I wonder how many days a month they would let me get away with going in there and jamming for awhile? "Hey! Would you guys mind holding off on the over-head customer service announcements? I'm recording here!!"
Brilliant!
I'm usually asked to leave Sam Ashe after a couple hours of playing on all of their cool percussion toys. Surprisingly, some folks don't have an appreciation for extended drum solos... and some might even be inclined to give you a nasty look if you just laugh when they ask you to stop. Note to self: save the gong trials for the last.
I am uploading this for a friend.
Year: 1985
Album:
Two Old Friends (Track #17)
Artist's description:
A little song about how things change.... composed on classical guitar, performed on electric guitar and synthesizer. Realized by bouncing…
I am uploading this for a friend.
Year: 1985
Album:
Two Old Friends (Track #17)
Artist's description:
A little song about how things change.... composed on classical guitar, performed on electric guitar and synthesizer. Realized by bouncing…
I am uploading this for a friend.
Year: 1985
Album:
Two Old Friends (Track #17)
Artist's description:
A little song about how things change.... composed on classical guitar, performed on electric guitar and synthesizer. Realized by bouncing…
I am uploading this for a friend.
Year: 1985
Album:
Two Old Friends (Track #17)
Artist's description:
A little song about how things change.... composed on classical guitar, performed on electric guitar and synthesizer. Realized by bouncing…
Ever have a song you know is ugly and horrific but you love anyway? This is one of those from 1997 and recorded in Cakewalk Pro Audio.
The piece is was totally improvised starting with the drum line which I had the drum machine in "learn" mode…
Not to start a George tribute, but here's a cover I did with Facemask93 that I really love. All I did was bass, backing vox and the drum pattern arrangement - I did feel a little like a dope trying to sing along with Rob's amazing voice, but will…
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
The Flying Bear features a nice fusion of funk and rock that leaves the listener both satisfied and excited. An experimental vibe is very prominent during the song's bridge, and the entire song can be rooted back to Soulstice Music's Red Hot Chili…
3 guitar tracks followed by a track with the trap set. A lot of alt tuning lately posted on AT which I like. This guitar was tuned to an open G. After I did it, I thought the sound was more like a backwoods, hillbilly song.
Unfortunately…
A song about not wanting to feel for someone that has treated you badly and left you behind.
Despite having these feelings you still feel this person is above you. As they fly freely and you're left lost on the ground.
When they come flying…
An experiment with quarter tone tuning.
I tuned my guitar: low E (normal tuning)
A (quarter step up)
D (normal tuning)
G (quarter step down)
B (normal tuning)
high E (tuned D then quarter step down)
This time I tried something else. It's definitely more jazzy than anything before. I think its a direction in which I'd like to keep going.
I hope you like it!
Comments on vaisvil's stuff
I wonder how many days a month they would let me get away with going in there and jamming for awhile? "Hey! Would you guys mind holding off on the over-head customer service announcements? I'm recording here!!"
Brilliant! I'm usually asked to leave Sam Ashe after a couple hours of playing on all of their cool percussion toys. Surprisingly, some folks don't have an appreciation for extended drum solos... and some might even be inclined to give you a nasty look if you just laugh when they ask you to stop. Note to self: save the gong trials for the last.
ahhhh It is the illusion of memory that makes is so real.
I must say I am impressed and I get it, I really do get it, you are not alone.
3 notes on the deck. like this one.
Very cool mix mate nice one
Now this is an idea i can get into. ;)
Thanks for your help, and i'm glad you and your wife liked the track!
Very impressive.
Ha!! Now, here's a 3000 dollar guitar. I never thought of field recording in a store. Unreal, and a very clever idea.
some of by best perfs have been in guitar centers, playing with the really expensive strings I can't afford.
epic trip.... great having some sparetime during weekens.
After hearing this i'm not sure......double stamped! score!!!
wow....amazing.
he's a legal alien.
Naaa....just a bad ass. Perfect track. Love it.
I am begining to wonder if vaisvil....it's still human...or...if the program has taken over his mind....and has become self aware...
so pretty pretty in did was she always so pretty?
they are alive at that , :)
nice track mate.
Comments made by vaisvil
Nice - I like the calm.
funky electro - strange sounds from another dimension - nicely done!!
excellent!
I like the vocals and song writing here. A bit post-Beatlesque
Is this Paul's extreme stretch? Nice work!
hey a George tribute would not be a bad thing! This is great version!! Excellent collaboration!
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
I liked this quartet a lot - better than No. 4. Melodically it just appealed.
yes! this is great Lalo!
love the effects in here.
excellent - sounds like dreamtime. I love it.
I like your guitar work here - especially past 2:10 - an improvisation?
nope - not heard of robert wyatt - or the music of soft machine for that matter that I can remember.
like the harmony vocals a lot!
nice groove!
Are these clips of Pelosi or Phyllis Schlafly? Excellent tune!
great voice and lyrics!
I like this - makes me want to give this technique a try.
I like it - very gentle.
ambient game music ?