I keep thinking Wendy Carlos is an influence here till about 4 min and it becomes more modern. Noise filtering @6 min or what you are doing with the oscillator. Good work and interesting foray that is cool and nostalgia like.
synthesizers and effects
“It is a peculiar colony” says István Maák, a zoologist at the Polish Academy of Sciences in Warsaw. “They are doing the best they can, surrounded by dying.” In 2019, Maák took it upon himself to do something about…
what? IF the average neighbor is an alien that wants to harvest our body parts and organs for experiments would killing them really stop them? or should we just nuke there house straight on?? I am asking for a friend--
@Andrew Russe: very perceptive. Yeah I had to listen twice to appreciate the thoughtful layering of guitars, which I actually didn’t use in my remix because the mix would’ve been too crowded. This has been an almost constant earworm this week but I don’t mind!
Yep... didn't comment, did I? "Cool sounds" :) But now I've heard the lap-steel addition on Kavin's remix, I appreciate this one more than I did at first... very cool sounds. Raises an interesting thought for me... how we can see/hear through others eyes/ears, we can have ours "opened" by someone else's re-expression of a thing... when I first listened to this, it was "OK" for me, I saw Newbold's comment and thought "yeh, well" ... but hearing Kavin's addition gave me an "in" to this track... listening now I can hear/experience what he and Newbold heard first up.
Tettigoniidae in Overtones is scored for two Audio Damage Quanta synthesizer, tamtam, two triangles, glockenspiel, snare drum, bass drum, two tamborines, plucked psaltery and french horn all in harmonic series tuning. The synthesizers are purposely…
so impressive wow --- just like mmmm tasty texture touches. and tinglings --- just had to favorite this --- I think maybe to use this in a mix-- maybe but it might be too 'expressive' to work like that-
Not to start a George tribute, but here's a cover I did with Facemask93 that I really love. All I did was bass, backing vox and the drum pattern arrangement - I did feel a little like a dope trying to sing along with Rob's amazing voice, but will…
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
The Flying Bear features a nice fusion of funk and rock that leaves the listener both satisfied and excited. An experimental vibe is very prominent during the song's bridge, and the entire song can be rooted back to Soulstice Music's Red Hot Chili…
3 guitar tracks followed by a track with the trap set. A lot of alt tuning lately posted on AT which I like. This guitar was tuned to an open G. After I did it, I thought the sound was more like a backwoods, hillbilly song.
Unfortunately…
A song about not wanting to feel for someone that has treated you badly and left you behind.
Despite having these feelings you still feel this person is above you. As they fly freely and you're left lost on the ground.
When they come flying…
An experiment with quarter tone tuning.
I tuned my guitar: low E (normal tuning)
A (quarter step up)
D (normal tuning)
G (quarter step down)
B (normal tuning)
high E (tuned D then quarter step down)
This time I tried something else. It's definitely more jazzy than anything before. I think its a direction in which I'd like to keep going.
I hope you like it!
Here's to insignificance my friend. May you never be squashed like a bug.
Instruments used: Kontakt, LoopShifter, Stylus RMX
Effects used: Eos, DubStation, Replicant, Augustus Loop
Comments on vaisvil's stuff
Thoroughly enjoyed this.
Oh yes, I likes this
Liking that groove
Great Sabbath like groove on this!
good sounds. -- faux imitation and almost imaginary type comment here.-- but still it is great music-- like it is.
I keep thinking Wendy Carlos is an influence here till about 4 min and it becomes more modern. Noise filtering @6 min or what you are doing with the oscillator. Good work and interesting foray that is cool and nostalgia like.
WIth some more instrumentation, this could be a very good dungeon synth track.
The opening granular sound is awesome descriptive and retro of the lost in space/star trek time.
Tranquil but ominous..
this sounds huge. I love the tone
i like the bass in here and the FX are prefect for the mood. the ending drone reminds me of the Beatles "I want you" vibe which i love.
Strange, quirky, fun.
Inspired and invigorating!
what? IF the average neighbor is an alien that wants to harvest our body parts and organs for experiments would killing them really stop them? or should we just nuke there house straight on?? I am asking for a friend--
@Andrew Russe: very perceptive. Yeah I had to listen twice to appreciate the thoughtful layering of guitars, which I actually didn’t use in my remix because the mix would’ve been too crowded. This has been an almost constant earworm this week but I don’t mind!
Yep... didn't comment, did I? "Cool sounds" :) But now I've heard the lap-steel addition on Kavin's remix, I appreciate this one more than I did at first... very cool sounds. Raises an interesting thought for me... how we can see/hear through others eyes/ears, we can have ours "opened" by someone else's re-expression of a thing... when I first listened to this, it was "OK" for me, I saw Newbold's comment and thought "yeh, well" ... but hearing Kavin's addition gave me an "in" to this track... listening now I can hear/experience what he and Newbold heard first up.
mostly pretty blending of nice sounds. :) so great I can hear this in a loop just on and on--
Love this...very textural and haunting....👍
Cool sounds.
so impressive wow --- just like mmmm tasty texture touches. and tinglings --- just had to favorite this --- I think maybe to use this in a mix-- maybe but it might be too 'expressive' to work like that-
Comments made by vaisvil
funky electro - strange sounds from another dimension - nicely done!!
excellent!
I like the vocals and song writing here. A bit post-Beatlesque
Is this Paul's extreme stretch? Nice work!
hey a George tribute would not be a bad thing! This is great version!! Excellent collaboration!
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
I liked this quartet a lot - better than No. 4. Melodically it just appealed.
yes! this is great Lalo!
love the effects in here.
excellent - sounds like dreamtime. I love it.
I like your guitar work here - especially past 2:10 - an improvisation?
nope - not heard of robert wyatt - or the music of soft machine for that matter that I can remember.
like the harmony vocals a lot!
nice groove!
Are these clips of Pelosi or Phyllis Schlafly? Excellent tune!
great voice and lyrics!
I like this - makes me want to give this technique a try.
I like it - very gentle.
ambient game music ?
nice ambient!!