and Santoor samples performed on an…
This is the instrumental version of A Cast of Billions. I have a hard time judging my own voice (thus a true singer I am not) and it seems this vocal was rougher than most of mine. So, lets try over again with this mix.
Music in 17 equal
I…
Commemorating the epic struggle taking place in Wisconsin (USA) an improvised piece for orchestral, Indian, Chinese, and African percussion plus 3 synthesizers in harmonic series tuning. (A straight harmonic series from C1 and on up). Performed…
I hope you can see the above picture - I scored a 15 chord autoharp zither for $42 on ebay. 4 old guitar strings later (I save them... just in case :-) and a tuning against an organ patch she is working nicely again. Can't wait to show Emily…
I love that sound!, are mircotonal tunings possible for zithers or would that be a bit too dissonant? :) on a different aside I think these lyrics could develop into a multiple instrument performance
I hope you can see the above picture - I scored a 15 chord autoharp zither for $42 on ebay. 4 old guitar strings later (I save them... just in case :-) and a tuning against an organ patch she is working nicely again. Can't wait to show Emily…
I hope you can see the above picture - I scored a 15 chord autoharp zither for $42 on ebay. 4 old guitar strings later (I save them... just in case :-) and a tuning against an organ patch she is working nicely again. Can't wait to show Emily…
these are the dronishness effects going thru my mind at times..
I have the midi files saved if you would like them? although some of this is performance midi records If I can say that? ;)
A composition for 3 piece jazz band, tenor sax, fretless bass, and drums in 14 equal divisions of the octave and 5/4 time. This was realized using Garritan Jazz and Big Band sample set and Sonar X1.
I'm going to put this in my profile if it will fit.
the question of how microtonality is perceived and why is a hotly debated one on the tuning list. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. !2 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can't play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.
A composition for 3 piece jazz band, tenor sax, fretless bass, and drums in 14 equal divisions of the octave and 5/4 time. This was realized using Garritan Jazz and Big Band sample set and Sonar X1.
Hi Ricard, thanks for the listen and comment. It is probably hard not to hear 14 edo as out of tune since it so close to 12 but not quite there. I think then your sense of it being flattened and less bright is the result of the tuning.
On the three GR-20 pieces uploaded 6/8/11 this is how it works. In a nutshell - my guitar replaces a keyboard - but can do more.
Everything you hear is driven by me playing my Fender Mustang in one improvised pass. Now, for each song the Fender Mustang by itself (or through an amp simulator) is heard - this sound comes from the traditional pick ups on the guitar. Besides that I have installed a Roland GK-3 pick up on my Mustang. This pick up has 6 tiny picks ups - one for each string and connects to a fairly large switch and then a 1/4" cable with some 11 lines - regular guitar output and 6 outputs for the GK-3. This cable connects to the GR-20 synthesizer / midi interface. The GR-20 first decodes, almost instantly, the note each string is playing. It then converts that to midi pitch information and shoves that out the back. More on that later. Also, since the GR-20 is a synthesizer besides, it takes the pitch information and routes it to an internal sound (if desired). The really interesting part is what happens when I route that midi output to my computer. At my computer Sonar lets me assign that midi data to any number of synthesizers / samplers/ what-have-you all at the same time. So, if I want a voice or strings or piano - no problem. As for drums - Kontakt has a really neat groups of sampled drum sets that are a combination of "one shots" and smaller loops. So for instance on one of the pieces when I played the C below middle C I got a snare roll, play the B below it I get the accent that finishes the roll. So, by playing many notes I get a complex assortment of drum sounds that are in time with my playing. I've used this technique before - I am learning how to control it better - and the response is different for each of the dozen or so drum kits packaged with Kontakt - and then consider the effect of different tempos - the result is a fair amount of variety.
Well Reg is a touch concerned about his new love Lorraine who has been missing for last two days and she's not answering his calls and his getting a little touchy about it ....a little insecure to be truthful........................
Who do…
So I'm back at Caffe Lena on Thursday night gearing up for my two songs and a band called "Driftwood" takes the stage (banjo, acoustic guitar, fiddle) and blows everyone away.
Kinda gets me thinking...
And writing...
"Driftwood"
Coming down…
Good one! You have a way, like The Boss, of touching something about life in your songs that just resonates. And judging from the comments -- resonates with pretty much everyone who hears.
I wanted to see how much "music" I could get out of one chord and four notes. Sorry that it has a sort of cheesy 80s sound at times, but that's when I started playing guitar and it's hard to reprogram your brain. The chord is Bsus2 and the solo…
Fulfilling a request by Acid
The video is the whole point / show here. Please put into the comment section what you think the occupants of the car you see at 1:00 where thinking. Or alternately the kid on the bike at 1:20.
Can't Stop Myself by Chris (Vaisvil) and the Clones - Gothic Techno-industrial metal - ISDN stereo => from 1996
Can't Stop Myself
the thoughts they in my head
spinning around
the thoughts they eat my head
and rip me down
they want me to do…
This is a recording of Norm and me playing together a few months ago. I didnt have any percussion instruments so Norm was on a Roland electric trap set and I had a cello. I looped some of the stuff we did that night, and retrofitted the rest…
in a cool darkened lounge
floors above the cityscape
quiet laughter, clink of ice in glass
D min looks into the eyes of G min
a quiet romance begins
sometimes the best things in life are quite simple
(lots of rough sound on this,, not sure…
almost forgotten because while i did this in may of 2009, i forgot about it until just today may 2011,,i was walking out my studio door, when i noticed an old cd with a marking pen title,, brought it with me in the car and took a listen,, not…
Comments on vaisvil's stuff
ok this one playes for me,,,haven't heard the martin one yet,, but this is very nice,,, i know how multi talented you are,, but there's just something about hearing you playing on a solo guitar,, that just stands out so profoundly... this is great,,,,well well played
hi Chris,, i get no sound from this?? just me or the site? or....but i would love to listen
Yeah but 2 grand! Makes a difference! All the same, as I don't know what I'm talking about, this is still a lovely sound and well played.
