what? IF the average neighbor is an alien that wants to harvest our body parts and organs for experiments would killing them really stop them? or should we just nuke there house straight on?? I am asking for a friend--
@Andrew Russe: very perceptive. Yeah I had to listen twice to appreciate the thoughtful layering of guitars, which I actually didn’t use in my remix because the mix would’ve been too crowded. This has been an almost constant earworm this week but I don’t mind!
Yep... didn't comment, did I? "Cool sounds" :) But now I've heard the lap-steel addition on Kavin's remix, I appreciate this one more than I did at first... very cool sounds. Raises an interesting thought for me... how we can see/hear through others eyes/ears, we can have ours "opened" by someone else's re-expression of a thing... when I first listened to this, it was "OK" for me, I saw Newbold's comment and thought "yeh, well" ... but hearing Kavin's addition gave me an "in" to this track... listening now I can hear/experience what he and Newbold heard first up.
Tettigoniidae in Overtones is scored for two Audio Damage Quanta synthesizer, tamtam, two triangles, glockenspiel, snare drum, bass drum, two tamborines, plucked psaltery and french horn all in harmonic series tuning. The synthesizers are purposely…
so impressive wow --- just like mmmm tasty texture touches. and tinglings --- just had to favorite this --- I think maybe to use this in a mix-- maybe but it might be too 'expressive' to work like that-
'Tis the gift to be simple, 'tis the gift to be free
'Tis the gift to come down where we ought to be,
And when we find ourselves in the place just right,
'Twill be in the valley of love and delight.
When true simplicity is gain'd,
To bow and…
Copland, not "Copeland" -- atone for your spelling sin and honor this dearly departed patriotic pinko by listening to his Symphony No. 3 TODAY!!! -- DrBill
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
i like the bass in here and the FX are prefect for the mood. the ending drone reminds me of the Beatles "I want you" vibe which i love.
Strange, quirky, fun.
Inspired and invigorating!
what? IF the average neighbor is an alien that wants to harvest our body parts and organs for experiments would killing them really stop them? or should we just nuke there house straight on?? I am asking for a friend--
@Andrew Russe: very perceptive. Yeah I had to listen twice to appreciate the thoughtful layering of guitars, which I actually didn’t use in my remix because the mix would’ve been too crowded. This has been an almost constant earworm this week but I don’t mind!
Yep... didn't comment, did I? "Cool sounds" :) But now I've heard the lap-steel addition on Kavin's remix, I appreciate this one more than I did at first... very cool sounds. Raises an interesting thought for me... how we can see/hear through others eyes/ears, we can have ours "opened" by someone else's re-expression of a thing... when I first listened to this, it was "OK" for me, I saw Newbold's comment and thought "yeh, well" ... but hearing Kavin's addition gave me an "in" to this track... listening now I can hear/experience what he and Newbold heard first up.
mostly pretty blending of nice sounds. :) so great I can hear this in a loop just on and on--
Love this...very textural and haunting....👍
Cool sounds.
so impressive wow --- just like mmmm tasty texture touches. and tinglings --- just had to favorite this --- I think maybe to use this in a mix-- maybe but it might be too 'expressive' to work like that-
great it is true mostly the repeating --- why is the barrel empty ? or most empty?
yeah it is good these notes work together nicely --
nice stuff
And this gives me some release - but not loads! I was going to ask if it's an ebow, but it's not is it? Sounds like a real bow?
I find this one a slightly more challenging listen!
This one follows Hopey Changey really well
I listened to these the other day while I was doing something else... I forgot to come back and comment. This is a gorgeous sound.
love the groove, add some lyrics to this Chris!
Neat guitar sound.
Copland, not "Copeland" -- atone for your spelling sin and honor this dearly departed patriotic pinko by listening to his Symphony No. 3 TODAY!!! -- DrBill
Comments made by vaisvil
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!