Year: 1999
Album:
Land of the Lost
Artist's description:
I don't remember where I got the drum set from but there is a custom percussion loop thanks to HammerHead.
The voice is mine suitably modified.
That is not a sequencer…
Year: 1999
Album:
Land of the Lost
Artist's description:
I don't remember where I got the drum set from but there is a custom percussion loop thanks to HammerHead.
The voice is mine suitably modified.
That is not a sequencer…
Year: 1999
Album:
Land of the Lost
Artist's description:
I don't remember where I got the drum set from but there is a custom percussion loop thanks to HammerHead.
The voice is mine suitably modified.
That is not a sequencer…
improvisation with pianoteq and hollywood strings
I am feeling like all of my improvisations sound the same again. I probably need to devote even more time to scoring - and building instruments.
improvisation with pianoteq and hollywood strings
I am feeling like all of my improvisations sound the same again. I probably need to devote even more time to scoring - and building instruments.
Vocals, Ibenez 5 string bass, Fender Mustang, GR-20 saxophone, SI rhodes, SI drums + drum 1 shots.
It is like you said
But different
Do we ever know?
If what we touch
Is always real
What do we feel?
I slide in time
And feel the gaps
Between…
I think you have aptly named this track.
Tremendous atmosphere here. Love the spell casting
in the middle. I have to say it made me feel uncomfortable. Mission accomplished!
Vocals, Ibenez 5 string bass, Fender Mustang, GR-20 saxophone, SI rhodes, SI drums + drum 1 shots.
It is like you said
But different
Do we ever know?
If what we touch
Is always real
What do we feel?
I slide in time
And feel the gaps
Between…
Vocals, Ibenez 5 string bass, Fender Mustang, GR-20 saxophone, SI rhodes, SI drums + drum 1 shots.
It is like you said
But different
Do we ever know?
If what we touch
Is always real
What do we feel?
I slide in time
And feel the gaps
Between…
Vocals, Ibenez 5 string bass, Fender Mustang, GR-20 saxophone, SI rhodes, SI drums + drum 1 shots.
It is like you said
But different
Do we ever know?
If what we touch
Is always real
What do we feel?
I slide in time
And feel the gaps
Between…
Norm's original 12/8 percussion track that forms the basis for the entire piece. http://alonetone.com/norm/tracks/mother-nut-drop
I'm involved in a microtonal music class. We are studying 11 edo instead of the normal 12 edo (equal division…
Norm's original 12/8 percussion track that forms the basis for the entire piece. http://alonetone.com/norm/tracks/mother-nut-drop
I'm involved in a microtonal music class. We are studying 11 edo instead of the normal 12 edo (equal division…
For Debbie, written (just) before I met her.
Reaching Out For You
I've been trying
Crying
Reaching out for you
It never is enough
I never do get through
My heart is true
My heart is meant for you
I've been crying
Trying
Reaching…
Vocals, Ibenez 5 string bass, Fender Mustang, GR-20 saxophone, SI rhodes, SI drums + drum 1 shots.
It is like you said
But different
Do we ever know?
If what we touch
Is always real
What do we feel?
I slide in time
And feel the gaps
Between…
wow...immediatley thought of Iron Butterfly / Blue Cheer ish..alot of sound...guitar tone is absolutley killer...that wide delay...sounds like 3 hippees jamming...insence and lava lamps
Finally, the finishing touches seem to be put on this three-year-old song thanks to some very talented people.
The band is:
Liam (age 13 at the time of recording) on drums
A Girl Named Sam (she's no kid!) with the backing vocals
Genevieve…
A few of you know I accidentally wiped out one of my SD cards that had all my works in progress on it. I'm just starting to piece it all together again - A slow process. This was supposed to be a reprise to "In My Head", but ended up being in…
I have issues at my house, sometimes they manifest themselves in my tracks. In this case, the bassoon and oboe represent the mouse. The guitar is the peanut-butter.
this is one inventive piece! what a mix - are you sure you didn't grow up south of I-10 in Louisiana? You have that Cajun blues thing down and who'd expect you could get oboe and bassoon to work so well with it! wow.
Hi - thought I'd throw up an older piece today while I have time (doing work at the new house later). This is an improvisation with my Fender Mustang / Roland GR-20 combination retuned on the fly to 9 notes per octave "Sorog" tuning. I think…
Yes, as a matter of practicality one performs with volume greater than the actual Fender (headphones to the GR-20, amplification of the Roland GR-20 ) - although I have mixed the "normal" and "new" tunings together and in some cases that sounds nice and fairly unique.
