In 2006 we visited a Japanese garden. In September of 2009 I wrote this piano piece in 17 ET and I hear a connection between the two. So I put together a video from pictures and video taken of our visit and married the two. Please visit the song…
One of my favorite songs from The Lamb Lies Down on Broadway - which I pretty much destroy
12 string guitar, 6 string bass, lead and backing vocals
All the pumping's nearly over for my sweet heart.
This is the one for me,
Time to meet…
Over a month of hourly time lapse (night edited out) with 17 note per octave ambient guitar accompaniment. This is probably the longest project I’ve set out to do. I left my time lapse camera in the kitchen window filming the tree in my backyard…
Over a month of hourly time lapse (night edited out) with 17 note per octave ambient guitar accompaniment. This is probably the longest project I’ve set out to do. I left my time lapse camera in the kitchen window filming the tree in my backyard…
I've gone too long not listening to good experimental music like this. excellent work here, in the composition, the effects, performance, and the accompanying video. --din
Yesterday was a misfire because I had the drums misaligned - but Fabrizio came to the rescue and mixed this properly! We hope you enjoy our collaboration!
Earth, Can You Hear me Now? is a rock composition in 17 notes per octave (17 edo, 17…
Reminds me of the last movement of Conic Sections "King Pimento", which pissed off two thirds of Liberian nationals when first performed. Keep Stompin' til the Music Stops!
I was passing by a darkened church this evening, as the wind danced through the trees, looking though the a window, i noticed a single candle lit, flickering on the alter step, casting a shadow within.. as i pressed an ear to the dusty glass…
Recorded for the 2013 [NaSoAlMo challenge.](http://www.nasoalmo.org/)
---
You're livin' hard
And I understand
You have my word
I won't make demands
There's a feelin'
I got about you
And we'll soon find out
If the feelin's true…
Recorded for the 2013 [NaSoAlMo challenge.](http://www.nasoalmo.org/)
---
You're livin' hard
And I understand
You have my word
I won't make demands
There's a feelin'
I got about you
And we'll soon find out
If the feelin's true…
dedicated to our "cold hearted orb that rules the night",, bassoon and french horn exchange glances with one another, cross a web of strings with a little timpani,in for the flavor,,, i have been trying to figure a bassoon into my work, so here…
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
Hi Richard, the tuning I used for the Magic of Belief has much more than major or minor and I used almost all of the. The opening plays with the chords CDG, CEbG CEb^G (a "neutral" third about half way between minor and major) and CEG (except the E is a purer 3rd than 12 equal)
The main motive bottoms out at what my ears are telling me is a neutral interval against a D neutral chord (but I'm not 100% sure, I didn't work it out - could be D minor)
A shorter, stripped down version of a drone piece I submitted for the ongoing Fukushima Drones project, which you will find here:
http://auralfilms.bandcamp.com/album/fukushima-drones
This is an invitation, with instructions, on how any AT musician can hop a train in the US and get to my house for a jam session. Figured the lyrics needed to mention all 3 of the collaborating musicians home towns cuz they all run along these…
This is an invitation, with instructions, on how any AT musician can hop a train in the US and get to my house for a jam session. Figured the lyrics needed to mention all 3 of the collaborating musicians home towns cuz they all run along these…
What with all the great Zep covers posted by Tworegs and Chris Vaisvil, here's mine, I enlisted the vocal of the man himself, thanks Reg! Also note my new fretless strat as second guitar here.
Thank you for the comments. I don't often comment here anymore but I do want to answer your Rhodes question. I believe Ben uses a Yamaha Motif. The clarinets are real. I'd love to hear your new age version of Stairway - that would be grand!
Comments on vaisvil's stuff
ok
Great song and versh! Kavin.
Been listening to Ry Cooder soundtrack music, and this fits right in, great mood and guitar tone and concept.
I've gone too long not listening to good experimental music like this. excellent work here, in the composition, the effects, performance, and the accompanying video. --din
Lovely tone, better than my hammer - doktordoktor (Steve)
Tony Iommi jamming? Very dark
Reminds me of the last movement of Conic Sections "King Pimento", which pissed off two thirds of Liberian nationals when first performed. Keep Stompin' til the Music Stops!
Excellent...
interesting,,and nice
indeed quite intense... very rich in sound and texture.....lots of emotional space here,, very well done indeed!
Great full sound
Cool.... Sneaky little Grinch
Nice and bright sound, great echo.
Nice version. Simple and pure
very good... the repeating beat works well. never heard you do something like this.
Has an almost Sitar like quality....very unique sound.
Very cool.
I love how this one turns and twists... tells a wonderful story without needing words.
Wow! This is epic! Very cool!!!!
nice. very Popol Vuh! -Kavin.
Comments made by vaisvil
Hi Richard, not a webcam - that was Stonehedge at winter solstice. Nice piece here!
Nice, though the mix gets a bit muddy for the effects flying all over. +100 for covering this.
Now to return the favor - thanks for listening and commenting.
Hi - the poem is here http://chrisvaisvil.com/i-live-by-the-cemetery-ambient-in-17-edo-harmonic-series-polytuned/
gosh this is like music from the other side of the veil of the multi-universe!
I'm up for a collaboration. Perhaps I can play my long string harp which you can manipulate and videoize.
True, but doing that is hard without practicing in the new key a bit. This was more for the fun of it.
Can I make a request - The Wizard by Sabbath?
nice job on this!
Lovely orchestral piece!
This is a beautiful piece!!
Hi Richard, the tuning I used for the Magic of Belief has much more than major or minor and I used almost all of the. The opening plays with the chords CDG, CEbG CEb^G (a "neutral" third about half way between minor and major) and CEG (except the E is a purer 3rd than 12 equal) The main motive bottoms out at what my ears are telling me is a neutral interval against a D neutral chord (but I'm not 100% sure, I didn't work it out - could be D minor)
a very intense drone - I like the solo guitar work a lot.
and I love this song!
thanks for the comment.
Awesome! I love your fretless work!
love the sound of your synth here - reminds me lot of the old CS-10 I once had a very long time ago. http://www.vintagesynth.com/yamaha/cs10.php
Thank you for the comments. I don't often comment here anymore but I do want to answer your Rhodes question. I believe Ben uses a Yamaha Motif. The clarinets are real. I'd love to hear your new age version of Stairway - that would be grand!
has ORH rubbed off on you?
Thank you for the comments Kavin - I know I'd be happy listening to B read a phone book too! And this piece is simply magical!