Ilmenau Over All the Treetops is an adaptation of Ives’s setting of Goethe’s poem dated 1902. The accompaniment is a combination of bassoon, english theorbo and psaltery. This is a fortuitous tape recording from Reg's obscure neo-classical period…
Commemorating the epic struggle taking place in Wisconsin (USA) an improvised piece for orchestral, Indian, Chinese, and African percussion plus 3 synthesizers in harmonic series tuning. (A straight harmonic series from C1 and on up). Performed…
Ilmenau Over All the Treetops is an adaptation of Ives’s setting of Goethe’s poem dated 1902. The accompaniment is a combination of bassoon, english theorbo and psaltery. This is a fortuitous tape recording from Reg's obscure neo-classical period…
Nice tease with the conversations...i feel like a secret agent in the van waiting for that illicit speech...while tripping on the laced coffee i bought at Costa's...the waves of sound are getting stronger.....it's getting closer...i know it is.... 13.50 and counting...over halfway and the anticipation
grows....where is she? ....that voice we love to hear...... 16.20 and the heart beat increases.......the breathing is labored the anticipation intense.... the waiting ....the waiting....it's near 18.11 ...a numbness...the wait carry's on..... now i know what you've done....you Bugger!!
The audio in the video video is a selected annotated collection of Electric Aeolian Harp recordings taken over a consecutive 36 hour period. During that time the environment changed (wind, rain, sleet, snow) and I changed the tuning of the harp…
Another one rebuilt after my freak SD card initialization fiasco. The excellent solo work was done by my buddy Gnasty - I love it!
This is the second part of a two part song. I'll get the other part up next hopefully.
Badass Solos: Gnasty…
Not to start a George tribute, but here's a cover I did with Facemask93 that I really love. All I did was bass, backing vox and the drum pattern arrangement - I did feel a little like a dope trying to sing along with Rob's amazing voice, but will…
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
Comments on vaisvil's stuff
Chris, that's a good cover! Harmonica is a nice touch! Cheers Bethan
A nice chill sound for a Sunday morning
nice!!
Great sound!
step back Roger McGuinn. Love that sound.
Powerful performance from Reg. Bee
Oh Chris, this is lovely! Cheers Bee
Let the R's roll......
I am; yes, I am liking the timing work here.. very nice.
Love the percussion and the dissonance, very dramatic!
Cool sounds yawl
Hee!! Hee!! Hee!!
Nice tease with the conversations...i feel like a secret agent in the van waiting for that illicit speech...while tripping on the laced coffee i bought at Costa's...the waves of sound are getting stronger.....it's getting closer...i know it is.... 13.50 and counting...over halfway and the anticipation grows....where is she? ....that voice we love to hear...... 16.20 and the heart beat increases.......the breathing is labored the anticipation intense.... the waiting ....the waiting....it's near 18.11 ...a numbness...the wait carry's on..... now i know what you've done....you Bugger!!
Marvellously well controlled music and build up to your poem Chris, creates anticipation. Wow! That is awesome! Cheers Bee
this would be Post ambient minimal tension? your chord shapes are intense.. Liking this lots...
Fook YES!
excellent.. very well done.
Oh, it sounds lovely! Now I know what you bought that day! Cheers Bee
ok! I enjoyed it.
Well, that thawed us out nicely! I have been out of it all for February but nice to be back listening again.
Comments made by vaisvil
very atmospheric - I like your touch Bruce!
nice trip!
very cool! I've not heard Arabic music a capella before! excellent!
great!!!
thank you for flying united :-)
nice work! I like your voice a lot.
Nice - I like the calm.
funky electro - strange sounds from another dimension - nicely done!!
excellent!
I like the vocals and song writing here. A bit post-Beatlesque
Is this Paul's extreme stretch? Nice work!
hey a George tribute would not be a bad thing! This is great version!! Excellent collaboration!
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
I liked this quartet a lot - better than No. 4. Melodically it just appealed.
yes! this is great Lalo!
love the effects in here.
excellent - sounds like dreamtime. I love it.
I like your guitar work here - especially past 2:10 - an improvisation?
nope - not heard of robert wyatt - or the music of soft machine for that matter that I can remember.
like the harmony vocals a lot!