A misnomer flashing through the radio waves out to the outer reaches then processed and returned to the organ player playing in the bar at the end of Brighton pier to plaster painted faces of the audience l
Nikola Tesla turned to pigeons in his extreme old age for companionship, feeding them through his open hotel window. After a life of dedication to improving the life of humanity, Nikola finally allowed himself time to find his own human nature.
Nikola Tesla turned to pigeons in his extreme old age for companionship, feeding them through his open hotel window. After a life of dedication to improving the life of humanity, Nikola finally allowed himself time to find his own human nature.
Nikola Tesla turned to pigeons in his extreme old age for companionship, feeding them through his open hotel window. After a life of dedication to improving the life of humanity, Nikola finally allowed himself time to find his own human nature.
Really like this. Your voice is getting defined in all these songs this one no less and the feeling between the self driven ensemble is tightening. Good work Chris!
This is a song some 15 years in the making. The original 4-track cassette tape tracks laid down in 1997 - and this past year Frank added bass and drums. Its my fault on how there are still rough edges - that is the result of how I did things…
a long time ago I often collaborated with an immensely talented composer from France, Alister Flint - this is one of our collaborations. Been years since I've heard from him. He's been missed.
The Pursuit is a composition in AA’B form combining electronica and pseudo musique concrète by using a 17 edo guitar with effects, voice, and synthesizers.
I pretty much kill this one, though it was a lot of fun to tackle. I approached this as a 3 piece band cover, that is drums via a Simmons SDMP-1 drum pad, bass, guitarist / vocalist. John Wetton's vocals were a bit too high for me to sustain so…
The Goseck circle is a Neolithic structure in Goseck in the Burgenlandkreis district in Saxony-Anhalt, Germany.
Its construction is dated to approximately the 49th century B.C., and it seems to have remained in use until about the 47th century…
Ooh, really cool. Not really sure what to say, sometimes the tones are all just perfectly balanced as they are here... and transforms into a whole other entity.
Another one rebuilt after my freak SD card initialization fiasco. The excellent solo work was done by my buddy Gnasty - I love it!
This is the second part of a two part song. I'll get the other part up next hopefully.
Badass Solos: Gnasty…
Not to start a George tribute, but here's a cover I did with Facemask93 that I really love. All I did was bass, backing vox and the drum pattern arrangement - I did feel a little like a dope trying to sing along with Rob's amazing voice, but will…
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
Comments on vaisvil's stuff
A misnomer flashing through the radio waves out to the outer reaches then processed and returned to the organ player playing in the bar at the end of Brighton pier to plaster painted faces of the audience l
Interesting, and thanks to your description, full of imagery too.
brilliant and perfect!
love the subtly of this and the way you evolve each section.
Super into the stutter
Hehe
I like it.
nice
Really like this. Your voice is getting defined in all these songs this one no less and the feeling between the self driven ensemble is tightening. Good work Chris!
[b]Great[/b] tune! So calm at the start. Like it a lot.
Is this being played in 12 TET? I'm hearing notes and sounds one wouldn't normally hear. (And I'm liking it.)
TurN up the volume
really nice ! hints of Gilmour !
Very cool I like..
NICE!
Getting yer Larry Fast on!
super awesome love KC
Great energy - loving the ethereal vocal!
So sad in the beginning.
Ooh, really cool. Not really sure what to say, sometimes the tones are all just perfectly balanced as they are here... and transforms into a whole other entity.
Comments made by vaisvil
very atmospheric - I like your touch Bruce!
nice trip!
very cool! I've not heard Arabic music a capella before! excellent!
great!!!
thank you for flying united :-)
nice work! I like your voice a lot.
Nice - I like the calm.
funky electro - strange sounds from another dimension - nicely done!!
excellent!
I like the vocals and song writing here. A bit post-Beatlesque
Is this Paul's extreme stretch? Nice work!
hey a George tribute would not be a bad thing! This is great version!! Excellent collaboration!
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
I liked this quartet a lot - better than No. 4. Melodically it just appealed.
yes! this is great Lalo!
love the effects in here.
excellent - sounds like dreamtime. I love it.
I like your guitar work here - especially past 2:10 - an improvisation?
nope - not heard of robert wyatt - or the music of soft machine for that matter that I can remember.
like the harmony vocals a lot!