This is a piece Norm and I collaborated on last year. We hope you will enjoy it.
two improvised 12 string guitar lines
bass line ( I took a few takes)
improvised piano
Norm's percussion in Tumbao rhythm
This is a piece Norm and I collaborated on last year. We hope you will enjoy it.
two improvised 12 string guitar lines
bass line ( I took a few takes)
improvised piano
Norm's percussion in Tumbao rhythm
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
Firstly, love the rhythm, tinkling and the music.
Gets the old hips unashamedly swaying.
Secondly, fabulous pictures, looks like paradise to me for several reasons, I hope it stays like that.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
Cool tuning. I've never heard anything like it. Nice work Debbie! The percussion is just perfect for this. The left channel "swampy" guitar towards the end rules!
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
Reg has been reading a lot lately he's currently reading an interesting book called "Storming Heaven LSD and the American Dream by Jay Stevens" and so he decided to revisit A Toast to the Stone-age he did with Norm during Johnny's death and before…
Revolution in their minds - the children start to march
Against the world in which they have to live
and all the hate that's in their hearts
They're tired of being pushed around
and told just what to do
They'll fight the world until they've…
and I see I still have an alien. I guess the only thing to do is to accept that the charts at AT are meaningless. That is what happened at traxinspace.
Ill Drink a little slower
can't make my mind slow down
Im thinking of nothing
at a million miles an hour
makes me burn a little deeper
Chorus
But all my dreams are gone
you were there before it burned away
and all our love is done
im just looking…
Product of noodling around. Lead guitars are a combo of UAD's Nigel plugin and the Fractal Axe Fx. Clean guitars are the Fractal. The outro guitars are my Princeton Recording amp.
I played the piano's through my midi guitar and Axon. You can…
I had this mellow tune hanging around when I heard "Love is Life" by The Two Regs and thought I need to catch the other Reg while he's around.
Lucky for me he had the time, the voice, and the melody. We created this lovely tune.
I was electrified…
Product of noodling around. Lead guitars are a combo of UAD's Nigel plugin and the Fractal Axe Fx. Clean guitars are the Fractal. The outro guitars are my Princeton Recording amp.
I played the piano's through my midi guitar and Axon. You can…
My first upload.
This is a cover of probably my favourite song of all time, by The Waterboys, who were introduced to me many years ago when the highlight of my week was Thursday night TV, pizza and quaffing Baileys.
Thanks to Sister S for…
i think the title says it all.....the easy ones from the Beatles music book........More Regged up beatles but no Elvis he has gone off in a sulk he never did like them and he thinks were doing too much of them.......
Sometimes, you just have to make a track so that you can play that big ass gong - you know the one im talking about.
4 guitar tracks and one for the gong. Various FX for guitar including a sustain FX which seems to go well with the gong droning…
I think sometimes you have stolen the essence of David Gilmore and concentrated it in your guitar. Is that possibly the same gong I had the pleasure to meet after a cheesy western?
I did this one to Norms track Proof....... it's about a disturbing dream...... i hasten to add it was Reg's dream not mine. So blame him................
my up coming IF comment: a most strange blues backing track but it works well. Some sounds remind me of the daxophone which I recently discovered. Very cool!
A song for a wet day in Sheffield Thanks Johnny.......another one for the Zep album.........I will have to sort out that first verse..........but i hope you enjoy..........
the zoom H2 is battery operated - or if you wish it can use an adapter. The guitar I used is this one http://chrisvaisvil.com/?p=436 Brad converted. Any noise is from the Marshall amp which seems to have a ground problem - at least in the room its in at the moment. I haven't been listening much because I've been editing a lot of video and it brings my machine to its knees.
Samples used in this tune from the NY subway this summer. Inspired by Dave Dunseath
3-12, just uploaded a new version of this with guitar- and some other changes
Comments on vaisvil's stuff
beautiful
Still fresh!
very nice,, that sequence is a transcendental equation no?,, very cool,, you never cease to amaze me
VERY COOL! w;-)
Puts The A In Avante Garde!
great sounds,, fun piece
it simply sounds so authentic.. and this part, at 01'00", is brilliant!
Excellent! The percussion is just perfect.
Firstly, love the rhythm, tinkling and the music. Gets the old hips unashamedly swaying. Secondly, fabulous pictures, looks like paradise to me for several reasons, I hope it stays like that.
Dancing to this! Wishing I had a jewel in my navel!!!!!
FNG!!!
COOL!!
very cool, good work
Cool tuning. I've never heard anything like it. Nice work Debbie! The percussion is just perfect for this. The left channel "swampy" guitar towards the end rules!
been humming the main motif all morning long.. - and i thought, some vocals would be great on this, something of Tom Waits, or CharlElie Couture..
Ooo eerie stuff, beautifully done.
Lovely ethereal sounds here - definitely sensing some magic.
never heard of ethopian scales..heard of gypsy, japanese, mixolydian, lydian, ect. This is yet another interesting creation from you.
post-punk-a-delic! loved the vocal first time i've heard this one; hasn't changed since then!
Mustang and MXR, now that's what I like to hear.
Comments made by vaisvil
oh this is really top stuff!
and I see I still have an alien. I guess the only thing to do is to accept that the charts at AT are meaningless. That is what happened at traxinspace.
A suggestion. Delete this song and then upload it. That will get rid of the aliens.
A suggestion. Delete this song (and any others like this) and then upload it. That will get rid of the aliens.
very serene - I like it a lot.
almost joe cocker on the vocal Reg! sweet ballad!
I guess you brought your fans with you to AT. Where are you from?
great performance and song!
very unusual - reggae Beatles sort of?
I think sometimes you have stolen the essence of David Gilmore and concentrated it in your guitar. Is that possibly the same gong I had the pleasure to meet after a cheesy western?
I like this too - though the added dimension of the previous is better
cool piece!
great pop track!
finally I get to hear this - oh this is so weird - Elvis does Beatles! I like the arrangement.
sad story - one that is all too real.
my up coming IF comment: a most strange blues backing track but it works well. Some sounds remind me of the daxophone which I recently discovered. Very cool!
I do plan on making another. I need to research what wood to use instead of the cool looking but stab in the dark wine box this time.
Beautiful job on the vocals here Reg!
the zoom H2 is battery operated - or if you wish it can use an adapter. The guitar I used is this one http://chrisvaisvil.com/?p=436 Brad converted. Any noise is from the Marshall amp which seems to have a ground problem - at least in the room its in at the moment. I haven't been listening much because I've been editing a lot of video and it brings my machine to its knees.
the lyrics are so true...