Not terribly odd except for how I did it with Fretless gutiar.
I recently bought a used Fender Squier for $60, pulled the frets with pliers, filled the cuts with plastic wood, sanded, and jammed. Took about 2 hours to make the guitar fretless…
You + a self-modified fretless guitar + a universe of microtonal possibilities = we’re never going to get you off of that thing! Brilliant! Bold move! I can’t wait to hear some more of this.
Not terribly odd except for how I did it with Fretless gutiar.
I recently bought a used Fender Squier for $60, pulled the frets with pliers, filled the cuts with plastic wood, sanded, and jammed. Took about 2 hours to make the guitar fretless…
Not terribly odd except for how I did it with Fretless gutiar.
I recently bought a used Fender Squier for $60, pulled the frets with pliers, filled the cuts with plastic wood, sanded, and jammed. Took about 2 hours to make the guitar fretless…
all it"s "missing" is the brass section eh! :p
so you managed to microtune it with couple hours, nice job! - oh and is there any genre you're not versed into?
This is first rock kind of song by our group "Quartet In Space". I hope you can enjoy with this one.
Contributors:
Drums: Black Tiger
Synth: Gilgamesh
Guitars: DJ Kujata
Bass: Clones (Vaisvil)
Mixing & Mastering: GMO (Alister Flint)
Not terribly odd except for how I did it with Fretless gutiar.
I recently bought a used Fender Squier for $60, pulled the frets with pliers, filled the cuts with plastic wood, sanded, and jammed. Took about 2 hours to make the guitar fretless…
Not terribly odd except for how I did it with Fretless gutiar.
I recently bought a used Fender Squier for $60, pulled the frets with pliers, filled the cuts with plastic wood, sanded, and jammed. Took about 2 hours to make the guitar fretless…
This is first rock kind of song by our group "Quartet In Space". I hope you can enjoy with this one.
Contributors:
Drums: Black Tiger
Synth: Gilgamesh
Guitars: DJ Kujata
Bass: Clones (Vaisvil)
Mixing & Mastering: GMO (Alister Flint)
This is first rock kind of song by our group "Quartet In Space". I hope you can enjoy with this one.
Contributors:
Drums: Black Tiger
Synth: Gilgamesh
Guitars: DJ Kujata
Bass: Clones (Vaisvil)
Mixing & Mastering: GMO (Alister Flint)
This is first rock kind of song by our group "Quartet In Space". I hope you can enjoy with this one.
Contributors:
Drums: Black Tiger
Synth: Gilgamesh
Guitars: DJ Kujata
Bass: Clones (Vaisvil)
Mixing & Mastering: GMO (Alister Flint)
This is first rock kind of song by our group "Quartet In Space". I hope you can enjoy with this one.
Contributors:
Drums: Black Tiger
Synth: Gilgamesh
Guitars: DJ Kujata
Bass: Clones (Vaisvil)
Mixing & Mastering: GMO (Alister Flint)
Lyrics
The Good Lifeless has Become Boundless
such that it is written,
went where and windly
with pentacles of pie
like know our way
down the screem
when we find what it
is that can been and be we of their
2 tracks of hobnox…
once again.... very nice, something about the vocals reminds me of creme,,,, perhaps if this is what they would sound like 30 years later?
well done Chris
Lyrics
The Good Lifeless has Become Boundless
such that it is written,
went where and windly
with pentacles of pie
like know our way
down the screem
when we find what it
is that can been and be we of their
2 tracks of hobnox…
Lyrics
The Good Lifeless has Become Boundless
such that it is written,
went where and windly
with pentacles of pie
like know our way
down the screem
when we find what it
is that can been and be we of their
2 tracks of hobnox…
Lyrics
The Good Lifeless has Become Boundless
such that it is written,
went where and windly
with pentacles of pie
like know our way
down the screem
when we find what it
is that can been and be we of their
2 tracks of hobnox…
Lyrics
The Good Lifeless has Become Boundless
such that it is written,
went where and windly
with pentacles of pie
like know our way
down the screem
when we find what it
is that can been and be we of their
2 tracks of hobnox…
Lyrics
The Good Lifeless has Become Boundless
such that it is written,
went where and windly
with pentacles of pie
like know our way
down the screem
when we find what it
is that can been and be we of their
2 tracks of hobnox…
Lyrics
The Good Lifeless has Become Boundless
such that it is written,
went where and windly
with pentacles of pie
like know our way
down the screem
when we find what it
is that can been and be we of their
2 tracks of hobnox…
Lyrics
The Good Lifeless has Become Boundless
such that it is written,
went where and windly
with pentacles of pie
like know our way
down the screem
when we find what it
is that can been and be we of their
2 tracks of hobnox…
I have mashed Shane Cadman and Chris Vaisvil and myself. this is a neat mix -- I took Shane Cadman's song here and then with Chris's mandolin work I stretched it out to match the length of Shane's Song as well as doing the same with two drum…
Nice neoclassical trio - very pleasant!
