Grenade_Fish_by_Fenrir06 from deviantART
A musical setting in 17 notes per octave of CA Conrad’s reading of his poem “Say it With Green Paint for the Comfort and Healing of Their Wounds†posted on PennSound. Title and concept credit…
Van Gogh, On the Threshold of Eternity
Gary from music by computer suggested a re-master with less drum volume - your choice http://micro.soonlabel.com/17-ET/daily20110125b-17-reasons-I-hate-the-blues.mp3
I've had severe computer trouble…
Only in Disneyland is a 17 note per octave guitar solo. This was recorded direct in a Alesis multimix 8 into Sonar X1 with Lexicon reverb and Sonitus multiband EQ / compression.
Only in Disneyland is a 17 note per octave guitar solo. This was recorded direct in a Alesis multimix 8 into Sonar X1 with Lexicon reverb and Sonitus multiband EQ / compression.
Only in Disneyland is a 17 note per octave guitar solo. This was recorded direct in a Alesis multimix 8 into Sonar X1 with Lexicon reverb and Sonitus multiband EQ / compression.
very clear mix, listening with headphones, is a rich experience,,by the way, which piano synth? i especially like the lower/deeper notes,, very clear and smooth,,,, well done Chris
Genres:
Urban/Hip-Hop: Rhythm and Blues
Urban/Hip-Hop: Soul
Album:
Its About Soul
Artist's description:
a collaboration
Contributors:
thetworegs vocals
Norm percussion and didgeridoo
Chris guitars n stuff.
On Growing Old
by John Masefield - an excerpt read by F. Scott Fitzgerald in 1940, the year of Scott's death.
>Be with me, Beauty, for the fire is dying;
My dog and I are old, too old for roving.
Man, whose young passion sets the…
On Growing Old
by John Masefield - an excerpt read by F. Scott Fitzgerald in 1940, the year of Scott's death.
>Be with me, Beauty, for the fire is dying;
My dog and I are old, too old for roving.
Man, whose young passion sets the…
On Growing Old
by John Masefield - an excerpt read by F. Scott Fitzgerald in 1940, the year of Scott's death.
>Be with me, Beauty, for the fire is dying;
My dog and I are old, too old for roving.
Man, whose young passion sets the…
I was passing by a darkened church this evening, as the wind danced through the trees, looking though the a window, i noticed a single candle lit, flickering on the alter step, casting a shadow within.. as i pressed an ear to the dusty glass…
Recorded for the 2013 [NaSoAlMo challenge.](http://www.nasoalmo.org/)
---
You're livin' hard
And I understand
You have my word
I won't make demands
There's a feelin'
I got about you
And we'll soon find out
If the feelin's true…
Recorded for the 2013 [NaSoAlMo challenge.](http://www.nasoalmo.org/)
---
You're livin' hard
And I understand
You have my word
I won't make demands
There's a feelin'
I got about you
And we'll soon find out
If the feelin's true…
dedicated to our "cold hearted orb that rules the night",, bassoon and french horn exchange glances with one another, cross a web of strings with a little timpani,in for the flavor,,, i have been trying to figure a bassoon into my work, so here…
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
Hi Richard, the tuning I used for the Magic of Belief has much more than major or minor and I used almost all of the. The opening plays with the chords CDG, CEbG CEb^G (a "neutral" third about half way between minor and major) and CEG (except the E is a purer 3rd than 12 equal)
The main motive bottoms out at what my ears are telling me is a neutral interval against a D neutral chord (but I'm not 100% sure, I didn't work it out - could be D minor)
A shorter, stripped down version of a drone piece I submitted for the ongoing Fukushima Drones project, which you will find here:
http://auralfilms.bandcamp.com/album/fukushima-drones
This is an invitation, with instructions, on how any AT musician can hop a train in the US and get to my house for a jam session. Figured the lyrics needed to mention all 3 of the collaborating musicians home towns cuz they all run along these…
This is an invitation, with instructions, on how any AT musician can hop a train in the US and get to my house for a jam session. Figured the lyrics needed to mention all 3 of the collaborating musicians home towns cuz they all run along these…
What with all the great Zep covers posted by Tworegs and Chris Vaisvil, here's mine, I enlisted the vocal of the man himself, thanks Reg! Also note my new fretless strat as second guitar here.
Thank you for the comments. I don't often comment here anymore but I do want to answer your Rhodes question. I believe Ben uses a Yamaha Motif. The clarinets are real. I'd love to hear your new age version of Stairway - that would be grand!
Comments on vaisvil's stuff
F$%K it this is excellent
nice coming back to this...such a mind blowing goody man!
Wow.
indeed.....vibrant and smooth,, the sax is interesting and a bit coy... forget like,, I love it
A blast from the past. Still sounds great, Chris.
excellent, loving that bass and sax enjoying the whole piece and the beat wow!
Stirring and shaken. :) Great tribal beats (I imagine)!
A whole kaleidoscope of sound. Neato!!
Very interesting the possibilities with this 17 per octave division
very nice,, and much better than anything mickey or donald could pull off
very clear mix, listening with headphones, is a rich experience,,by the way, which piano synth? i especially like the lower/deeper notes,, very clear and smooth,,,, well done Chris
excellent
Totally pro, Chris. Great, great work.
Fantastic stuff
agree with Kirk, this is my 3rd listen here and at IF. Like the spare arrangement and the backward cymbals. The comic brings back a memory, too.
Very cool piece of work!
A unique sound from possibly one of the most unique new collab talent mixes I have heard for a while.
Very nice man! dig it!
Excellent!!!
To quote Dorthy Parker: "That poor SOB". Strong work Chris!
Comments made by vaisvil
Hi Richard, not a webcam - that was Stonehedge at winter solstice. Nice piece here!
Nice, though the mix gets a bit muddy for the effects flying all over. +100 for covering this.
Now to return the favor - thanks for listening and commenting.
Hi - the poem is here http://chrisvaisvil.com/i-live-by-the-cemetery-ambient-in-17-edo-harmonic-series-polytuned/
gosh this is like music from the other side of the veil of the multi-universe!
I'm up for a collaboration. Perhaps I can play my long string harp which you can manipulate and videoize.
True, but doing that is hard without practicing in the new key a bit. This was more for the fun of it.
Can I make a request - The Wizard by Sabbath?
nice job on this!
Lovely orchestral piece!
This is a beautiful piece!!
Hi Richard, the tuning I used for the Magic of Belief has much more than major or minor and I used almost all of the. The opening plays with the chords CDG, CEbG CEb^G (a "neutral" third about half way between minor and major) and CEG (except the E is a purer 3rd than 12 equal) The main motive bottoms out at what my ears are telling me is a neutral interval against a D neutral chord (but I'm not 100% sure, I didn't work it out - could be D minor)
a very intense drone - I like the solo guitar work a lot.
and I love this song!
thanks for the comment.
Awesome! I love your fretless work!
love the sound of your synth here - reminds me lot of the old CS-10 I once had a very long time ago. http://www.vintagesynth.com/yamaha/cs10.php
Thank you for the comments. I don't often comment here anymore but I do want to answer your Rhodes question. I believe Ben uses a Yamaha Motif. The clarinets are real. I'd love to hear your new age version of Stairway - that would be grand!
has ORH rubbed off on you?
Thank you for the comments Kavin - I know I'd be happy listening to B read a phone book too! And this piece is simply magical!