Ooooh, is that what they sound like! Well played Chris.
Slide mandolin? Now I'm really livin!!
I love the way your music sounds like an extension of the water sounds.
"Doing ok back here"?..i know that guy...my bad...different location.. The zoom H2 is cool...waiting for one in the mail. Really great!
this is good, i enjoyed.
Humility Don't Come to You Bet you don't know what I do, what I'm doing, what I'm doing Bet you don't understand Yes I realize that you think you think you are so big and its hollow the night you stand Humulity don't come to you Not at all Humility don't come to you Not at all I bet you can't figure out who you are All the things you try just don't get you too far And you try to make what it is Something that that it really isn't pure Humility don't come to you Easy at all Humility don't come to you You think you stand so tall Humility don't come to you Not Easy at all Humility don't come to you I hope that you can catch your fall.
Post the lyrics!
nice combination of sights and sounds, reminds me i did some music for aquarium once, i should look around and see if i can find it.. nicely done
I was just in the mood for shoals of Gregorian Monkfish and didn't even know it!
"Holy haunted aquariums Batman ..... he seems as dead as kipper" .........."Yes you could say he's been smoked"........... will yellow fish get his lady.......will the Red shark find someone to eat...will stripey find what he's looking for......... all these questions will be answered next week..... at the same time.. tune in... turn on.... drop out....
is so unusual to hear an instrument like this today,very interesting!And thank you for your comment :-)Lena & Irina
Nice build up. Would make a good intro for a spy/thriller film.
Kirk's comment +1!
Great build - another amazingly bold track. Some great flavours here. Never know what to expect from you!
I love that sound!, are mircotonal tunings possible for zithers or would that be a bit too dissonant? :) on a different aside I think these lyrics could develop into a multiple instrument performance
I love that sound. Very nice track altogether. I have a chord zither, can't play it, Been looking for someone in Cornwall to teach me for 15 years.
wow what a score! it sounds great
Comments made by vaisvil
Hi John, I like this one.
you should be creating music for sci-fi films!
I wish AT had a repeat button. I'm downloading this - great piece Norm!
I'm going to put this in my profile if it will fit. the question of how microtonality is perceived and why is a hotly debated one on the tuning list. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. !2 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can't play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.
Hi Ricard, thanks for the listen and comment. It is probably hard not to hear 14 edo as out of tune since it so close to 12 but not quite there. I think then your sense of it being flattened and less bright is the result of the tuning.
This is beautiful! I love the bluesy feel. Would it be ok if I try to add to this?
On the three GR-20 pieces uploaded 6/8/11 this is how it works. In a nutshell - my guitar replaces a keyboard - but can do more. Everything you hear is driven by me playing my Fender Mustang in one improvised pass. Now, for each song the Fender Mustang by itself (or through an amp simulator) is heard - this sound comes from the traditional pick ups on the guitar. Besides that I have installed a Roland GK-3 pick up on my Mustang. This pick up has 6 tiny picks ups - one for each string and connects to a fairly large switch and then a 1/4" cable with some 11 lines - regular guitar output and 6 outputs for the GK-3. This cable connects to the GR-20 synthesizer / midi interface. The GR-20 first decodes, almost instantly, the note each string is playing. It then converts that to midi pitch information and shoves that out the back. More on that later. Also, since the GR-20 is a synthesizer besides, it takes the pitch information and routes it to an internal sound (if desired). The really interesting part is what happens when I route that midi output to my computer. At my computer Sonar lets me assign that midi data to any number of synthesizers / samplers/ what-have-you all at the same time. So, if I want a voice or strings or piano - no problem. As for drums - Kontakt has a really neat groups of sampled drum sets that are a combination of "one shots" and smaller loops. So for instance on one of the pieces when I played the C below middle C I got a snare roll, play the B below it I get the accent that finishes the roll. So, by playing many notes I get a complex assortment of drum sounds that are in time with my playing. I've used this technique before - I am learning how to control it better - and the response is different for each of the dozen or so drum kits packaged with Kontakt - and then consider the effect of different tempos - the result is a fair amount of variety.
your vocal control amazes me - excellent story and song!
Good one! You have a way, like The Boss, of touching something about life in your songs that just resonates. And judging from the comments -- resonates with pretty much everyone who hears.
I'm liking this!
this is a cool rocking piece - but didn't you use B maj as a resolution of B sus in there?
yes I am. With *lots* of rosin on the hair.
naw, I have nothing to do with NMC or DJNS. I was a part of 2 star man and that was enough for me!
excellent - and great solo!
more than just paulstretch I'd say - or different. in any case a cool idea!
I like the groove you two get going on this.
and a lovely romance it was.
can't say I'm done 4ths - I'm usually fixated on 5ths - nice improv - did you play the synth at the same time?
lovely is too mild of a word - this is gorgeous and spell binding.
very enjoyable!