Year: 2011
Album:
Voiced Thoughts
Artist's description:
A musical setting for an excerpt of The Book of Frank as written and recited by CA Conrad
The piece uses a rock ensemble of guitar, two bass guitars, 2 pianos, 2 synthesizers…
Year: 2011
Album:
Voiced Thoughts
Artist's description:
A musical setting for an excerpt of The Book of Frank as written and recited by CA Conrad
The piece uses a rock ensemble of guitar, two bass guitars, 2 pianos, 2 synthesizers…
This is simple test of East-West symphonic choirs solo soprano voice and East-West Hollywood strings contra-bass. I feel its a bit reminiscent of Lord of the Rings - of course, your mileage may vary - it is a very simple and direct arrangement…
so so pretty .. I do not know if a windy dialog am i ready for. ;) *looks over the dialog* sorry I would base my improvised modern classical jazz on things like this but I would never go programming a serial performance ,,, I say that now but then there is the future. ;)
This is an animated score video of Charles Griffes' impressionistic piano piece "Vale of Dreams". Technically, Sonar X1, Pianoteq, Sony Vegas. The full quality video is available here:
http://tinyurl.com/4ycnfjg
I've had this midi…
It's obvious to me that the woman is furious with the man for buying a hideous carpet without asking her first!
"Kiss me, can you feel the magic?" just before she goes ballistic!
Great music Chris.
19 note per octave electric guitar, Marshall amp, zoom H2, some footage I shot today and Sony Vegas. Created for ImprovFriday
Download the full quality video (191 MB)
http://clones.soonlabel.com/public/video/19_improvfridays.wmv
There is a video for this below
Its all a bit cliche I know - but its what I wanted to do. All of the video footage was taken by me in an undisclosed location somewhere. This is a microtonal piano improvisation that uses Lucy tuning 0b6s meantone…
19 note per octave electric guitar, Marshall amp, zoom H2, some footage I shot today and Sony Vegas. Created for ImprovFriday
Download the full quality video (191 MB)
http://clones.soonlabel.com/public/video/19_improvfridays.wmv
19 note per octave electric guitar, Marshall amp, zoom H2, some footage I shot today and Sony Vegas. Created for ImprovFriday
Download the full quality video (191 MB)
http://clones.soonlabel.com/public/video/19_improvfridays.wmv
19 note per octave electric guitar, Marshall amp, zoom H2, some footage I shot today and Sony Vegas. Created for ImprovFriday
Download the full quality video (191 MB)
http://clones.soonlabel.com/public/video/19_improvfridays.wmv
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
Many nebulae form from the gravitational collapse of gas in the interstellar medium. As the material collapses under its own weight, massive stars may form in the center, and their ultraviolet radiation ionises the surrounding gas, making it visible…
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant.
this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
Took sandbag's [Andromeda 1](http://alonetone.com/sandbags/tracks/andromeda-1) and applied some BigSeq2 and LiveCut.
Added a little FM8 underneath.
And this happy little accident came out.
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
Comments on vaisvil's stuff
esp like the drums on this! -Kavin./Breaking Light/Coelocanth
Excellent...... Conrad's voice reminds me for some reason of Steve Buscemi
Totally dig this track! Also the story behind the music is great.... love stuff like this!
Some really intense moments in here, lovely playing!
beautifully played.........dramatic
Very pretty - love the vocal tone!
Quirky and cool. Love your playing - totally jealous.
this is nice,,,, i like both the playing and the thinking behind this
I listened a few times. I like the different feeling of each phrase. Drama, suspense, anticipation. Great piece of work.
so so pretty .. I do not know if a windy dialog am i ready for. ;) *looks over the dialog* sorry I would base my improvised modern classical jazz on things like this but I would never go programming a serial performance ,,, I say that now but then there is the future. ;)
Beautiful and chilled.
It's obvious to me that the woman is furious with the man for buying a hideous carpet without asking her first! "Kiss me, can you feel the magic?" just before she goes ballistic! Great music Chris.
Ha! Loads of fun. Great glitch!
Nice, loving the weirdness in this:)
Dig this a lot.
Very beautiful!
Nice feel for this Friday morning ""..............
Execllente!
nice raga-esque, eastern feel to this.
Wonderful and misteryous sounds...
Comments made by vaisvil
nice, really nice!
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
I enjoyed playing on this thanks Norm! - no guitars harmed in the improvisation
nice progression
welcome! And excellent track!
Aengus is all Ethno 2.
I love your voice reef. Excellent tune and production - your acoustics sound especially nice.
This is brilliant! Would you consider doing a collaboration sometime?
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant. this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Excellent!!
very different - twitch dance :-)
one of my favorites by you!
one word... Chills.