Van Gogh, On the Threshold of Eternity
Gary from music by computer suggested a re-master with less drum volume - your choice http://micro.soonlabel.com/17-ET/daily20110125b-17-reasons-I-hate-the-blues.mp3
I've had severe computer trouble…
Only in Disneyland is a 17 note per octave guitar solo. This was recorded direct in a Alesis multimix 8 into Sonar X1 with Lexicon reverb and Sonitus multiband EQ / compression.
Only in Disneyland is a 17 note per octave guitar solo. This was recorded direct in a Alesis multimix 8 into Sonar X1 with Lexicon reverb and Sonitus multiband EQ / compression.
Only in Disneyland is a 17 note per octave guitar solo. This was recorded direct in a Alesis multimix 8 into Sonar X1 with Lexicon reverb and Sonitus multiband EQ / compression.
very clear mix, listening with headphones, is a rich experience,,by the way, which piano synth? i especially like the lower/deeper notes,, very clear and smooth,,,, well done Chris
Genres:
Urban/Hip-Hop: Rhythm and Blues
Urban/Hip-Hop: Soul
Album:
Its About Soul
Artist's description:
a collaboration
Contributors:
thetworegs vocals
Norm percussion and didgeridoo
Chris guitars n stuff.
On Growing Old
by John Masefield - an excerpt read by F. Scott Fitzgerald in 1940, the year of Scott's death.
>Be with me, Beauty, for the fire is dying;
My dog and I are old, too old for roving.
Man, whose young passion sets the…
On Growing Old
by John Masefield - an excerpt read by F. Scott Fitzgerald in 1940, the year of Scott's death.
>Be with me, Beauty, for the fire is dying;
My dog and I are old, too old for roving.
Man, whose young passion sets the…
On Growing Old
by John Masefield - an excerpt read by F. Scott Fitzgerald in 1940, the year of Scott's death.
>Be with me, Beauty, for the fire is dying;
My dog and I are old, too old for roving.
Man, whose young passion sets the…
On Growing Old
by John Masefield - an excerpt read by F. Scott Fitzgerald in 1940, the year of Scott's death.
>Be with me, Beauty, for the fire is dying;
My dog and I are old, too old for roving.
Man, whose young passion sets the…
This is an improvisation on a theme I play all the time when I sit at the keys. Sort of a warm up I've been playing for a very long time. It is very simple and I may have used it here already. My apologies.
Genres:
Urban/Hip-Hop: Rhythm and Blues
Urban/Hip-Hop: Soul
Album:
Its About Soul
Artist's description:
a collaboration
Contributors:
thetworegs vocals
Norm percussion and didgeridoo
Chris guitars n stuff.
Genres:
Urban/Hip-Hop: Rhythm and Blues
Urban/Hip-Hop: Soul
Album:
Its About Soul
Artist's description:
a collaboration
Contributors:
thetworegs vocals
Norm percussion and didgeridoo
Chris guitars n stuff.
Genres:
Urban/Hip-Hop: Rhythm and Blues
Urban/Hip-Hop: Soul
Album:
Its About Soul
Artist's description:
a collaboration
Contributors:
thetworegs vocals
Norm percussion and didgeridoo
Chris guitars n stuff.
2008 - A 12 string guitar Acoustic Improv played in the Pelican tuning DEADAD. It has some rough spots but sometimes the best takes are the first ones. final edits made in Ableton 9 and audacity.
While wiring up a new FX processor in my studio I was messing around with this classic traditional sea shanty. Probably because at this time last week I was playing at the Harwich (UK) International Sea Shanty Festival. Anyway, while messing around…
Orphans were asked to contribute a track to a new 'Halloween Compilation' - released by Whiplash Records - this is our cover of the Coops 'Dwight Fry' - Hope you enjoy!
For this track I used a scale that John McLaughlin once mentioned in an interview, which I later figured out was a Phrygian Dominant scale with the flat-6 omitted.
Thanks for listening.
Comments on vaisvil's stuff
excellent, loving that bass and sax enjoying the whole piece and the beat wow!
Stirring and shaken. :) Great tribal beats (I imagine)!
A whole kaleidoscope of sound. Neato!!
Very interesting the possibilities with this 17 per octave division
very nice,, and much better than anything mickey or donald could pull off
very clear mix, listening with headphones, is a rich experience,,by the way, which piano synth? i especially like the lower/deeper notes,, very clear and smooth,,,, well done Chris
excellent
Totally pro, Chris. Great, great work.
Fantastic stuff
agree with Kirk, this is my 3rd listen here and at IF. Like the spare arrangement and the backward cymbals. The comic brings back a memory, too.
Very cool piece of work!
A unique sound from possibly one of the most unique new collab talent mixes I have heard for a while.
Very nice man! dig it!
Excellent!!!
To quote Dorthy Parker: "That poor SOB". Strong work Chris!
loved the start the middle and the end in-fact you could say i loved it
Powerful
Guys, this rocks!!
a very nice blend of your talents/skills, very cool....
neato!
Comments made by vaisvil
This gives a sense of a huge space with a guitar sound that rips the fabric of space-time - really great!
Love the textural development!
Always love your playing Ben!
I like how you use loops - your guitar becomes orchestral!
Cool piece!
On theme or not I love your piano playing!
Very good - nice and intimate, uncompromising!
Perfection! - but we all do not expect less for you and your collaborators Tess!
Sounds like middle eastern EDM!
Great guitar work!
great build and texture development!
Legolas and the woodland elvish band after being gifted synthesizers by Gandalf :-)
some really cool sounds in this!
This really is spooky - it is like being in a haunted house - is this the revived super nova?
really hot guitar!
Is this all you? In any case impressive vocals!
Fantastic cover!
you don't want to wait until I upload the noiseless samples?
This has a really a great sweetness tinged with regret feel.
Nice work!