The octave mandolin is available at music stores that deal in folk / country instruments. I bought mine used and is made by Trinity College. Not sure if they are still in business. Its double the size and not surprisingly tuned as a regular mandolin but an octave below. Search for Sierra Hull on youtube - excellent mandolin player and has some videos that compare the two.
So, here is the third and final Movement of my first Piano Concerto...have really enjoyed this project. I will soon now be adding the complete Work to this site too.
A collaboration with Chris Vaisvil! I'm so jazzed he took a Thumbjam sketch of an idea and ran with it. Either an alternate Star Wars imperial march or Amon Duul jamming with Mahavishnu, don't know which.
Chris Vaisvil: guitars
Kavin.: Synths…
Roland SE-02 through EHX Stereo Memory Man -> Zoom RFX-300. Title comes from a combination of the time length, and the fact that it was created for the current Sound-In for 1-7/1/2021.
Beautifully dark and mysterious that then explodes into barely contained chaos that ends in a plaintive song of longing. That's how I hear this. Wonderful piece Ben!
Comments on vaisvil's stuff
You + a self-modified fretless guitar + a universe of microtonal possibilities = we’re never going to get you off of that thing! Brilliant! Bold move! I can’t wait to hear some more of this.
Very cool stuff! Now I can't decide if I should have another go at the fretless or just give up and sell it!
all it"s "missing" is the brass section eh! :p so you managed to microtune it with couple hours, nice job! - oh and is there any genre you're not versed into?
The first? Great stuff, go for it. Sounds like the score to a street cop movie.
You're right, funky is the word! Really clever, makes me smile.
Who needs frets? Funky good!
Completely love this! Great energy and attitude!
oh hell yea man! Cool feel to this one
amazing stuff!
cool effects and key changes.
once again.... very nice, something about the vocals reminds me of creme,,,, perhaps if this is what they would sound like 30 years later? well done Chris
I dig. Badass vox, driven by musical magic.
Fantastic music - slinky and cool!
This is one of the most extraordinary pieces of music I have ever heard. It's truly wonderful.
Excellent!
Very cool indeed!
WARNING: Extreme cool alert!
there is "madness" written all over this, love it!
A close encounter of the imaginative kind. Mellow and cool.
Celestial!
Comments made by vaisvil
nice work - somewhat subdued and introspective
nice work here!
Thank you for putting this together! Sounds great!
Nice neoclassical trio - very pleasant! The octave mandolin is available at music stores that deal in folk / country instruments. I bought mine used and is made by Trinity College. Not sure if they are still in business. Its double the size and not surprisingly tuned as a regular mandolin but an octave below. Search for Sierra Hull on youtube - excellent mandolin player and has some videos that compare the two.
this is cool - sounds very early electronic music with the pops and reverb - fav'd!
wow!
Beautiful work!
!!!! such a mood!
Lovely work! - back to give a well deserved like!
Finally got back to give you a like!
Thanks for the collaboration - all I can say is - I'd like to do more. :-)
It is so hard to cut through the end of RPM - I really like what you added to my bass line! Thank you for this! Your work is excellent!
https://youtu.be/7QXKRH0R4Og is the video for it
There are some definitely micro tonal inflections here!
beautiful!
the heavy flanging is a treat! I'll diverge from Bill and say its bigger birds at 14:00. this is cool!
Some excellent effect manipulations going on here!
has a very cool vibe!
Like the guitar - nice addition to a great track!
Beautifully dark and mysterious that then explodes into barely contained chaos that ends in a plaintive song of longing. That's how I hear this. Wonderful piece Ben!