This is a piece Norm and I collaborated on last year. We hope you will enjoy it.
two improvised 12 string guitar lines
bass line ( I took a few takes)
improvised piano
Norm's percussion in Tumbao rhythm
This is a piece Norm and I collaborated on last year. We hope you will enjoy it.
two improvised 12 string guitar lines
bass line ( I took a few takes)
improvised piano
Norm's percussion in Tumbao rhythm
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
Firstly, love the rhythm, tinkling and the music.
Gets the old hips unashamedly swaying.
Secondly, fabulous pictures, looks like paradise to me for several reasons, I hope it stays like that.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
Cool tuning. I've never heard anything like it. Nice work Debbie! The percussion is just perfect for this. The left channel "swampy" guitar towards the end rules!
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
Reg is leaving in the morning...there's a great big world out there to see....Acoustic & Voice trying to play that Bb Harp.........
I can’t play it safe (Lyrics
i can hear you say you want to play it safe
but i’ve got dreams i want to…
Reg is leaving in the morning...there's a great big world out there to see....Acoustic & Voice trying to play that Bb Harp.........
I can’t play it safe (Lyrics
i can hear you say you want to play it safe
but i’ve got dreams i want to…
damn, I'm floored. This is perfect and you are becoming an incredible song writer. All the right stuff in all of the right places - its that special sound man, you got it! Knock 'em dead!
I've been sent to the cellar by the wife as she has a visitor...bad luck hey!...so i got the acoustic down of the wall and even tried a little harmonica...hope you enjoy........
Over the Hills and far away (Lyrics)
over the hills and far away…
Just a little cover tune I did in preparation for last year's live RPM Challenge album "Letters."
Nylon string Yamaha travel guitar, vocals, and one mic... Missed notes and all.
we all have cover a Pink Floyd song at some point, and the only way to cover a perfect song is to make it completely different. Deep down, I think everyone was hoping the wall was not too high, and the song could end on a happy note of breaking…
This is one of my more agressive industrial-ish tunes. There's also an orchestral version done by vaisvil; it should be somewhere in his gigantic list of tracks...I'll see if I can find it and post a link.
[edit]
Unfortunately, vaisvil doesn…
This is one of my more agressive industrial-ish tunes. There's also an orchestral version done by vaisvil; it should be somewhere in his gigantic list of tracks...I'll see if I can find it and post a link.
[edit]
Unfortunately, vaisvil doesn…
I heard Vaisvil's Track earlier and had a bit of time so i thought i'd add a vocal....so thanks Chris for letting me play.........
Drama in the cheap Hotel room 52 (Lyrics)
I’m in room 52
and i honestly don’t know what to do
you’ve taken…
lots of different things I tried in this one, mostly in structure and vox, as well as harmony and texture. I guess it is a progressive type song with some gloom.
the intro is a short bass thing with effects called nectar, its like 25 sec.s…
RPM #2, first thank you all for the comments on rpm 1,, once again i forage into the world of midi orchestration,,, while i am beginning with strings and woodwinds,, this is a section from a string piece i am working on,, that somehow led me to…
Reg is fed up with being judged on his mental health..Care in the community...what a joke...track no3 for the RPM......
Care in the Community (Lyrics)
I’ve been shaken down to what i really am
and i am really nothing like you or you or you…
first my apologies to J. Pachabell
second, my very best wishes to all my AT friends who make sharing music here so wonderful,, hope your holiday season is most wonderful and filled with love, peace to us all r
Comments on vaisvil's stuff
beautiful
Still fresh!
very nice,, that sequence is a transcendental equation no?,, very cool,, you never cease to amaze me
VERY COOL! w;-)
Puts The A In Avante Garde!
great sounds,, fun piece
it simply sounds so authentic.. and this part, at 01'00", is brilliant!
Excellent! The percussion is just perfect.
Firstly, love the rhythm, tinkling and the music. Gets the old hips unashamedly swaying. Secondly, fabulous pictures, looks like paradise to me for several reasons, I hope it stays like that.
Dancing to this! Wishing I had a jewel in my navel!!!!!
FNG!!!
COOL!!
very cool, good work
Cool tuning. I've never heard anything like it. Nice work Debbie! The percussion is just perfect for this. The left channel "swampy" guitar towards the end rules!
been humming the main motif all morning long.. - and i thought, some vocals would be great on this, something of Tom Waits, or CharlElie Couture..
Ooo eerie stuff, beautifully done.
Lovely ethereal sounds here - definitely sensing some magic.
never heard of ethopian scales..heard of gypsy, japanese, mixolydian, lydian, ect. This is yet another interesting creation from you.
post-punk-a-delic! loved the vocal first time i've heard this one; hasn't changed since then!
Mustang and MXR, now that's what I like to hear.
Comments made by vaisvil
is true that in Minnesota the ice never complete melts, it just get s a green cover in summer for a few weeks? lovely video and music guys!
downloaded for posterity...
damn, I'm floored. This is perfect and you are becoming an incredible song writer. All the right stuff in all of the right places - its that special sound man, you got it! Knock 'em dead!
great vocals and lyrics - wonderful guitar work! and the harp too!
beautiful Keith, just beautiful. I love Indigo Girls and this is so on the money.
just give your phone a bath - that will do it!
on a roll!
this is a cool take on this. its like pink flyod version from the period they were doing movie sounds tracks.
I do say it seems you've added a great deal more Tension since the last revision I heard.
Always loved this song! Here is the CSO version http://alonetone.com/vaisvil/tracks/tension-acoustic-orchestral
I love what you did with it!
cool - very convincing orchestration and production!
wow - this is excellent! your production skills are getting really good!
Are you related to Robert Fripp? It sure sounds like it. Man this is lovely. I could heart this 3 or 4 more times.
What JamesRainmondi said - masterwork here - stunning!
this a quite good - enjoyed
Nice work, and realistic I'd say.
excellent.... needed to be said
beautiful, I'm sorry I missed it when first posted.
I really like this - nice structure and tones.