what? IF the average neighbor is an alien that wants to harvest our body parts and organs for experiments would killing them really stop them? or should we just nuke there house straight on?? I am asking for a friend--
@Andrew Russe: very perceptive. Yeah I had to listen twice to appreciate the thoughtful layering of guitars, which I actually didn’t use in my remix because the mix would’ve been too crowded. This has been an almost constant earworm this week but I don’t mind!
Yep... didn't comment, did I? "Cool sounds" :) But now I've heard the lap-steel addition on Kavin's remix, I appreciate this one more than I did at first... very cool sounds. Raises an interesting thought for me... how we can see/hear through others eyes/ears, we can have ours "opened" by someone else's re-expression of a thing... when I first listened to this, it was "OK" for me, I saw Newbold's comment and thought "yeh, well" ... but hearing Kavin's addition gave me an "in" to this track... listening now I can hear/experience what he and Newbold heard first up.
Tettigoniidae in Overtones is scored for two Audio Damage Quanta synthesizer, tamtam, two triangles, glockenspiel, snare drum, bass drum, two tamborines, plucked psaltery and french horn all in harmonic series tuning. The synthesizers are purposely…
so impressive wow --- just like mmmm tasty texture touches. and tinglings --- just had to favorite this --- I think maybe to use this in a mix-- maybe but it might be too 'expressive' to work like that-
'Tis the gift to be simple, 'tis the gift to be free
'Tis the gift to come down where we ought to be,
And when we find ourselves in the place just right,
'Twill be in the valley of love and delight.
When true simplicity is gain'd,
To bow and…
Copland, not "Copeland" -- atone for your spelling sin and honor this dearly departed patriotic pinko by listening to his Symphony No. 3 TODAY!!! -- DrBill
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
Hi Richard, the tuning I used for the Magic of Belief has much more than major or minor and I used almost all of the. The opening plays with the chords CDG, CEbG CEb^G (a "neutral" third about half way between minor and major) and CEG (except the E is a purer 3rd than 12 equal)
The main motive bottoms out at what my ears are telling me is a neutral interval against a D neutral chord (but I'm not 100% sure, I didn't work it out - could be D minor)
A shorter, stripped down version of a drone piece I submitted for the ongoing Fukushima Drones project, which you will find here:
http://auralfilms.bandcamp.com/album/fukushima-drones
This is an invitation, with instructions, on how any AT musician can hop a train in the US and get to my house for a jam session. Figured the lyrics needed to mention all 3 of the collaborating musicians home towns cuz they all run along these…
This is an invitation, with instructions, on how any AT musician can hop a train in the US and get to my house for a jam session. Figured the lyrics needed to mention all 3 of the collaborating musicians home towns cuz they all run along these…
What with all the great Zep covers posted by Tworegs and Chris Vaisvil, here's mine, I enlisted the vocal of the man himself, thanks Reg! Also note my new fretless strat as second guitar here.
Thank you for the comments. I don't often comment here anymore but I do want to answer your Rhodes question. I believe Ben uses a Yamaha Motif. The clarinets are real. I'd love to hear your new age version of Stairway - that would be grand!
here is a song from 72, by bread, that I always wanted to make a harder rock version of. an idea I have had since the early 70's. this was one of the rockin' songs by bread who did a lot of mellow love songs. there is something fun about turning…
For a friend who touched my heart
Emotion - 1975
Delicatly, softly,
Not knowing where she wants to be
Confusing, disillusioning,
Not knowing who she wants to be
Pulled from side to side
And inside about to die
She screams, I can't take it…
For a friend who touched my heart
Emotion - 1975
Delicatly, softly,
Not knowing where she wants to be
Confusing, disillusioning,
Not knowing who she wants to be
Pulled from side to side
And inside about to die
She screams, I can't take it…
OOOOh Bethan - the equipment was so bad it picked up Citizen's Band radios that were over-driven beyond the legal limit. Nonetheless. I still had the crush :-)
For a friend who touched my heart
Emotion - 1975
Delicatly, softly,
Not knowing where she wants to be
Confusing, disillusioning,
Not knowing who she wants to be
Pulled from side to side
And inside about to die
She screams, I can't take it…
For a friend who touched my heart
Emotion - 1975
Delicatly, softly,
Not knowing where she wants to be
Confusing, disillusioning,
Not knowing who she wants to be
Pulled from side to side
And inside about to die
She screams, I can't take it…
Comments on vaisvil's stuff
i like the bass in here and the FX are prefect for the mood. the ending drone reminds me of the Beatles "I want you" vibe which i love.
