Poem by Francis Duggan
Poem selected and recited by Bethan Mathis
Music composed by Chris Vaisvil
Selected for the ANDREAS N°15 – 14?-?18 First World War – FRACTION STUDIO COMPILATION
details / poem
http://chrisvaisvil.com/along-the-war-avenue…
In nuclear physics, a magic number is a number of nucleons (either protons or neutrons) such that they are arranged into complete shells within the atomic nucleus. The seven most widely recognised magic numbers as of 2007 are 2, 8, 20, 28, 50…
Poem by Francis Duggan
Poem selected and recited by Bethan Mathis
Music composed by Chris Vaisvil
Selected for the ANDREAS N°15 – 14?-?18 First World War – FRACTION STUDIO COMPILATION
details / poem
http://chrisvaisvil.com/along-the-war-avenue…
You have interpreted the poem perfectly Chris. The poignant strings, military drum rolls and booming explosions set the scene most sympathetically. It's rather haunting! Lovely job indeed.
@Kavin, ha ha, it's the accent! Bethan
Poem by Francis Duggan
Poem selected and recited by Bethan Mathis
Music composed by Chris Vaisvil
Selected for the ANDREAS N°15 – 14?-?18 First World War – FRACTION STUDIO COMPILATION
details / poem
http://chrisvaisvil.com/along-the-war-avenue…
Thaks to Christiane Offenbar at Sound-In details
http://chrisvaisvil.com/thin-ice-for-alto-female-choir-harp-and-percussion-in-adaptive-ji-16-edo-and-8-edo/
Chris and Bethan - Spellbinding collaboration... Dramatic, exciting, and beautifully performed. Love the reverse vocals at the end - sounds French! Super cool.
Tess x
Crumbs Chris, that's incredible. Sounds really good, the music is superb, very nightmarish but dreamy too. Yeah, most impressed.
@Jane, Trev and Kavin, thank you, we had a great time.
I've been going to a lot of performance poetry nights recently, and this is amazing, Bethan. You'd go down a storm at my local Art House! Great collab :)
For a friend who touched my heart
Emotion - 1975
Delicatly, softly,
Not knowing where she wants to be
Confusing, disillusioning,
Not knowing who she wants to be
Pulled from side to side
And inside about to die
She screams, I can't take it…
For a friend who touched my heart
Emotion - 1975
Delicatly, softly,
Not knowing where she wants to be
Confusing, disillusioning,
Not knowing who she wants to be
Pulled from side to side
And inside about to die
She screams, I can't take it…
OOOOh Bethan - the equipment was so bad it picked up Citizen's Band radios that were over-driven beyond the legal limit. Nonetheless. I still had the crush :-)
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant.
this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
Took sandbag's [Andromeda 1](http://alonetone.com/sandbags/tracks/andromeda-1) and applied some BigSeq2 and LiveCut.
Added a little FM8 underneath.
And this happy little accident came out.
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
Love like a salt river washing away
Love's like sunshine evaporate
Love like floating candles blowing away
Watch out for the way you'll compensate
When I've seen all you have to give
When I'm still hungry
I need more than this
Tell me how…
yelyah - “solo piano 20100411” semi live improv
Semi live in that I had an idea of where I wanted to go, but never locked the melody in (as is probably obvious).
Hi Richard - I don't like being bored :-) I also am experimenting with some success with microtonal music as well. Drop by www.notonlymusic.com and www.chrisvaisvil.com some time.
Now.... this is a lovely sensitive piece!
Comments on vaisvil's stuff
Good stuff
Compelling interpretation of a powerful poem. Great job, guys! Tess
Great track, Vaisvil. Strong sounds, well constructed... evocative without having to do too much.
You have interpreted the poem perfectly Chris. The poignant strings, military drum rolls and booming explosions set the scene most sympathetically. It's rather haunting! Lovely job indeed. @Kavin, ha ha, it's the accent! Bethan
Brilliant, yawl. I swear I could be happy listening to B read a phone book.
like it good mood
Just realized I really like this song, but rarely hear it. You may have topped the original.
Definitely sounds like an Indian influence here. Nice work Chris. I like the tone too, sounds like a really good guitar. Bethan
Really nice! I gotta get me an old electric and pull the frets off sometime!
Not what I was expecting at all but they are there, on the end.I think you are getting good at this Chris. Yes, very clever. Cheers Bee
Chris and Bethan - Spellbinding collaboration... Dramatic, exciting, and beautifully performed. Love the reverse vocals at the end - sounds French! Super cool. Tess x
Beautiful art work, by the way! Cheers Bethan
Crumbs Chris, that's incredible. Sounds really good, the music is superb, very nightmarish but dreamy too. Yeah, most impressed. @Jane, Trev and Kavin, thank you, we had a great time.
I've been going to a lot of performance poetry nights recently, and this is amazing, Bethan. You'd go down a storm at my local Art House! Great collab :)
Nice to hear you back Bethan.....Excellent phrasing.....great job on the soundscape Chris......
Wonderful. Good job, Bethan and Chris!
Rockingly super sonic sounding. Well, I was thinking sounds great to me. Bethan
15 edo
I should mention the echo was a real echoplex... I do miss it.
OOOOh Bethan - the equipment was so bad it picked up Citizen's Band radios that were over-driven beyond the legal limit. Nonetheless. I still had the crush :-)
Comments made by vaisvil
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant. this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Excellent!!
very different - twitch dance :-)
one of my favorites by you!
one word... Chills.
Nice - I love the rolling piano.
I like this a lot!!
Nice piano solo!
Hi Richard - I don't like being bored :-) I also am experimenting with some success with microtonal music as well. Drop by www.notonlymusic.com and www.chrisvaisvil.com some time. Now.... this is a lovely sensitive piece!
so nice... :-)
Nice!!! You make the piece come alive!
wow every piece I hear is really good! My hat is off to you Lalo Oceja!
another very interesting piece! Thanks for sharing!
very interesting work here. What do you use for your sound source?