Really nothing more than some voice leading practice. Unfortunately, I had no keyboard or orchestral samples when I did this, so I used Lilypond and TiMidity++ and step programmed it in a text editor. I've since bought Cubase and EastWest/QuantumLeap…
As chance had it, I found myself in an acoustically great room, full of cajons! Well, they were unfinished cabinets actually, but they had lovely tones. Since this is the stuff dreams are made of, I had no choice but to seize the opportunity and…
well.... tell your wife you'll build her a new addition if she lets you keep this room as is :-)
nice - the sound is so surprisingly robust and resonate in tone.
Caveat emptor: I did absolutely none of the drumming in this piece.
WORLD PREMIER! FIRST RECORDING OF THIS PATTERN - EVER!
My friend Kokou "Alex" Yemey called me a few days ago with some urgency in his voice: "I must record this before…
It seems a lot of you record with open mics and can relate. I record 1 track at a time with usually 4 or 5 tracks. So, Im only asking for about 15 minutes of Silence...IS THIS TOO MUCH TO ASK??? Anyway, my house is so loud, I get a lot of bloopers…
Hi, The Suicide is programmed actually and uses Kontakt sounds. I have a large number of manuscripts which I created in college and shortly after (before 90's no computer program I had could let me score reasonably). In this case, The Suicide, was scored at an upright piano and I could play it at the time. Its really easy to play.
The last track that I'm going to upload for a while. I will be re-recording a few songs to release a LP under my own name. Hopefully it'll be good :)
This one is another exploration using loops and delays. I hope you like it!
A second version with the initial lead guitar standing alone...a little cluttered after a few listens and some constructive feedback!
Norm's Groove for St Monica inspired this one. Thanks Norm!
Lead Guitar, bass guitar and acoustic guitar…
still one of my personal faves. - although i'd wish to redo some parts, i'm stuck with this version, since i don't own one of the synths used there anymore..
(original photo)
If you have the fever and the only cure is more tambourine, here it is.
MORE TAMBOURINE SOLOS!! (But you should probably wait until you have the house to yourself...)
Comments on vaisvil's stuff
Excellent production. Lots going on here... going in for another listen.
Out of chaos comes order .......great sounds.
Groovy. Starts off like an old delta blues!
I agree with Norm BEautiful....
This is beautiful, Chris.
Ah, all the right questions! Hypnotic music and plaintive vocals.
Lovely jam you had there with yourself!
Sort of sitting on the porch, watching the sun going down and appreciating life type music.
I think you have aptly named this track. Tremendous atmosphere here. Love the spell casting in the middle. I have to say it made me feel uncomfortable. Mission accomplished!
Oh that's lovely!
This is a really great song.
This has a great vibe, I like it a lot!
dig the hard vocals on a nice magnolia melody!
floppy arrangement on both ends, cool!
Wow! Awesome!
Wicked cool set up you built there! Diggin this track too!
Cool vocal effects.
Solid. Love the bass.
more comments...4 minutes in and this is really over-the-top...just riding that wave os sustain...love it!
wow...immediatley thought of Iron Butterfly / Blue Cheer ish..alot of sound...guitar tone is absolutley killer...that wide delay...sounds like 3 hippees jamming...insence and lava lamps
Comments made by vaisvil
Sam sounds like one of the Indigo Girls :-) Very nice song everyone!
this is very good - like the solid vocal harmonies and leads.
this is one inventive piece! what a mix - are you sure you didn't grow up south of I-10 in Louisiana? You have that Cajun blues thing down and who'd expect you could get oboe and bassoon to work so well with it! wow.
This is a great tune - I love the percussion and the deep deep sounds.
Yes, as a matter of practicality one performs with volume greater than the actual Fender (headphones to the GR-20, amplification of the Roland GR-20 ) - although I have mixed the "normal" and "new" tunings together and in some cases that sounds nice and fairly unique.
nicely done - sounds a bit floydish. Introspective Roger Waters.
all of the compositions are wonderful - I feel emotion from your work.
this is a very nice progression against a pedal point and exposition. I agree the room acoustics are really great - it sounds great!!
very classical period sounding.
well.... tell your wife you'll build her a new addition if she lets you keep this room as is :-) nice - the sound is so surprisingly robust and resonate in tone.
wow - this is complicated!! and cool!
Hi, The Suicide is programmed actually and uses Kontakt sounds. I have a large number of manuscripts which I created in college and shortly after (before 90's no computer program I had could let me score reasonably). In this case, The Suicide, was scored at an upright piano and I could play it at the time. Its really easy to play.
wonderful!! So this is in part classical guitar? If so great tone!
bizarrely the opening bass riff sounds like the theme to green acres - a usa 60's sitcom.
sounds like my ferrets playing!
excellent!
yes! love the sounds here
this is nice indeed!!
one of my personal favorites too :-)
Dude! You own this place!!