I love the way your music sounds like an extension of the water sounds.

"Doing ok back here"?..i know that guy...my bad...different location.. The zoom H2 is cool...waiting for one in the mail. Really great!

this is good, i enjoyed.

Humility Don't Come to You Bet you don't know what I do, what I'm doing, what I'm doing Bet you don't understand Yes I realize that you think you think you are so big and its hollow the night you stand Humulity don't come to you Not at all Humility don't come to you Not at all I bet you can't figure out who you are All the things you try just don't get you too far And you try to make what it is Something that that it really isn't pure Humility don't come to you Easy at all Humility don't come to you You think you stand so tall Humility don't come to you Not Easy at all Humility don't come to you I hope that you can catch your fall.

Post the lyrics!

nice combination of sights and sounds, reminds me i did some music for aquarium once, i should look around and see if i can find it.. nicely done

I was just in the mood for shoals of Gregorian Monkfish and didn't even know it!

"Holy haunted aquariums Batman ..... he seems as dead as kipper" .........."Yes you could say he's been smoked"........... will yellow fish get his lady.......will the Red shark find someone to eat...will stripey find what he's looking for......... all these questions will be answered next week..... at the same time.. tune in... turn on.... drop out....

is so unusual to hear an instrument like this today,very interesting!And thank you for your comment :-)Lena & Irina

Nice build up. Would make a good intro for a spy/thriller film.

Kirk's comment +1!

Great build - another amazingly bold track. Some great flavours here. Never know what to expect from you!

I love that sound!, are mircotonal tunings possible for zithers or would that be a bit too dissonant? :) on a different aside I think these lyrics could develop into a multiple instrument performance

I love that sound. Very nice track altogether. I have a chord zither, can't play it, Been looking for someone in Cornwall to teach me for 15 years.

wow what a score! it sounds great

Nice sound to the zither- $42 on Ebay is a great deal.

You know, that photo really says it all. Good grief! Nice work here, Chris!

You can't make the noise if you don't have the toys! Nice find... gotta love ebay for instruments!

Seems so short! Very stirring!

i missed this when you put it up. you have done a great job off cutting mixing it.

finally got to hear this. there is a distinct didgeridoo sound to it, especially when you start. I wonder what would happened if you bowed the string. - and - how did you pull the wire out of a tire - I want to do that.

This is cool! You made the google guitar sound like its going through a *huge* stack.

wow. very powerful words and music.

this is excellent - and unique!

lovely Richard! Sounds light music for a candle light dinner.

thank you for the listen and comment on my seagull improv.

Reg - he did do something like that one day - and yes it was great!

and the excellence of the music should be overlooked too.

Reg - you are one heck of a story teller! Have you considered writing a novel or short story?

Hi John, I like this one.

you should be creating music for sci-fi films!

I wish AT had a repeat button. I'm downloading this - great piece Norm!

I'm going to put this in my profile if it will fit. the question of how microtonality is perceived and why is a hotly debated one on the tuning list. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. !2 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can't play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.

Hi Ricard, thanks for the listen and comment. It is probably hard not to hear 14 edo as out of tune since it so close to 12 but not quite there. I think then your sense of it being flattened and less bright is the result of the tuning.

This is beautiful! I love the bluesy feel. Would it be ok if I try to add to this?

On the three GR-20 pieces uploaded 6/8/11 this is how it works. In a nutshell - my guitar replaces a keyboard - but can do more. Everything you hear is driven by me playing my Fender Mustang in one improvised pass. Now, for each song the Fender Mustang by itself (or through an amp simulator) is heard - this sound comes from the traditional pick ups on the guitar. Besides that I have installed a Roland GK-3 pick up on my Mustang. This pick up has 6 tiny picks ups - one for each string and connects to a fairly large switch and then a 1/4" cable with some 11 lines - regular guitar output and 6 outputs for the GK-3. This cable connects to the GR-20 synthesizer / midi interface. The GR-20 first decodes, almost instantly, the note each string is playing. It then converts that to midi pitch information and shoves that out the back. More on that later. Also, since the GR-20 is a synthesizer besides, it takes the pitch information and routes it to an internal sound (if desired). The really interesting part is what happens when I route that midi output to my computer. At my computer Sonar lets me assign that midi data to any number of synthesizers / samplers/ what-have-you all at the same time. So, if I want a voice or strings or piano - no problem. As for drums - Kontakt has a really neat groups of sampled drum sets that are a combination of "one shots" and smaller loops. So for instance on one of the pieces when I played the C below middle C I got a snare roll, play the B below it I get the accent that finishes the roll. So, by playing many notes I get a complex assortment of drum sounds that are in time with my playing. I've used this technique before - I am learning how to control it better - and the response is different for each of the dozen or so drum kits packaged with Kontakt - and then consider the effect of different tempos - the result is a fair amount of variety.

your vocal control amazes me - excellent story and song!

Good one! You have a way, like The Boss, of touching something about life in your songs that just resonates. And judging from the comments -- resonates with pretty much everyone who hears.

I'm liking this!

this is a cool rocking piece - but didn't you use B maj as a resolution of B sus in there?