Poetry, a Cubist’s View is a “mash” of Benjamin Smith’s Ben.improv.Jul.16.2013 on electric piano and a combination of Paul Mimlitsch’s bass clarinet and soprano clarinet improvisations: “71913bcimpx1?, “71913scimpx1?, and “71913scimpx2?. I added…
Full and exciting Chris. I thought it would be marvellous as a soundtrack for a film of the book Animal Farm. Not what you intended I'm sure! Cheers Bee
Poetry, a Cubist’s View is a “mash” of Benjamin Smith’s Ben.improv.Jul.16.2013 on electric piano and a combination of Paul Mimlitsch’s bass clarinet and soprano clarinet improvisations: “71913bcimpx1?, “71913scimpx1?, and “71913scimpx2?. I added…
Well, I play this in Fokker 7-limit Just Intonation on the piano and I didn't attempt to try to sing as high as Robert. So that makes the vocals hard to nail right there. And I played it over many times the past 3 days and my voice got worn out…
Nobody can follow Plant, especially on this one, so why even try? I ought to dare my local classic rock station to play this version and tell them I'll stop listening if they won't do it. Heh heh. That'll fix 'em, won't it?
I dig the improv at the end; it makes me think that perhaps I should do my own "New Age" style cover of Stairway. Hmmm.
Poetry, a Cubist’s View is a “mash” of Benjamin Smith’s Ben.improv.Jul.16.2013 on electric piano and a combination of Paul Mimlitsch’s bass clarinet and soprano clarinet improvisations: “71913bcimpx1?, “71913scimpx1?, and “71913scimpx2?. I added…
Well, I play this in Fokker 7-limit Just Intonation on the piano and I didn't attempt to try to sing as high as Robert. So that makes the vocals hard to nail right there. And I played it over many times the past 3 days and my voice got worn out…
i wouldn't say murdered maybe a little beaten up though ....i love that piano work this is the first time I've ever heard it on the piano and it sounds great.....
Neither of us realized this is a Van De Graaf Generator song - I received the lyrics through an old friend of mine who passed away a few years ago. His book of poetry by Peter Hammill was one of his favorite possessions and he hand wrote out the…
Neither of us realized this is a Van De Graaf Generator song - I received the lyrics through an old friend of mine who passed away a few years ago. His book of poetry by Peter Hammill was one of his favorite possessions and he hand wrote out the…
Certainly is stirring stuff, unnerving and thought provoking. I really love your music Chris it's like it's stalking, ready to pounce - like a cat. Cheers Bee
Neither of us realized this is a Van De Graaf Generator song - I received the lyrics through an old friend of mine who passed away a few years ago. His book of poetry by Peter Hammill was one of his favorite possessions and he hand wrote out the…
Poem by Francis Duggan
Poem selected and recited by Bethan Mathis
Music composed by Chris Vaisvil
Selected for the ANDREAS N°15 – 14?-?18 First World War – FRACTION STUDIO COMPILATION
details / poem
http://chrisvaisvil.com/along-the-war-avenue…
In nuclear physics, a magic number is a number of nucleons (either protons or neutrons) such that they are arranged into complete shells within the atomic nucleus. The seven most widely recognised magic numbers as of 2007 are 2, 8, 20, 28, 50…
Poem by Francis Duggan
Poem selected and recited by Bethan Mathis
Music composed by Chris Vaisvil
Selected for the ANDREAS N°15 – 14?-?18 First World War – FRACTION STUDIO COMPILATION
details / poem
http://chrisvaisvil.com/along-the-war-avenue…
You have interpreted the poem perfectly Chris. The poignant strings, military drum rolls and booming explosions set the scene most sympathetically. It's rather haunting! Lovely job indeed.
@Kavin, ha ha, it's the accent! Bethan
Poem by Francis Duggan
Poem selected and recited by Bethan Mathis
Music composed by Chris Vaisvil
Selected for the ANDREAS N°15 – 14?-?18 First World War – FRACTION STUDIO COMPILATION
details / poem
http://chrisvaisvil.com/along-the-war-avenue…
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
Beautiful
and these types of music, can resolve sometimes easier then at first thought, well done here.
Good one.
Awe, that's lovely Chris! Good title! Bethan
Woo!! brave man taking this on with just acoustic and vocal. Hats off to you, sir. Nice one, like it.
I like your vocal Chris don't be so hard on yourself....ienjoyed.....
Full and exciting Chris. I thought it would be marvellous as a soundtrack for a film of the book Animal Farm. Not what you intended I'm sure! Cheers Bee
I heard this on the radio just the other day. ;) Sorry, I jest. Nice piano tone. Is it a real Rhodes or synthesized?
Nobody can follow Plant, especially on this one, so why even try? I ought to dare my local classic rock station to play this version and tell them I'll stop listening if they won't do it. Heh heh. That'll fix 'em, won't it? I dig the improv at the end; it makes me think that perhaps I should do my own "New Age" style cover of Stairway. Hmmm.
that's rather nice vais, a bubble & squeak of free jazz
i wouldn't say murdered maybe a little beaten up though ....i love that piano work this is the first time I've ever heard it on the piano and it sounds great.....
Excellent!!
Interesting piece
Certainly is stirring stuff, unnerving and thought provoking. I really love your music Chris it's like it's stalking, ready to pounce - like a cat. Cheers Bee
well done..
Good stuff
Compelling interpretation of a powerful poem. Great job, guys! Tess
Great track, Vaisvil. Strong sounds, well constructed... evocative without having to do too much.
You have interpreted the poem perfectly Chris. The poignant strings, military drum rolls and booming explosions set the scene most sympathetically. It's rather haunting! Lovely job indeed. @Kavin, ha ha, it's the accent! Bethan
Brilliant, yawl. I swear I could be happy listening to B read a phone book.
Comments made by vaisvil
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!