Newbold meets clones. I knew this would be complex from the start. Chris, this was a formidable undertaking! You guys are both old school to me. Nice
Great listen !!! Great to see you both on AT
In 2006 we visited a Japanese garden. In September of 2009 I wrote this piano piece in 17 ET and I hear a connection between the two. So I put together a video from pictures and video taken of our visit and married the two. Please visit the song…
One of my favorite songs from The Lamb Lies Down on Broadway - which I pretty much destroy
12 string guitar, 6 string bass, lead and backing vocals
All the pumping's nearly over for my sweet heart.
This is the one for me,
Time to meet…
Over a month of hourly time lapse (night edited out) with 17 note per octave ambient guitar accompaniment. This is probably the longest project I’ve set out to do. I left my time lapse camera in the kitchen window filming the tree in my backyard…
Over a month of hourly time lapse (night edited out) with 17 note per octave ambient guitar accompaniment. This is probably the longest project I’ve set out to do. I left my time lapse camera in the kitchen window filming the tree in my backyard…
I've gone too long not listening to good experimental music like this. excellent work here, in the composition, the effects, performance, and the accompanying video. --din
Yesterday was a misfire because I had the drums misaligned - but Fabrizio came to the rescue and mixed this properly! We hope you enjoy our collaboration!
Earth, Can You Hear me Now? is a rock composition in 17 notes per octave (17 edo, 17…
Reminds me of the last movement of Conic Sections "King Pimento", which pissed off two thirds of Liberian nationals when first performed. Keep Stompin' til the Music Stops!
Had these backing tracks laying around on my drive for a while and didn't know what to do with them, so grabbed my Ebow and a fretless electric that I built for myself a couple years ago and had a go. My fretless playing is really in its infancy…
this is great!!! I love the jazz / spaces blues vibe. The harmony leads are seriously impressive! How'd did you make your fretless? I recently made one myself - amazing how low the action is now.
Stealin' Pumpkins off the vine...
Such good fun I do it all the time.
Single Gon Bops conga track miced for heavy bass. And 2 tracks of cow bell, of course.
4/4 200bpm
this is ok - I must admit I'd like to hear this with some shuffling percussion and a bass line to paste it together - and bring out that lead instrument a bit more. Its always dangerous to compose someone else's piece - so forgive me if the idea sounds ludicrous.
More stuff from the ancient archives rescued from the same cassette tape as Last Nights Fun. This time a set of 3 Irish reels Live at a concert back around 1992
This is probably the last of this stuff from the archives that I'll upload. Rescued from a cassette tape of a live performance with former band mates in Scartaglen. These tunes are popular down in the Southwest of Ireland. Michael(Fiddle) and…
This is probably the last of this stuff from the archives that I'll upload. Rescued from a cassette tape of a live performance with former band mates in Scartaglen. These tunes are popular down in the Southwest of Ireland. Michael(Fiddle) and…
Is It For You solo: that is simply a MXR distortion+ and my Fender Mustang with Bartolini pickups - a touch of reverb in Cakewalk Pro Audio. This was recorded in 2000. Thanks for the listen and comment!
Ten Years After cover performed live by Rainbowtruth @ Irish Brigade Fredricksburg, VA circa late 1990's.
Barnett: Guitar/lead vocal
Osborne: Drums/back-up vocal
Duff: Guitar
Bowers: Bass
Cool high-energy take w/ plenty of guitar solos. Decent…
This is the first of two demo's I made to consolidate my ideas about an album that I am working on for the Clinical Archives netlabel. The piece is fully improvised.
I am recording two albums for Clinical Archives, the first is to be released…
Comments on vaisvil's stuff
Nice Pianist !
http://news.mit.edu/1992/safety-0311
Newbold meets clones. I knew this would be complex from the start. Chris, this was a formidable undertaking! You guys are both old school to me. Nice Great listen !!! Great to see you both on AT
One of the best technical songs ever. Now, regarding the Hurdy Gurdy... Well done my bold brother. And Merry Christmas.
Nice one
ok
Great song and versh! Kavin.
Been listening to Ry Cooder soundtrack music, and this fits right in, great mood and guitar tone and concept.
I've gone too long not listening to good experimental music like this. excellent work here, in the composition, the effects, performance, and the accompanying video. --din
Lovely tone, better than my hammer - doktordoktor (Steve)
Tony Iommi jamming? Very dark
Reminds me of the last movement of Conic Sections "King Pimento", which pissed off two thirds of Liberian nationals when first performed. Keep Stompin' til the Music Stops!
Excellent...
interesting,,and nice
indeed quite intense... very rich in sound and texture.....lots of emotional space here,, very well done indeed!
Great full sound
Cool.... Sneaky little Grinch
Nice and bright sound, great echo.
Nice version. Simple and pure
very good... the repeating beat works well. never heard you do something like this.
Comments made by vaisvil
this is great!!! I love the jazz / spaces blues vibe. The harmony leads are seriously impressive! How'd did you make your fretless? I recently made one myself - amazing how low the action is now.
Excellent!!
rock n roll!!!
very cool track!
alright!!! great work as usual!!
oh yes this is lovely.
excellent!
I think I like this one the best out of the bunch - especially during the choir.
crazy trip through a negative universe!
truly wild excesses of sound!
I really like this!!
this is ok - I must admit I'd like to hear this with some shuffling percussion and a bass line to paste it together - and bring out that lead instrument a bit more. Its always dangerous to compose someone else's piece - so forgive me if the idea sounds ludicrous.
Great composition!
excellent!
excellent!! I love this kind of music!
Is It For You solo: that is simply a MXR distortion+ and my Fender Mustang with Bartolini pickups - a touch of reverb in Cakewalk Pro Audio. This was recorded in 2000. Thanks for the listen and comment!
very spooky indeed! nice composition
great!
most excellent sir!! most excellent!
love it!