Strange, quirky, fun.
Inspired and invigorating!
what? IF the average neighbor is an alien that wants to harvest our body parts and organs for experiments would killing them really stop them? or should we just nuke there house straight on?? I am asking for a friend--
@Andrew Russe: very perceptive. Yeah I had to listen twice to appreciate the thoughtful layering of guitars, which I actually didn’t use in my remix because the mix would’ve been too crowded. This has been an almost constant earworm this week but I don’t mind!
Yep... didn't comment, did I? "Cool sounds" :) But now I've heard the lap-steel addition on Kavin's remix, I appreciate this one more than I did at first... very cool sounds. Raises an interesting thought for me... how we can see/hear through others eyes/ears, we can have ours "opened" by someone else's re-expression of a thing... when I first listened to this, it was "OK" for me, I saw Newbold's comment and thought "yeh, well" ... but hearing Kavin's addition gave me an "in" to this track... listening now I can hear/experience what he and Newbold heard first up.
mostly pretty blending of nice sounds. :) so great I can hear this in a loop just on and on--
Love this...very textural and haunting....👍
Cool sounds.
so impressive wow --- just like mmmm tasty texture touches. and tinglings --- just had to favorite this --- I think maybe to use this in a mix-- maybe but it might be too 'expressive' to work like that-
great it is true mostly the repeating --- why is the barrel empty ? or most empty?
yeah it is good these notes work together nicely --
nice stuff
And this gives me some release - but not loads! I was going to ask if it's an ebow, but it's not is it? Sounds like a real bow?
I find this one a slightly more challenging listen!
This one follows Hopey Changey really well
I listened to these the other day while I was doing something else... I forgot to come back and comment. This is a gorgeous sound.
love the groove, add some lyrics to this Chris!
Neat guitar sound.
Copland, not "Copeland" -- atone for your spelling sin and honor this dearly departed patriotic pinko by listening to his Symphony No. 3 TODAY!!! -- DrBill
Comments made by vaisvil
Hi Richard, the tuning I used for the Magic of Belief has much more than major or minor and I used almost all of the. The opening plays with the chords CDG, CEbG CEb^G (a "neutral" third about half way between minor and major) and CEG (except the E is a purer 3rd than 12 equal) The main motive bottoms out at what my ears are telling me is a neutral interval against a D neutral chord (but I'm not 100% sure, I didn't work it out - could be D minor)
a very intense drone - I like the solo guitar work a lot.
and I love this song!
thanks for the comment.
Awesome! I love your fretless work!
love the sound of your synth here - reminds me lot of the old CS-10 I once had a very long time ago. http://www.vintagesynth.com/yamaha/cs10.php
Thank you for the comments. I don't often comment here anymore but I do want to answer your Rhodes question. I believe Ben uses a Yamaha Motif. The clarinets are real. I'd love to hear your new age version of Stairway - that would be grand!
has ORH rubbed off on you?
Thank you for the comments Kavin - I know I'd be happy listening to B read a phone book too! And this piece is simply magical!
I'm at 28+ minutes.... this is awesome!
Beautiful. Gosh I really love what you do with your rig.
don't step on the event horizon!
yeah this is a good song indeed.
15 edo
crazy stuff!
I should mention the echo was a real echoplex... I do miss it.
OOOOh Bethan - the equipment was so bad it picked up Citizen's Band radios that were over-driven beyond the legal limit. Nonetheless. I still had the crush :-)
If by fuzzy wuzzy you mean touching my heart - well I had a crush on Cindy.
it is a vintage 1975 cassette recording with bad equipment - please listen to the spirit, not the reality.
this is great - there is a lot of playing with expectation in this. that is awesome work Bruce!