Ever have a song you know is ugly and horrific but you love anyway? This is one of those from 1997 and recorded in Cakewalk Pro Audio.
The piece is was totally improvised starting with the drum line which I had the drum machine in "learn" mode…
Ever have a song you know is ugly and horrific but you love anyway? This is one of those from 1997 and recorded in Cakewalk Pro Audio.
The piece is was totally improvised starting with the drum line which I had the drum machine in "learn" mode…
From last February...
I'm not sure where I'm going - its late - I'm tired so I may be out of my mind.
several absynths
pianoteq heavily modified
session 3 drums through guitar rig
stratocastor through guitar rig
vocoded voice via korg ms2000…
Ever have a song you know is ugly and horrific but you love anyway? This is one of those from 1997 and recorded in Cakewalk Pro Audio.
The piece is was totally improvised starting with the drum line which I had the drum machine in "learn" mode…
Ever have a song you know is ugly and horrific but you love anyway? This is one of those from 1997 and recorded in Cakewalk Pro Audio.
The piece is was totally improvised starting with the drum line which I had the drum machine in "learn" mode…
It's because it is so cleverly done and there is a little bit of the lover of the dark side in most of us.
I have never heard anything like it, and the percussion, wow.
Ever have a song you know is ugly and horrific but you love anyway? This is one of those from 1997 and recorded in Cakewalk Pro Audio.
The piece is was totally improvised starting with the drum line which I had the drum machine in "learn" mode…
There is a video for this below
Its all a bit cliche I know - but its what I wanted to do. All of the video footage was taken by me in an undisclosed location somewhere. This is a microtonal piano improvisation that uses Lucy tuning 0b6s meantone…
Not to start a George tribute, but here's a cover I did with Facemask93 that I really love. All I did was bass, backing vox and the drum pattern arrangement - I did feel a little like a dope trying to sing along with Rob's amazing voice, but will…
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
The Flying Bear features a nice fusion of funk and rock that leaves the listener both satisfied and excited. An experimental vibe is very prominent during the song's bridge, and the entire song can be rooted back to Soulstice Music's Red Hot Chili…
3 guitar tracks followed by a track with the trap set. A lot of alt tuning lately posted on AT which I like. This guitar was tuned to an open G. After I did it, I thought the sound was more like a backwoods, hillbilly song.
Unfortunately…
A song about not wanting to feel for someone that has treated you badly and left you behind.
Despite having these feelings you still feel this person is above you. As they fly freely and you're left lost on the ground.
When they come flying…
An experiment with quarter tone tuning.
I tuned my guitar: low E (normal tuning)
A (quarter step up)
D (normal tuning)
G (quarter step down)
B (normal tuning)
high E (tuned D then quarter step down)
This time I tried something else. It's definitely more jazzy than anything before. I think its a direction in which I'd like to keep going.
I hope you like it!
Here's to insignificance my friend. May you never be squashed like a bug.
Instruments used: Kontakt, LoopShifter, Stylus RMX
Effects used: Eos, DubStation, Replicant, Augustus Loop
Here's to insignificance my friend. May you never be squashed like a bug.
Instruments used: Kontakt, LoopShifter, Stylus RMX
Effects used: Eos, DubStation, Replicant, Augustus Loop
Here's to insignificance my friend. May you never be squashed like a bug.
Instruments used: Kontakt, LoopShifter, Stylus RMX
Effects used: Eos, DubStation, Replicant, Augustus Loop
Comments on vaisvil's stuff
I'm here to chew bubblegum and kick ass and im all out of gum
× ×—×ž×“ מ×וד!!
from time to time?..as for this...hmmmnnn very diggable....cool distortion craft 3rd shred.
soo long and yet soooo rewarding. Great trip....
Hey, isn't that George Burns?
That's quite the trip!
It's because it is so cleverly done and there is a little bit of the lover of the dark side in most of us. I have never heard anything like it, and the percussion, wow.
A most sympathetic track title and the musical implementation has a proper 'auntie character' too! :-)
cool. Hey, Vais how do you get those pics in the about section?
dang what an amazing sound here, fantastic.
I love the mandolin and the piano together, and Norm's perky percussion is great. Lovely track.
I dig that ebowed electric mandolin! Thanks for carrying me, Chris!
very cool Vais!
Sweet track, guys - I love it!
Very cool - I dig the photo too :)
Very Beautiful! Interesting tuning as well
Cool! Those mandolins make for a great texture
Is that you playing guitar? just curious from your other tracks. Very nice!!!
Faved and saved! so good!
Sounds Cool!
Comments made by vaisvil
I like the vocals and song writing here. A bit post-Beatlesque
Is this Paul's extreme stretch? Nice work!
hey a George tribute would not be a bad thing! This is great version!! Excellent collaboration!
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
I liked this quartet a lot - better than No. 4. Melodically it just appealed.
yes! this is great Lalo!
love the effects in here.
excellent - sounds like dreamtime. I love it.
I like your guitar work here - especially past 2:10 - an improvisation?
nope - not heard of robert wyatt - or the music of soft machine for that matter that I can remember.
like the harmony vocals a lot!
nice groove!
Are these clips of Pelosi or Phyllis Schlafly? Excellent tune!
great voice and lyrics!
I like this - makes me want to give this technique a try.
I like it - very gentle.
ambient game music ?
nice ambient!!
nice ambient!!
nice ambient!!